By ΠΡΠΊΠ°Ρ ΠΠ°ΡΡΠ»Ρ Π£Π»Π°Π΄Π·ΡΠΌΡΡΠ°Π²ΡΡ
ΠΠ°ΡΠΈΠ»Ρ ΠΡΠΊΠΎΠ², 2019, ΠΠΊΡΠΊΠ»ΡΠ·ΠΈΠ². Π ΡΡΡΠΊΠ°Ρ ΠΊΠ»Π°ΡΡΠΈΠΊΠ°
ΠΡΠΎΡ ΡΠ±ΠΎΡΠ½ΠΈΠΊ Π²ΠΊΠ»ΡΡΠ°Π΅Ρ Π΄Π²Π° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ Π²ΠΎΠ΅Π½Π½ΠΎΠΉ ΠΏΡΠΎΠ·Ρ ΠΠ°ΡΠΈΠ»Ρ ΠΡΠΊΠΎΠ²Π°: Β«Π‘ΠΎΡΠ½ΠΈΠΊΠΎΠ²Β» ΠΈ Β«ΠΠ±Π΅Π»ΠΈΡΠΊΒ». ΠΠΎΠ²Π΅ΡΡΡ Β«Π‘ΠΎΡΠ½ΠΈΠΊΠΎΠ²Β» ΡΠ°ΡΡΠΊΠ°Π·ΡΠ²Π°Π΅Ρ ΠΈΡΡΠΎΡΠΈΡ Π΄Π²ΡΡ ΠΏΠ°ΡΡΠΈΠ·Π°Π½, ΠΎΠΊΠ°Π·Π°Π²ΡΠΈΡ ΡΡ Π² ΠΏΠ»Π΅Π½Ρ, ΠΈΡΡΠ»Π΅Π΄ΡΡ ΡΠ΅ΠΌΡ Π³Π΅ΡΠΎΠΈΠ·ΠΌΠ°, ΠΏΡΠ΅Π΄Π°ΡΠ΅Π»ΡΡΡΠ²Π°, ΠΆΠΈΠ·Π½ΠΈ ΠΈ ΡΠΌΠ΅ΡΡΠΈ. ΠΠ½Π° Π·Π°ΡΡΠ°Π³ΠΈΠ²Π°Π΅Ρ Π²ΠΎΠΏΡΠΎΡΡ ΠΌΡΠΆΠ΅ΡΡΠ²Π°, ΡΠ΅ΡΡΠΈ ΠΈ Π²Π΅ΡΠ½ΠΎΡΡΠΈ Π΄ΠΎΠ»Π³Ρ. Π Β«ΠΠ±Π΅Π»ΠΈΡΠΊΠ΅Β» ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½ ΠΎΠ±ΡΠ°Π· ΡΠ΅Π»ΡΡΠΊΠΎΠ³ΠΎ ΡΡΠΈΡΠ΅Π»Ρ ΠΠΎΡΠΎΠ·Π°, ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ° Ρ ΠΎΠ±ΠΎΡΡΡΠ΅Π½Π½ΡΠΌ ΡΡΠ²ΡΡΠ²ΠΎΠΌ ΡΠΏΡΠ°Π²Π΅Π΄Π»ΠΈΠ²ΠΎΡΡΠΈ. ΠΠ³ΠΎ ΠΏΠΎΡΡΠ΄ΠΎΡΠ½ΠΎΡΡΡ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΡΡ ΠΏΠΎΠ»ΠΈΡΠ°ΠΈ, ΠΊΠΎΠ³Π΄Π° Π±Π΅ΡΡΡ Π² Π·Π°Π»ΠΎΠΆΠ½ΠΈΠΊΠΈ Π΄Π΅ΡΠ΅ΠΉ, ΡΡΠΈΠΌΠΈ Π²ΠΎΡΠΏΠΈΡΠ°ΡΠ΅Π»ΡΠΌΠΈ Π±ΡΠ»ΠΈ ΠΏΠ°ΡΡΠΈΠ·Π°Π½Ρ.
Vasil Bykov, 2019, Exclusive. Russian Classics
This collection features two works of military prose by Vasil Bykov: "Sotnikov" and "Obelisk." The story "Sotnikov" presents a compelling narrative of two captured partisans, exploring themes of heroism, betrayal, life, and death. It delves into courage, honor, and duty. "Obelisk" portrays Moroz, a village teacher described as a "person without skin," acutely sensitive to injustice and deeply affected by the suffering of others. His integrity is exploited by collaborators who take hostage the children under his care.