By ΠΠΎΠ΅Π²ΠΎΠ΄ΡΠΊΠΈΠΉ ΠΠ΅ΠΎΠΏΠΎΠ»ΡΠ΄ Π€ΡΠ°Π½ΡΠ΅Π²ΠΈΡ
ΠΠΎΠ΅Π²ΠΎΠ΄ΡΠΊΠΈΠΉ ΠΠ΅ΠΎΠΏΠΎΠ»ΡΠ΄ Π€ΡΠ°Π½ΡΠ΅Π²ΠΈΡ, 2025, Π‘Π΅ΡΠΈΡ: ΠΠΈΡ Π±ΠΎΠ³ΠΎΠ² ΠΈ Π³Π΅ΡΠΎΠ΅Π²
ΠΡΠ° ΠΊΠ½ΠΈΠ³Π° ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ Π³Π»ΡΠ±ΠΎΠΊΠΎΠ΅ ΠΏΠΎΠ³ΡΡΠΆΠ΅Π½ΠΈΠ΅ Π² Π΄ΡΠ΅Π²Π½Π΅Π³ΡΠ΅ΡΠ΅ΡΠΊΡΡ ΠΌΠΈΡΠΎΠ»ΠΎΠ³ΠΈΡ, ΠΈΡΡΠ»Π΅Π΄ΡΡ ΠΌΠ½ΠΎΠ³ΠΎΠΎΠ±ΡΠ°Π·ΠΈΠ΅ Π²Π΅ΡΡΠΈΠΉ ΠΎ Π΅Π΅ ΠΈΡΡΠΎΠΊΠ°Ρ , ΡΠΈΠΌΠ²ΠΎΠ»ΠΈΠΊΠ΅, ΡΠΌΡΡΠ»Π΅ ΠΈ ΡΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΠΈ. ΠΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠ΅, ΠΏΠΎΡΠ²ΠΈΠ²ΡΠ΅Π΅ΡΡ Π² ΠΊΠΎΠ½ΡΠ΅ XIX Π²Π΅ΠΊΠ°, ΠΎΠΏΠΈΡΠ°Π΅ΡΡΡ Π½Π° ΠΎΠ±ΡΠΈΡΠ½ΡΠΉ ΠΊΠΎΡΠΏΡΡ Π°Π½ΡΠΈΡΠ½ΡΡ ΠΈΡΡΠΎΡΠ½ΠΈΠΊΠΎΠ² ΠΈ ΠΏΡΠΎΠ²ΠΎΠ΄ΠΈΡ ΠΏΠ°ΡΠ°Π»Π»Π΅Π»ΠΈ Ρ ΠΌΠΈΡΠΎΠ»ΠΎΠ³ΠΈΡΠΌΠΈ Π΄ΡΡΠ³ΠΈΡ Π½Π°ΡΠΎΠ΄ΠΎΠ². Π Π°Π±ΠΎΡΠ° Π²ΡΠ·Π²Π°Π»Π° Π΄ΠΈΡΠΊΡΡΡΠΈΠΈ ΡΡΠ°Π·Ρ ΠΏΠΎΡΠ»Π΅ ΠΏΡΠ±Π»ΠΈΠΊΠ°ΡΠΈΠΈ ΠΈ Π²ΠΏΠΎΡΠ»Π΅Π΄ΡΡΠ²ΠΈΠΈ Π±ΡΠ»Π° ΡΠ°ΡΡΠΈΡΠ½ΠΎ Π·Π°Π±ΡΡΠ°, ΡΠ°ΠΊ ΠΊΠ°ΠΊ ΡΠΎΠΊΡΡ ΡΠΌΠ΅ΡΡΠΈΠ»ΡΡ Π½Π° ΠΈΠ½ΡΠ΅ΡΠΏΡΠ΅ΡΠ°ΡΠΈΡ ΠΌΠΈΡΠΎΠ² ΠΊΠ°ΠΊ ΠΎΡΡΠ°ΠΆΠ΅Π½ΠΈΡ ΡΠΎΡΠΈΠ°Π»ΡΠ½ΡΡ ΠΏΡΠΎΡΠ΅ΡΡΠΎΠ².
Leopold Frantsevich Voevodsky, 2025, Series: World of Gods and Heroes
This book offers an in-depth exploration of ancient Greek mythology, delving into its origins, symbolism, meaning, and content through various interpretations. Emerging in the late 19th century, this study is grounded in numerous ancient sources and draws parallels with the mythologies of other cultures. The work sparked debate upon its release and was later somewhat overlooked as the focus shifted towards viewing myths primarily as reflections of social processes.