By ΠΠ²ΡΡΠΊΠΎΠ²ΡΠΊΠ°Ρ ΠΠ°ΡΠ»ΠΈΠ½Π°
ΠΠ°ΡΠ»ΠΈΠ½Π° ΠΠ²ΡΡΠΊΠΎΠ²ΡΠΊΠ°Ρ, 2014
ΠΠ½ΠΈΠ³Π° ΠΠ°ΡΠ»ΠΈΠ½Ρ ΠΠ²ΡΡΠΊΠΎΠ²ΡΠΊΠΎΠΉ Β«Π‘ΠΎΠΌΠ°ΡΠΎΠ³ΡΠ°ΡΠΈΡΒ» ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ ΡΠ΅Π»Π΅ΡΠ½ΠΎΡΡΡ Π² ΠΊΠΈΠ½Π΅ΠΌΠ°ΡΠΎΠ³ΡΠ°ΡΠ΅, ΠΏΠ΅ΡΠ΅Π½ΠΎΡΡ ΡΠΈΠ»ΠΎΡΠΎΡΡΠΊΡΡ ΠΊΠ°ΡΠ΅Π³ΠΎΡΠΈΡ ΡΠ΅Π»Π° Π² ΠΎΠ±Π»Π°ΡΡΡ ΠΊΠΈΠ½ΠΎΠ°Π½Π°Π»ΠΈΠ·Π°. ΠΠ²ΡΠΎΡ ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Π΅Ρ, ΠΊΠ°ΠΊ ΡΠΏΠ΅ΡΠΈΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ Π·Π°ΠΊΠΎΠ½ΠΎΠΌΠ΅ΡΠ½ΠΎΡΡΠΈ ΡΠ°ΡΠΊΡΡΠ²Π°ΡΡ ΡΠ°Π·Π»ΠΈΡΠ½ΡΠ΅ ΡΠΈΠΏΡ ΡΠ΅Π»Π΅ΡΠ½ΠΎΡΡΠΈ Π² ΠΊΠΈΠ½ΠΎ, ΠΎΡΠ½ΠΎΠ²ΡΠ²Π°ΡΡΡ Π½Π° ΠΈΠ΄Π΅Π΅ ΡΠ²ΡΠ·ΠΈ ΡΠ΅Π»Π΅ΡΠ½ΠΎΠ³ΠΎ ΠΎΠΏΡΡΠ° ΡΠΎ Π²ΡΠ΅ΠΌΠ΅Π½Π΅ΠΌ. ΠΠ½Π°Π»ΠΈΠ· Π²Π΄ΠΎΡ Π½ΠΎΠ²Π»Π΅Π½ ΡΠ΅ΠΎΡΠΈΠ΅ΠΉ ΠΠΈΠ»Ρ ΠΠ΅Π»ΡΠ·Π° ΠΎ ΠΊΠΈΠ½Π΅ΠΌΠ°ΡΠΎΠ³ΡΠ°ΡΠ΅ ΠΎΠ±ΡΠ°Π·Π°-Π΄Π²ΠΈΠΆΠ΅Π½ΠΈΡ ΠΈ ΠΎΠ±ΡΠ°Π·Π°-Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ. ΠΡΡΠ»Π΅Π΄ΡΡΡΡΡ ΡΠ°ΠΊΠΈΠ΅ ΡΠΈΠΏΡ ΡΠ΅Π», ΠΊΠ°ΠΊ ΠΌΠ½Π΅ΠΌΠΈΡΠ΅ΡΠΊΠΎΠ΅, ΠΊΡΠΈΡΡΠ°Π»Π»ΠΈΡΠ΅ΡΠΊΠΎΠ΅, Π½ΠΎΠΌΠ°Π΄ΠΈΡΠ΅ΡΠΊΠΎΠ΅, ΡΡΠ°Π²ΠΌΠ°ΡΠΈΡΠ΅ΡΠΊΠΎΠ΅ ΠΈ Π°Π½Π°ΡΡ ΠΈΡΠ΅ΡΠΊΠΎΠ΅, Π½Π° ΠΏΡΠΈΠΌΠ΅ΡΠ°Ρ Π΅Π²ΡΠΎΠΏΠ΅ΠΉΡΠΊΠΈΡ ΡΠΈΠ»ΡΠΌΠΎΠ², ΡΠ½ΡΡΡΡ ΠΏΠΎΡΠ»Π΅ ΠΡΠΎΡΠΎΠΉ ΠΌΠΈΡΠΎΠ²ΠΎΠΉ Π²ΠΎΠΉΠ½Ρ.
Paulina Kwiatkowska, 2014
Paulina Kwiatkowska's "Somatography" delves into the concept of corporeality within cinema, translating the philosophical category of the body into film analysis. The author examines how specific patterns reveal different types of embodiment in film, building on the idea that bodily experience is intrinsically linked to time. The analysis draws inspiration from Gilles Deleuze's theories on the cinema of the movement-image and the time-image. It explores types of bodies such as mnemonic, crystalline, nomadic, traumatic, and anarchic, using European films made after World War II as examples.