By ΠΠ°Π»Π΅Π²ΠΈΡ ΠΠ°Π·ΠΈΠΌΠΈΡ Π‘Π΅Π²Π΅ΡΠΈΠ½ΠΎΠ²ΠΈΡ
ΠΠ°Π·ΠΈΠΌΠΈΡ ΠΠ°Π»Π΅Π²ΠΈΡ
ΠΠ°Π·ΠΈΠΌΠΈΡ ΠΠ°Π»Π΅Π²ΠΈΡ, Π·Π½Π°ΠΊΠΎΠ²Π°Ρ ΡΠΈΠ³ΡΡΠ° ΡΡΡΡΠΊΠΎΠ³ΠΎ Π°Π²Π°Π½Π³Π°ΡΠ΄Π°, ΠΈΠ·Π²Π΅ΡΡΠ΅Π½ ΠΊΠ°ΠΊ ΠΎΡΠ½ΠΎΠ²ΠΎΠΏΠΎΠ»ΠΎΠΆΠ½ΠΈΠΊ ΡΡΠΏΡΠ΅ΠΌΠ°ΡΠΈΠ·ΠΌΠ°. ΠΠ³ΠΎ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠΈΠΉ ΠΏΡΡΡ Π±ΡΠ» ΠΏΠΎΠ»ΠΎΠ½ ΡΠΊΡΠΏΠ΅ΡΠΈΠΌΠ΅Π½ΡΠΎΠ², ΠΎΡ Π²Π°ΡΡΠ²Π°Ρ ΠΊΠ»ΡΡΠ΅Π²ΡΠ΅ ΡΡΠ°ΠΏΡ ΠΈΡΠΊΡΡΡΡΠ²Π° ΠΏΠ΅ΡΠ²ΠΎΠΉ ΠΏΠΎΠ»ΠΎΠ²ΠΈΠ½Ρ XX Π²Π΅ΠΊΠ°. Π₯ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ ΡΠ΄Π΅Π»ΡΠ» Π·Π½Π°ΡΠΈΡΠ΅Π»ΡΠ½ΠΎΠ΅ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΠ½ΡΠΌ ΡΡΡΠ΄Π°ΠΌ, ΠΊΠΎΡΠΎΡΡΠ΅ ΡΠ΅ΡΠ½ΠΎ ΠΏΠ΅ΡΠ΅ΠΏΠ»Π΅ΡΠ°ΡΡΡΡ Ρ Π΅Π³ΠΎ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠ½ΡΠΌΠΈ ΡΠ°Π±ΠΎΡΠ°ΠΌΠΈ, ΡΠΎΡΠΌΠΈΡΡΡ ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½ΠΎΠ΅ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠΎΠ΅ Π½Π°ΡΠ»Π΅Π΄ΠΈΠ΅. ΠΡΠΎΡ ΡΠ±ΠΎΡΠ½ΠΈΠΊ Π²ΠΊΠ»ΡΡΠ°Π΅Ρ Π³Π»Π°Π²Π½ΡΠΉ ΡΠΈΠ»ΠΎΡΠΎΡΡΠΊΠΈΠΉ ΡΡΠ°ΠΊΡΠ°Ρ ΠΠ°Π»Π΅Π²ΠΈΡΠ° Β«Π‘ΡΠΏΡΠ΅ΠΌΠ°ΡΠΈΠ·ΠΌ. ΠΠΈΡ ΠΊΠ°ΠΊ Π±Π΅ΡΠΏΡΠ΅Π΄ΠΌΠ΅ΡΠ½ΠΎΡΡΡΒ», Π° ΡΠ°ΠΊΠΆΠ΅ Π΄ΡΡΠ³ΠΈΠ΅ ΠΏΡΠ±Π»ΠΈΠΊΠ°ΡΠΈΠΈ, ΡΠΎΡΠΈΠ½Π΅Π½ΠΈΡ ΠΈ ΡΡΠΈΡ ΠΎΡΠ²ΠΎΡΠ½ΡΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ.
Kazimir Malevich
Kazimir Malevich, a pivotal figure of the Russian avant-garde, is recognized as the founder of Suprematism. His artistic journey was marked by experimentation, encompassing the major developments in art during the first half of the 20th century. The artist dedicated considerable effort to his literary works, which are intrinsically linked to his paintings, creating a unique creative legacy. This collection features Malevich's seminal philosophical treatise, 'Suprematism. World as Non-Objectivity,' alongside various publications, essays, and poetic works.