By Π¨Π΅ΡΡΠΈΠΌΠΈΡΠΎΠ² ΠΠ»Π΅ΠΊΡΠ°Π½Π΄Ρ
Π¨Π΅ΡΡΠΈΠΌΠΈΡΠΎΠ² ΠΠ»Π΅ΠΊΡΠ°Π½Π΄Ρ, 2009, Π‘Π΅ΡΠΈΡ: ΠΠ°ΡΡΠ΅ΡΠ° ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠΈ. ΠΠ°ΡΡΠ±Π΅ΠΆΠ½ΡΠ΅ Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΈ
Π£ΠΈΠ»ΡΡΠΌ Π₯ΠΎΠ»ΠΌΠ΅Π½ Π₯Π°Π½Ρ, ΠΎΠ΄ΠΈΠ½ ΠΈΠ· ΠΎΡΠ½ΠΎΠ²Π°ΡΠ΅Π»Π΅ΠΉ ΠΡΠ°ΡΡΡΠ²Π° ΠΏΡΠ΅ΡΠ°ΡΠ°ΡΠ»ΠΈΡΠΎΠ², ΠΎΡΡΠ°Π²Π°Π»ΡΡ Π²Π΅ΡΠ΅Π½ ΡΠ²ΠΎΠΈΠΌ ΡΠ½ΠΎΡΠ΅ΡΠΊΠΈΠΌ ΡΡΡΠ΅ΡΠΈΡΠ΅ΡΠΊΠΈΠΌ ΠΏΡΠΈΠ½ΡΠΈΠΏΠ°ΠΌ Π΄ΠΎ ΠΊΠΎΠ½ΡΠ° ΠΆΠΈΠ·Π½ΠΈ. Π₯ΠΎΡΡ ΠΎΠ½ Π½Π΅ Π΄ΠΎΠ±ΠΈΠ»ΡΡ Π²ΡΠ΅ΠΎΠ±ΡΠ΅Π³ΠΎ ΠΏΡΠΈΠ·Π½Π°Π½ΠΈΡ, Π΅Π³ΠΎ ΠΊΠ°ΡΡΠΈΠ½Ρ ΡΠ²Π»ΡΡΡΡΡ ΡΡΠΊΠΈΠΌ ΠΎΠ±ΡΠ°Π·ΡΠΎΠΌ ΠΌΠΎΡΠ°Π»ΠΈΠ·Π°ΡΠΎΡΡΠΊΠΎΠ³ΠΎ ΠΈΡΠΊΡΡΡΡΠ²Π°. Π ΡΡΠΎΠΌ Π°Π»ΡΠ±ΠΎΠΌΠ΅ ΠΏΠΎΠ΄ΡΠΎΠ±Π½ΠΎ ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Π΅ΡΡΡ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²ΠΎ Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠ°, ΠΊΠΎΡΠΎΡΡΠΉ ΡΡΠΈΡΠ°Π», ΡΡΠΎ ΠΈΡΠΊΡΡΡΡΠ²ΠΎ Π΄ΠΎΠ»ΠΆΠ½ΠΎ ΡΠ»ΡΠΆΠΈΡΡ Π²Π΅ΡΠ΅ ΠΈ Π΄ΠΎΠ±ΡΡ. ΠΠ·Π΄Π°Π½ΠΈΠ΅ ΠΏΡΠ΅Π΄Π½Π°Π·Π½Π°ΡΠ΅Π½ΠΎ Π΄Π»Ρ ΡΠΈΡΠΎΠΊΠΎΠ³ΠΎ ΠΊΡΡΠ³Π° ΡΠΈΡΠ°ΡΠ΅Π»Π΅ΠΉ, Π²ΠΊΠ»ΡΡΠ°Ρ ΠΈΡΠΊΡΡΡΡΠ²ΠΎΠ²Π΅Π΄ΠΎΠ² ΠΈ ΡΡΡΠ΄Π΅Π½ΡΠΎΠ² Ρ ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΡΡ Π²ΡΠ·ΠΎΠ².
Alexander Shestimirov, 2009, Series: Masters of Painting. Foreign Artists
William Holman Hunt, a founder of the Pre-Raphaelite Brotherhood, remained true to his youthful aesthetic principles throughout his life. While he did not achieve universal recognition, his paintings stand as a striking example of moralizing art. This album delves into the work of an artist who believed art should serve faith and goodness. The publication is intended for a broad audience, including art historians and art students.