By ΠΠ²Π΅ΡΡΡΠ½ΠΎΠ² ΠΠΎΠ½ΡΡΠ°Π½ΡΠΈΠ½ ΠΠ»Π΅ΠΊΡΠ°Π½Π΄ΡΠΎΠ²ΠΈΡ
ΠΠΎΠ½ΡΡΠ°Π½ΡΠΈΠ½ ΠΠ»Π΅ΠΊΡΠ°Π½Π΄ΡΠΎΠ²ΠΈΡ ΠΠ²Π΅ΡΡΡΠ½ΠΎΠ², 2020
Π ΠΎΠΊΡΡΠ±ΡΠ΅ 2015 Π³ΠΎΠ΄Π° Π² Π£ΡΠΏΠ΅Π½ΡΠΊΠΎΠΌ ΠΠ½ΡΠ³ΠΈΠ½ΠΈΠ½ΠΎΠΌ ΠΌΠΎΠ½Π°ΡΡΡΡΠ΅ ΠΠ»Π°Π΄ΠΈΠΌΠΈΡΠ° Π±ΡΠ»Π° Π²ΡΠΊΡΡΡΠ° Π³ΡΠΎΠ±Π½ΠΈΡΠ° ΠΎΡΠ½ΠΎΠ²Π°ΡΠ΅Π»ΡΠ½ΠΈΡΡ, ΠΠ°ΡΠΈΠΈ Π¨Π²Π°ΡΠ½ΠΎΠ²Π½Ρ, ΠΆΠΈΠ²ΡΠ΅ΠΉ Π²ΠΎ Π²ΡΠΎΡΠΎΠΉ ΠΏΠΎΠ»ΠΎΠ²ΠΈΠ½Π΅ XII Π²Π΅ΠΊΠ°. Π Π·Π°Ρ ΠΎΡΠΎΠ½Π΅Π½ΠΈΠΈ ΠΎΠ±Π½Π°ΡΡΠΆΠ΅Π½Ρ ΠΎΡΡΠ°Π½ΠΊΠΈ ΡΠ΅ΡΡΡΠ΅Ρ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊ, ΡΡΠΎ ΠΏΠΎΠ»ΠΎΠΆΠΈΠ»ΠΎ Π½Π°ΡΠ°Π»ΠΎ ΠΈΡΡΠΎΡΠΈΡΠ΅ΡΠΊΠΎΠΌΡ ΡΠ°ΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΡ. Π Π°Π±ΠΎΡΠ° ΠΈΡΡΠΎΡΠΈΠΊΠ° ΡΡΠ°Π²Π½ΠΈΠ²Π°Π΅ΡΡΡ Ρ Π΄Π΅ΡΡΠ΅Π»ΡΠ½ΠΎΡΡΡΡ ΡΠ»Π΅Π΄ΠΎΠ²Π°ΡΠ΅Π»Ρ, ΡΡΡΠ΅ΠΌΡΡΠ΅Π³ΠΎΡΡ ΡΠ°Π³ Π·Π° ΡΠ°Π³ΠΎΠΌ ΡΠ°ΡΠΏΡΡΠ°ΡΡ ΡΡΡ Π·Π°Π³Π°Π΄ΠΊΡ. ΠΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠ΅ ΡΠ°ΠΊΠΆΠ΅ Π·Π°ΡΡΠ°Π³ΠΈΠ²Π°Π΅Ρ Π²ΠΎΠΏΡΠΎΡΡ ΡΡΠ½ΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΡΡ ΠΎΠΆΠ΄Π΅Π½ΠΈΡ ΠΠ°ΡΠΈΠΈ, Π΅Ρ ΠΎΡΡΠ°, ΡΡΡΠΎΠΈΡΠ΅Π»ΡΡΡΠ²Π° ΠΠΌΠΈΡΡΠΈΠ΅Π²ΡΠΊΠΎΠ³ΠΎ ΡΠΎΠ±ΠΎΡΠ° ΠΈ ΠΏΡΠΎΠΈΡΡ ΠΎΠΆΠ΄Π΅Π½ΠΈΡ Π»ΡΠ²Π° Π½Π° Π³Π΅ΡΠ±Π΅ ΠΠ»Π°Π΄ΠΈΠΌΠΈΡΠ°.
Konstantin Alexandrovich Averyanov, 2020
In October 2015, the tomb of Maria Shvarnovna, the founder of the Uspensky Knyaginin Monastery in Vladimir who lived in the second half of the 12th century, was opened. The burial contained the remains of four individuals, initiating a historical investigation. The work of a historian is likened to that of a detective, piecing together clues to unravel this enigma. The study also addresses questions about Maria's ethnic origin, her father, the construction of the Dmitrievsky Cathedral, and the origin of the lion on Vladimir's coat of arms.