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By Π‘Π΅ΠΌΠ΅Π½Π΅Π½ΠΊΠΎ-ΠΠ°ΡΠΈΠ½ ΠΠ»ΡΡ ΠΠΈΠΊΡΠΎΡΠΎΠ²ΠΈΡ
ΠΠ»ΡΡ Π‘Π΅ΠΌΠ΅Π½Π΅Π½ΠΊΠΎ-ΠΠ°ΡΠΈΠ½, 2012, ΠΠΎΡΡΠΈΡΠ΅ΡΠΊΠ°Ρ Π±ΠΈΠ±Π»ΠΈΠΎΡΠ΅ΠΊΠ°
ΠΠ΅ΡΠ²Π°Ρ ΠΊΠ½ΠΈΠ³Π° Π. Π‘Π΅ΠΌΠ΅Π½Π΅Π½ΠΊΠΎ-ΠΠ°ΡΠΈΠ½Π° ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ΅Ρ ΡΠΎΠ±ΠΎΠΉ ΡΠ±ΠΎΡΠ½ΠΈΠΊ ΡΡΠΈΡ ΠΎΡΠ²ΠΎΡΠ΅Π½ΠΈΠΉ, ΡΠΎΠ·Π΄Π°Π½Π½ΡΡ Π² ΠΏΠ΅ΡΠΈΠΎΠ΄ Ρ 2006 ΠΏΠΎ 2011 Π³ΠΎΠ΄. ΠΠ²ΡΠΎΡ, ΠΏΡΠΎΠ΄ΠΎΠ»ΠΆΠ°Ρ ΡΡΠ°Π΄ΠΈΡΠΈΠΈ Π½Π΅ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΠΎΠΉ ΡΡΡΡΠΊΠΎΠΉ ΠΏΠΎΡΠ·ΠΈΠΈ 1920-1960-Ρ Π³ΠΎΠ΄ΠΎΠ², ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ Π½ΠΎΠ²ΡΠ΅ Π³ΡΠ°Π½ΠΈ Π²ΠΎΡΠΏΡΠΈΡΡΠΈΡ ΠΌΠΈΡΠ° ΡΠ΅ΡΠ΅Π· ΡΠΈΠΌΠ²ΠΎΠ»ΠΈΠ·ΠΌ. Π Π΅Π³ΠΎ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²Π΅ ΠΏΡΠΎΡΠ»Π΅ΠΆΠΈΠ²Π°Π΅ΡΡΡ ΡΠ΅ΠΌΠ° ΡΠ°ΠΌΠΎΡΠΎΠ·ΠΈΠ΄Π°Π½ΠΈΡ Π»ΠΈΡΠ½ΠΎΡΡΠΈ, ΠΏΠ΅ΡΠ΅ΠΊΠ»ΠΈΠΊΠ°ΡΡΡ Ρ ΡΠΎΠΌΠ°Π½ΡΠΈΡΠ΅ΡΠΊΠΈΠΌΠΈ ΠΌΠΎΡΠΈΠ²Π°ΠΌΠΈ. ΠΠΎΡΡ ΠΏΡΠΈΠ³Π»Π°ΡΠ°Π΅Ρ ΡΠΈΡΠ°ΡΠ΅Π»Ρ Π² ΠΏΡΡΠ΅ΡΠ΅ΡΡΠ²ΠΈΠ΅ ΠΏΠΎ Π²Π½ΡΡΡΠ΅Π½Π½ΠΈΠΌ Π»Π°Π½Π΄ΡΠ°ΡΡΠ°ΠΌ, Π³Π΄Π΅ ΠΏΡΠΈΡΠΎΠ΄Π½ΡΠ΅ ΠΎΠ±ΡΠ°Π·Ρ ΠΈ ΡΠΎΡΠΈΠ°Π»ΡΠ½ΡΠ΅ ΡΠ²Π»Π΅Π½ΠΈΡ Π·Π°ΠΏΠ΅ΡΠ°ΡΠ»Π΅Π½Ρ Π² ΠΆΠΈΠ²ΠΎΠΉ ΡΠ΅ΡΠΈ.
Ilya Semenenko-Basin, 2012, Poetic Library
The debut collection by I. Semenenko-Basin features poems written between 2006 and 2011, showcasing a mature poetic voice. As an inheritor of unofficial Russian poetry from the 1920s-1960s, Semenenko-Basin combines exploration of perception with a symbolic worldview. The underlying theme of personal self-creation echoes Romantic traditions. The author guides readers through animated landscapes of personal history, connecting with the energy of nature and social movements captured in language.