By ΠΡΠ²ΠΈΡ ΠΠΆΠΈΠ»Π» , β¦
ΠΡΠ²ΠΈΡ ΠΠΆΠΈΠ»Π», Π‘ΠΎΠ½Π΄Π΅ΡΡ ΠΠΆΠΎΡΠ΄ΠΆ, 2024, Π‘Π΅ΡΠΈΡ: ΠΠΎΠ²ΡΠΉ Π½Π°ΡΡΡΠ°Π»ΠΈΡΡ
Π¦Π²Π΅ΡΠ°ΠΌ ΠΈΠ·Π΄Π°Π²Π½Π° ΠΏΡΠΈΠΏΠΈΡΡΠ²Π°Π»ΠΈΡΡ ΡΠΈΠΌΠ²ΠΎΠ»ΠΈΡΠ΅ΡΠΊΠΈΠ΅ Π·Π½Π°ΡΠ΅Π½ΠΈΡ Π² ΡΠ°Π·Π»ΠΈΡΠ½ΡΡ ΡΡΠ΅ΡΠ°Ρ ΠΆΠΈΠ·Π½ΠΈ, ΠΎΡ ΡΠ΅Π»ΠΈΠ³ΠΈΠΈ Π΄ΠΎ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΡ. Π XIX Π²Π΅ΠΊΠ΅ ΡΠ·ΡΠΊ ΡΠ²Π΅ΡΠΎΠ², Lingua Flora, ΡΡΠ°Π» ΠΈΠ·ΡΡΠ½ΡΠΌ ΡΠΏΠΎΡΠΎΠ±ΠΎΠΌ ΠΏΠ΅ΡΠ΅Π΄Π°ΡΠΈ ΠΏΠΎΡΠ»Π°Π½ΠΈΠΉ Π²Π»ΡΠ±Π»Π΅Π½Π½ΡΠΌΠΈ, ΠΎΠ±Ρ ΠΎΠ΄Ρ ΡΡΡΠΎΠ³ΠΈΠ΅ ΡΠΎΡΠΈΠ°Π»ΡΠ½ΡΠ΅ Π½ΠΎΡΠΌΡ. ΠΡΠ° ΠΊΠ½ΠΈΠ³Π° ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ ΠΏΠΎΠ³ΡΡΠ·ΠΈΡΡΡΡ Π² ΠΌΠΈΡ ΡΠ²Π΅ΡΠΎΡΠ½ΠΎΠΉ ΡΠΈΠΌΠ²ΠΎΠ»ΠΈΠΊΠΈ Ρ Π΄Π²ΡΡ ΠΏΠ΅ΡΡΠΏΠ΅ΠΊΡΠΈΠ²: ΠΈΡΡΠΎΡΠΈΡΠ΅ΡΠΊΠΎΠΉ ΠΈ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΉ. ΠΠ΅ΡΠ²Π°Ρ ΡΠ°ΡΡΡ ΠΎΡΠ½ΠΎΠ²Π°Π½Π° Π½Π° Π°ΠΊΠ²Π°ΡΠ΅Π»ΡΡ XIX Π²Π΅ΠΊΠ° ΠΈΠ· ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΠΈ Β«ΠΠ½ΠΈΠ³Π° ΠΏΠ°ΠΌΡΡΠΈΒ» Π€Π°Π½Π½ΠΈ Π ΠΎΠ±ΠΈΠ½ΡΠΎΠ½, Π° Π²ΡΠΎΡΠ°Ρ ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ Π²Π»ΠΈΡΠ½ΠΈΠ΅ ΡΠ²Π΅ΡΠΎΠ² Π½Π° Π»ΡΠ΄Π΅ΠΉ Π² ΠΏΡΠΎΡΠ»ΠΎΠΌ ΠΈ ΠΈΡ ΡΠΎΠ»Ρ ΡΠ΅Π³ΠΎΠ΄Π½Ρ ΡΠ΅ΡΠ΅Π· ΡΠ°Π±ΠΎΡΡ Π΄ΡΡΠ³ΠΈΡ Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ².
Jill Davis, George Saunders, 2024, Series: ΠΠΎΠ²ΡΠΉ Π½Π°ΡΡΡΠ°Π»ΠΈΡΡ
Flowers have long carried symbolic meanings across religion, heraldry, art, literature, and daily life. In the 19th century, flowers offered a charming way for lovers to communicate without breaching strict social codes, leading to the development of Lingua Flora, the language of flowers. This book explores floral language from both historical and contemporary viewpoints. The historical section draws upon Fanny Robinson's exquisite 19th-century watercolors from her "Memory Book," while the modern section examines flowers' influence on people past and present through the works of various artists.