By Π£ΡΡΠΈΠ½ΠΎΠ²Π° Π’Π°ΡΡΡΠ½Π° ΠΠΈΡΠ°Π»ΡΠ΅Π²Π½Π°
Π£ΡΡΠΈΠ½ΠΎΠ²Π° Π’Π°ΡΡΡΠ½Π° ΠΠΈΡΠ°Π»ΡΠ΅Π²Π½Π°, 2025
1993 Π³ΠΎΠ΄. Π‘ΡΡΠ°Π½Π° ΠΏΠ΅ΡΠ΅ΠΆΠΈΠ²Π°Π΅Ρ ΡΠΌΡΡΠ½ΡΠ΅ Π²ΡΠ΅ΠΌΠ΅Π½Π°, Π½ΠΎ Π² ΠΊΠ½ΠΈΠΆΠ½ΠΎΠΌ ΠΌΠ°Π³Π°Π·ΠΈΠ½Π΅ "ΠΠΎΡΠΊΠ²Π°" Π½Π° Π’Π²Π΅ΡΡΠΊΠΎΠΉ ΡΠ»ΠΈΡΠ΅ ΠΆΠΈΠ·Π½Ρ ΡΠ΅ΡΠ΅Ρ ΡΠ²ΠΎΠΈΠΌ ΡΠ΅ΡΠ΅Π΄ΠΎΠΌ. ΠΠΎΠ²Π°Ρ Π΄ΠΈΡΠ΅ΠΊΡΡΠΈΡΠ° ΠΠ°ΡΠΈΠ½Π° ΠΠΈΠΊΠΎΠ»Π°Π΅Π²Π½Π° ΡΡΠ°Π»ΠΊΠΈΠ²Π°Π΅ΡΡΡ Ρ Π½Π΅Π²ΡΠΏΠΎΠ»Π½ΠΈΠΌΠΎΠΉ Π·Π°Π΄Π°ΡΠ΅ΠΉ: ΡΠΎΡ ΡΠ°Π½ΠΈΡΡ ΠΏΠΎΡΡΠ΄ΠΎΠΊ ΠΈ Π²ΡΠΏΠΎΠ»Π½ΠΈΡΡ ΠΏΠ»Π°Π½ Π² ΡΡΠ»ΠΎΠ²ΠΈΡΡ Π½Π°Π΄Π²ΠΈΠ³Π°ΡΡΠ΅Π³ΠΎΡΡ Ρ Π°ΠΎΡΠ°. Π‘ΠΎΠ±ΡΡΠΈΡ Π²ΠΎΠΊΡΡΠ³ β ΡΠ°Π½ΠΊΠΈ Π½Π° ΡΠ»ΠΈΡΠ°Ρ , Π½Π΅ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½Π½ΠΎΡΡΡ Ρ ΡΡΠ°Π½ΡΠΏΠΎΡΡΠΎΠΌ ΠΈ Π½Π΅ΡΠ°Π±ΠΎΡΠ°ΡΡΠΈΠΉ ΡΠ΅Π»Π΅Π²ΠΈΠ·ΠΎΡ β ΡΠΎΠ·Π΄Π°ΡΡ Π°ΡΠΌΠΎΡΡΠ΅ΡΡ Π½Π΅ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½Π½ΠΎΡΡΠΈ. ΠΠ΅ΡΠΌΠΎΡΡΡ Π½Π° Π²ΡΠ΅ ΡΡΡΠ΄Π½ΠΎΡΡΠΈ, Π³Π΅ΡΠΎΠΈΠ½Ρ Π½Π°ΠΌΠ΅ΡΠ΅Π½Π° ΠΏΡΠ΅Π΄ΠΎΡΠ²ΡΠ°ΡΠΈΡΡ ΠΊΠ°ΡΠ°ΡΡΡΠΎΡΡ.
Tatiana Vitalievna Ustinova, 2025
The year is 1993. The world outside is in turmoil, but inside the "Moskva" bookstore on Tverskaya Street, lamps still burn and the scent of fresh ink fills the air. The new director, Marina Nikolaevna, faces an impossible challenge: to meet targets and deadlines amidst impending collapse. Tanks have passed by their store, metro access is uncertain, and the television seems to be out of order. Yet, Marina Nikolaevna is determined to avert disaster.