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By ΠΠΈΠ½Π° Π ΡΠ±ΠΈΠ½Π°
ΠΠΈΠ½Π° Π ΡΠ±ΠΈΠ½Π°, 2024
Π ΠΎΠΌΠ°Π½ ΠΠΈΠ½Ρ Π ΡΠ±ΠΈΠ½ΠΎΠΉ ΠΌΠ°ΡΡΠ΅ΡΡΠΊΠΈ ΠΎΠ±ΡΠ΅Π΄ΠΈΠ½ΡΠ΅Ρ ΡΡΠΈ ΠΆΠ°Π½ΡΠ°: Π·Π°Ρ Π²Π°ΡΡΠ²Π°ΡΡΠΈΠΉ ΠΏΠΎΡΡΠΈ Π³ΠΎΡΠΈΡΠ΅ΡΠΊΠΈΠΉ ΡΠ°ΡΡΠΊΠ°Π· ΠΎ ΠΊΡΠΊΠ»Π°Ρ ΠΈ ΠΈΡ ΡΠΎΠ·Π΄Π°ΡΠ΅Π»ΡΡ , ΡΠ΅ΠΌΠ΅ΠΉΠ½ΡΠΉ Π΄Π΅ΡΠ΅ΠΊΡΠΈΠ² ΠΈ Π³Π»ΡΠ±ΠΎΠΊΡΡ ΠΏΡΠΈΡ ΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΡΡ Π΄ΡΠ°ΠΌΡ. ΠΠΎΠ²Π΅ΡΡΠ²ΠΎΠ²Π°Π½ΠΈΠ΅ ΠΏΡΠΎΡΠ»Π΅ΠΆΠΈΠ²Π°Π΅Ρ ΠΆΠΈΠ·Π½Ρ ΠΎΡ ΡΠ½ΠΎΡΡΠΈ Π΄ΠΎ Π·ΡΠ΅Π»ΠΎΡΡΠΈ, ΠΈΡΡΠ»Π΅Π΄ΡΡ ΡΡΡΠ°ΡΡΠΈ, ΠΊΠΎΡΠΎΡΡΠ΅ ΡΠΎΡΠΌΠΈΡΡΡΡ Π³Π΅ΡΠΎΠ΅Π². Π¦Π΅Π½ΡΡΠ°Π»ΡΠ½Π°Ρ ΠΌΠ΅ΡΠ°ΡΠΎΡΠ° ΠΊΠ½ΠΈΠ³ΠΈ β ΡΠ΅Π»ΠΎΠ²Π΅ΠΊ ΠΈ ΠΊΡΠΊΠ»Π°, ΠΊΡΠΊΠΎΠ»ΡΠ½ΠΈΠΊ ΠΈ Π΅Π³ΠΎ ΡΠ²ΠΎΡΠ΅Π½ΠΈΠ΅, ΡΠ΅Π»ΠΎΠ²Π΅ΠΊ ΠΊΠ°ΠΊ ΠΌΠ°ΡΠΈΠΎΠ½Π΅ΡΠΊΠ° ΡΡΠ΄ΡΠ±Ρ ΠΈΠ»ΠΈ Π’Π²ΠΎΡΡΠ°, ΠΏΠΎΠ΄ΡΠΈΠ½Π΅Π½Π½ΡΠΉ Π½Π°ΡΠ»Π΅Π΄ΡΡΠ²Π΅Π½Π½ΠΎΡΡΠΈ β ΡΠ°ΡΠΊΡΡΠ²Π°Π΅ΡΡΡ ΠΌΠ½ΠΎΠ³ΠΎΠ³ΡΠ°Π½Π½ΠΎ, ΠΈΠ·Π±Π΅Π³Π°Ρ ΠΏΡΡΠΌΠΎΠ»ΠΈΠ½Π΅ΠΉΠ½ΡΡ ΡΡΠ°ΠΊΡΠΎΠ²ΠΎΠΊ. ΠΠΈΡΠ΅ΡΠ°ΡΡΡΠ½ΠΎΠ΅ ΠΌΠ°ΡΡΠ΅ΡΡΡΠ²ΠΎ Π ΡΠ±ΠΈΠ½ΠΎΠΉ Π² ΡΠΎΠ·Π΄Π°Π½ΠΈΠΈ ΠΏΠ΅ΠΉΠ·Π°ΠΆΠ΅ΠΉ ΠΈ ΠΏΠΎΡΡΡΠ΅ΡΠΎΠ² ΠΎΡΡΠ°Π΅ΡΡΡ Π½Π° Π²ΡΡΠΎΡΠ°ΠΉΡΠ΅ΠΌ ΡΡΠΎΠ²Π½Π΅.
Dina Rubina, 2024
Dina Rubina achieves a remarkable synthesis of three distinct genres: a captivating, almost gothic novel about dolls and puppeteers that bridges history and art; a family mystery; and a psychological drama tracing experiences from vivid childhood memories to old age. The narrative explores intense passions that shape the characters. The profound, multidimensional metaphor of the human and the doll, the puppeteer and the rebellious doll, or a person as a puppet in the hands of fate or the Creator, subject to familial inheritance, is examined from various angles without resorting to simplistic analogies. Rubina's literary skill in descriptive prose, both landscape and portraiture, is, as always, exceptional.