Π ΠΊΠΎΠ½ΡΠ΅ ΠΊΠΎΠ½ΡΠΎΠ². ΠΡΠ½ΡΠ±Π΅ΡΠ³ΡΠΊΠΈΠ΅ Π΄Π½Π΅Π²Π½ΠΈΠΊΠΈ
ΠΠ±Π·ΠΎΡ
ΠΠΎΡΠΈΡ ΠΠΈΠΊΠΎΠ»Π°Π΅Π²ΠΈΡ ΠΠΎΠ»Π΅Π²ΠΎΠΉ (1908β1981), ΠΈΠ·Π²Π΅ΡΡΠ½ΡΠΉ ΡΠΎΠ²Π΅ΡΡΠΊΠΈΠΉ ΠΏΠΈΡΠ°ΡΠ΅Π»Ρ ΠΈ ΠΊΠΎΡΡΠ΅ΡΠΏΠΎΠ½Π΄Π΅Π½Ρ, ΡΠΎΠ±ΡΠ°Π» ΡΠ²ΠΎΠΈ ΡΠ΅ΠΏΠΎΡΡΠ°ΠΆΠΈ ΠΎ ΠΡΡΠ½Π±Π΅ΡΠ³ΡΠΊΠΎΠΌ ΠΏΡΠΎΡΠ΅ΡΡΠ΅ Π² ΡΡΠΎΠΉ ΠΊΠ½ΠΈΠ³Π΅. Π ΠΊΠ°ΡΠ΅ΡΡΠ²Π΅ ΡΠΏΠ΅ΡΠΊΠΎΡΡΠ΅ΡΠΏΠΎΠ½Π΄Π΅Π½ΡΠ° Π³Π°Π·Π΅ΡΡ Β«ΠΡΠ°Π²Π΄Π°Β» ΠΎΠ½ ΠΎΡΠ²Π΅ΡΠ°Π» ΡΡΠ΄ Π½Π°Π΄ Π³Π»Π°Π²Π½ΡΠΌΠΈ Π½Π°ΡΠΈΡΡΡΠΊΠΈΠΌΠΈ Π²ΠΎΠ΅Π½Π½ΡΠΌΠΈ ΠΏΡΠ΅ΡΡΡΠΏΠ½ΠΈΠΊΠ°ΠΌΠΈ, ΡΠΈΠΊΡΠΈΡΡΡ Π°ΡΠΌΠΎΡΡΠ΅ΡΡ ΡΠ°Π±ΠΎΡΡ ΠΠ΅ΠΆΠ΄ΡΠ½Π°ΡΠΎΠ΄Π½ΠΎΠ³ΠΎ ΡΡΠΈΠ±ΡΠ½Π°Π»Π°. Π ΠΊΠ½ΠΈΠ³Π΅ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½Ρ Π²ΡΡΠ°Π·ΠΈΡΠ΅Π»ΡΠ½ΡΠ΅ ΠΏΠΎΡΡΡΠ΅ΡΡ ΡΡΠ΄Π΅ΠΉ, ΠΏΠΎΠ΄ΡΡΠ΄ΠΈΠΌΡΡ
ΠΈ ΠΊΠΎΠ»Π»Π΅Π³βΠΊΠΎΡΡΠ΅ΡΠΏΠΎΠ½Π΄Π΅Π½ΡΠΎΠ², Π½Π°Ρ
ΠΎΠ΄ΠΈΠ²ΡΠΈΡ
ΡΡ ΡΡΠ΄ΠΎΠΌ Ρ Π½ΠΈΠΌ Π² ΠΡΡΠ½Π±Π΅ΡΠ³Π΅. ΠΠΎΠ»Π΅Π²ΠΎΠΉ ΡΠ°Π·ΠΌΡΡΠ»ΡΠ΅Ρ ΠΎΠ± Π°Π½ΡΠΈΠ³ΡΠΌΠ°Π½Π½ΠΎΠΉ ΡΡΡΠ½ΠΎΡΡΠΈ Π½Π°ΡΠΈΠ·ΠΌΠ°, ΠΏΠΎΠΊΠ°Π·ΡΠ²Π°Ρ Π·Π»ΠΎ, ΠΏΡΠΈΠ½Π΅ΡΡΠ½Π½ΠΎΠ΅ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΡΠ²Ρ, ΠΈ Π·Π°ΠΊΠΎΠ½ΠΎΠΌΠ΅ΡΠ½ΠΎΡΡΡ Π²ΠΎΠ·ΠΌΠ΅Π·Π΄ΠΈΡ, Π½Π°ΡΡΠΈΠ³ΡΠ΅Π³ΠΎ Π΅Π³ΠΎ ΡΠ²ΠΎΡΡΠΎΠ².
ΠΠΎΠΌΡ ΠΏΠΎΠ΄ΠΎΠΉΠ΄ΡΡ
- ΠΡΠ±ΠΈΡΠ΅Π»ΠΈ ΠΈΡΡΠΎΡΠΈΠΈ ΠΡΠΎΡΠΎΠΉ ΠΌΠΈΡΠΎΠ²ΠΎΠΉ Π²ΠΎΠΉΠ½Ρ ΠΈ ΠΡΡΠ½Π±Π΅ΡΠ³ΡΠΊΠΎΠ³ΠΎ ΠΏΡΠΎΡΠ΅ΡΡΠ°
- Π‘ΡΡΠ΄Π΅Π½ΡΡ ΠΈ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°ΡΠ΅Π»ΠΈ ΠΆΡΡΠ½Π°Π»ΠΈΡΡΠΈΠΊΠΈ, ΠΏΡΠ°Π²Π° ΠΈ ΠΏΠΎΠ»ΠΈΡΠΈΡΠ΅ΡΠΊΠΈΡ
Π½Π°ΡΠΊ
- Π§ΠΈΡΠ°ΡΠ΅Π»ΠΈ Π΄ΠΎΠΊΡΠΌΠ΅Π½ΡΠ°Π»ΡΠ½ΠΎΠΉ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΡ ΠΈ ΡΠ΅ΠΏΠΎΡΡΠ°ΠΆΠ΅ΠΉ Ρ ΠΌΠ΅ΡΡΠ° ΡΠΎΠ±ΡΡΠΈΠΉ
ΠΠ»ΡΡΠ΅Π²ΡΠ΅ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎΡΡΠΈ
- ΠΠ²ΡΠΎΡ: ΠΠΎΠ»Π΅Π²ΠΎΠΉ ΠΠΎΡΠΈΡ ΠΠΈΠΊΠΎΠ»Π°Π΅Π²ΠΈΡ, ΠΈΠ·Π²Π΅ΡΡΠ½ΡΠΉ ΡΠΎΠ²Π΅ΡΡΠΊΠΈΠΉ ΠΏΠΈΡΠ°ΡΠ΅Π»Ρ ΠΈ ΠΊΠΎΡΡΠ΅ΡΠΏΠΎΠ½Π΄Π΅Π½Ρ
- ΠΠ·Π΄Π°Π½ΠΈΠ΅ 2021 Π³ΠΎΠ΄Π°, ΠΈΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ Β«ΠΠ½ΠΈΠΆΠ½ΡΠΉ ΠΠ»ΡΠ± 36.6Β», 304 ΡΡΡΠ°Π½ΠΈΡΡ, ΡΠ²Π΅ΡΠ΄ΡΠΉ ΠΏΠ΅ΡΠ΅ΠΏΠ»ΡΡ
- Π‘ΠΎΠ±ΡΠ°Π½Π½ΡΠ΅ ΡΠ΅ΠΏΠΎΡΡΠ°ΠΆΠΈ ΠΎ ΠΡΡΠ½Π±Π΅ΡΠ³ΡΠΊΠΎΠΌ ΠΏΡΠΎΡΠ΅ΡΡΠ΅, Π½Π°ΠΏΠΈΡΠ°Π½Π½ΡΠ΅ Π΄Π»Ρ Π³Π°Π·Π΅ΡΡ Β«ΠΡΠ°Π²Π΄Π°Β»
- ΠΠΎΠ΄ΡΠΎΠ±Π½ΡΠ΅ ΠΏΠΎΡΡΡΠ΅ΡΡ ΡΠ»Π΅Π½ΠΎΠ² ΠΠ΅ΠΆΠ΄ΡΠ½Π°ΡΠΎΠ΄Π½ΠΎΠ³ΠΎ ΡΡΠΈΠ±ΡΠ½Π°Π»Π°, ΠΏΠΎΠ΄ΡΡΠ΄ΠΈΠΌΡΡ
ΠΈ ΠΊΠΎΠ»Π»Π΅Π³βΠΊΠΎΡΡΠ΅ΡΠΏΠΎΠ½Π΄Π΅Π½ΡΠΎΠ²
- Π Π°Π·ΠΌΡΡΠ»Π΅Π½ΠΈΡ ΠΎ Π°Π½ΡΠΈΠ³ΡΠΌΠ°Π½Π½ΠΎΠΉ ΡΡΡΠ½ΠΎΡΡΠΈ Π½Π°ΡΠΈΠ·ΠΌΠ° ΠΈ Π·Π°ΠΊΠΎΠ½ΠΎΠΌΠ΅ΡΠ½ΠΎΡΡΠΈ Π²ΠΎΠ·ΠΌΠ΅Π·Π΄ΠΈΡ
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In the End: Nuremberg Diaries
Overview
Boris Nikolaevich Polevoi (1908β1981), celebrated Soviet novelist and frontline correspondent, compiled his eyewitness reports from the Nuremberg Trials into this volume. As a special correspondent for Pravda, he covered the prosecution of the main Nazi war criminals and recorded the atmosphere inside the International Tribunal. The book offers striking portraits of judges, defendants and fellow journalists who worked alongside him in Nuremberg. Polevoi reflects on the inhuman essence of Nazism, exposing the evil it inflicted on humanity and the inevitable retribution that followed its architects.
Who it's for
- Readers interested in World War II history and the Nuremberg Trials
- Students and scholars of journalism, law, and political science
- Fans of documentary literature and firstβhand war correspondence
Key features
- Author: Boris Nikolaevich Polevoi, noted Soviet writer and war correspondent
- Published 2021 by Knizhny Klub 36.6, 304 pages, hard cover
- Contains original reports from the Nuremberg Trials written for the newspaper Pravda
- Provides vivid portraits of International Tribunal judges, defendants and fellow journalists
- Analyzes the inhuman nature of Nazism and the moral law of retribution