By ΠΠΎΠ²ΡΡΠ½ ΠΠ²Π³Π΅Π½ΠΈΠΉ Π€Π΅Π΄ΠΎΡΠΎΠ²ΠΈΡ
ΠΠ²Π³Π΅Π½ΠΈΠΉ Π€Π΅Π΄ΠΎΡΠΎΠ²ΠΈΡ ΠΠΎΠ²ΡΡΠ½, 2014
ΠΡΠ° ΠΊΠ½ΠΈΠ³Π° ΠΏΠΎΡΠ²ΡΡΠ΅Π½Π° ΠΈΠ·Π΄Π°ΡΠ΅Π»ΡΡΠΊΠΎΠΉ Π΄Π΅ΡΡΠ΅Π»ΡΠ½ΠΎΡΡΠΈ ΡΡΡΡΠΊΠΈΡ ΡΡΡΡΡΠΈΡΡΠΎΠ², Π² ΡΠ°ΡΡΠ½ΠΎΡΡΠΈ ΠΈΡ Π»ΠΈΡΠΎΠ³ΡΠ°ΡΠΈΡΠΎΠ²Π°Π½Π½ΡΠΌ ΠΈΠ·Π΄Π°Π½ΠΈΡΠΌ 1910-Ρ Π³ΠΎΠ΄ΠΎΠ². ΠΡΠΈ ΡΠ°Π±ΠΎΡΡ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ»ΠΈ ΡΠΎΠ±ΠΎΠΉ ΡΠΌΠ΅Π»ΡΠ΅ ΠΏΠΎΠ»ΠΈΠ³ΡΠ°ΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΡΠΊΡΠΏΠ΅ΡΠΈΠΌΠ΅Π½ΡΡ, ΠΎΡΠΊΠ°Π·Π°Π²ΡΠΈΠ΅ΡΡ ΠΎΡ ΡΡΠ°Π΄ΠΈΡΠΈΠΎΠ½Π½ΠΎΠ³ΠΎ ΡΠΈΠΏΠΎΠ³ΡΠ°ΡΡΠΊΠΎΠ³ΠΎ Π½Π°Π±ΠΎΡΠ°. ΠΠ·Π΄Π°Π½ΠΈΡ Π²ΡΡ ΠΎΠ΄ΠΈΠ»ΠΈ ΠΌΠ°Π»ΡΠΌΠΈ ΡΠΈΡΠ°ΠΆΠ°ΠΌΠΈ ΠΈ Ρ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ΠΌ Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ ΡΡΠ°Π½ΠΎΠ²ΡΡΡΡ Π²ΡΠ΅ Π±ΠΎΠ»Π΅Π΅ ΡΠ΅Π΄ΠΊΠΈΠΌΠΈ.
ΠΠ½ΠΈΠ³Π° ΡΠΈΠΊΡΠΈΡΡΠ΅Ρ ΡΠΎΡ ΡΠ°Π½ΠΈΠ²ΡΠΈΠ΅ΡΡ ΡΠΊΠ·Π΅ΠΌΠΏΠ»ΡΡΡ Π΄Π»Ρ Π΄Π°Π»ΡΠ½Π΅ΠΉΡΠΈΡ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠΉ. Π Π½Π΅ΠΉ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½ ΠΏΠΎΠ΄ΡΠΎΠ±Π½ΡΠΉ ΠΊΠ°ΡΠ°Π»ΠΎΠ³ Π΄Π΅Π²ΡΡΠ½Π°Π΄ΡΠ°ΡΠΈ Π»ΠΈΡΠΎΠ³ΡΠ°ΡΠΈΡΠΎΠ²Π°Π½Π½ΡΡ ΠΈ Π³ΡΠ°Π²ΠΈΡΠΎΠ²Π°Π½Π½ΡΡ Π½Π° Π»ΠΈΠ½ΠΎΠ»Π΅ΡΠΌΠ΅ ΠΈΠ·Π΄Π°Π½ΠΈΠΉ, ΡΠΎΠ·Π΄Π°Π½Π½ΡΡ Π² 1910-Π΅ Π³ΠΎΠ΄Ρ.
Evgeny Fedorovich Kovtun, 2014
This book focuses on the publishing activities of Russian Futurists, specifically their lithographed editions from the 1910s. These works were bold typographic experiments that bypassed traditional typesetting. Published in small print runs, these editions have become increasingly rare over the decades.
The volume aims to document surviving examples for future research. It includes a comprehensive catalog of nineteen lithographed and linocut editions produced in the 1910s.