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By Π‘ΠΎΠ±ΠΎΠ»Π΅Π² Π.
Π‘ΠΎΠ±ΠΎΠ»Π΅Π² Π., 2024
ΠΡΠΎΡ ΡΠ±ΠΎΡΠ½ΠΈΠΊ Π²ΠΊΠ»ΡΡΠ°Π΅Ρ ΡΠ΅ΡΡΡΠ½Π°Π΄ΡΠ°ΡΡ ΡΠ°ΡΡΠΊΠ°Π·ΠΎΠ², ΡΠΈΡΠ»ΠΎΠΌ ΡΠΎΠΎΡΠ²Π΅ΡΡΡΠ²ΡΡΡΠΈΡ ΡΡΡΠΎΠΊΠ°ΠΌ ΡΠΎΠ½Π΅ΡΠ°. ΠΠ°Π³Π»Π°Π²ΠΈΠ΅ ΠΊΠ°ΠΆΠ΄ΠΎΠ³ΠΎ ΡΠ°ΡΡΠΊΠ°Π·Π° ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ΅Ρ ΡΠΎΠ±ΠΎΠΉ ΡΡΠΈΡ ΠΎΡΠ²ΠΎΡΠ½ΡΡ ΡΠΈΡΠ°ΡΡ, Π½Π΅ΠΊΠΎΡΠΎΡΡΠ΅ ΠΈΠ· ΠΊΠΎΡΠΎΡΡΡ Π²Π·ΡΡΡ ΠΈΠ· ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ ΠΊΠ»Π°ΡΡΠΈΠΊΠΎΠ², ΡΠ°ΠΊΠΈΡ ΠΊΠ°ΠΊ Π€Π΅Ρ, ΠΠ½Π½Π΅Π½ΡΠΊΠΈΠΉ ΠΈΠ»ΠΈ ΠΠ»ΠΎΠΊ. ΠΠ°ΠΆΠ΄ΠΎΠ΅ ΡΡΠΈΡ ΠΎΡΠ²ΠΎΡΠ΅Π½ΠΈΠ΅-ΠΈΡΡΠΎΡΠ½ΠΈΠΊ ΠΏΠ΅ΡΠ΅ΠΊΠ»ΠΈΠΊΠ°Π΅ΡΡΡ Ρ ΡΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΠ΅ΠΌ ΡΠΎΠΎΡΠ²Π΅ΡΡΡΠ²ΡΡΡΠ΅Π³ΠΎ ΡΠ°ΡΡΠΊΠ°Π·Π°, Π° ΡΠ°ΠΌΠΈ ΡΠ°ΡΡΠΊΠ°Π·Ρ ΡΠΈΡΠΌΡΡΡΡΡ ΠΌΠ΅ΠΆΠ΄Ρ ΡΠΎΠ±ΠΎΠΉ. ΠΠ΅ΠΉΡΡΠ²ΠΈΠ΅ ΠΏΡΠΎΠΈΡΡ ΠΎΠ΄ΠΈΡ Π² Π½Π°ΡΠΈ Π΄Π½ΠΈ.
ΠΠ΅ΡΠΎΠΈ ΠΏΠΎΠ³ΡΡΠΆΠ°ΡΡΡΡ Π² ΡΠ°ΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΡ ΠΏΡΠ΅ΡΡΡΠΏΠ»Π΅Π½ΠΈΠΉ, ΠΈΡΡΡ ΡΠΎΠΊΡΠΎΠ²ΠΈΡΠ°, ΡΠΎΡΠΈΠ½ΡΡΡ ΠΌΡΠ·ΡΠΊΡ, ΠΈΡΠΏΡΡΡΠ²Π°ΡΡ ΡΠΎΠ±ΠΈΠΈ ΠΈ Π±ΠΎΡΡΡΡΡ Ρ ΡΠ³ΡΡΠ·Π΅Π½ΠΈΡΠΌΠΈ ΡΠΎΠ²Π΅ΡΡΠΈ. Π ΠΊΠ°ΠΆΠ΄ΠΎΠΌ ΠΏΠΎΠ²Π΅ΡΡΠ²ΠΎΠ²Π°Π½ΠΈΠΈ ΡΠ΅Π°Π»ΡΠ½ΠΎΡΡΡ ΠΈΠ»ΠΈ ΡΠ°ΠΌ Π³Π΅ΡΠΎΠΉ ΠΏΡΠ΅ΡΠ΅ΡΠΏΠ΅Π²Π°ΡΡ ΡΡΠ°Π½ΡΡΠΎΡΠΌΠ°ΡΠΈΡ.
A. Sobolev, 2024
This collection features fourteen stories, mirroring the fourteen lines of a sonnet. Each story's title is a poetic quotation, with some drawn from the works of classic poets like Fet, Annensky, or Blok. The source poems resonate with their corresponding narratives, and the stories themselves rhyme with each other. The setting is contemporary.
Characters engage in crime investigations, treasure hunts, music composition, and grapple with phobias and their consciences. In each story, reality or the protagonist undergoes a transformation.