By Π’ΠΎΠΌΠΏΡΠΎΠ½ Π₯Π°Π½ΡΠ΅Ρ Π‘.
Π₯Π°Π½ΡΠ΅Ρ Π‘. Π’ΠΎΠΌΠΏΡΠΎΠ½, 2024, Π‘Π΅ΡΠΈΡ: ΠΡ Π±ΠΈΡΠ½ΠΈΠΊΠ° Π΄ΠΎ ΠΠ°Π»Π°Π½ΠΈΠΊΠ°
ΠΡΡΡΡΠΎ-Π ΠΈΠΊΠΎ ΠΏΡΠ΅Π΄ΡΡΠ°Π΅Ρ ΠΎΡΡΡΠΎΠ²ΠΎΠΌ, Π³Π΄Π΅ ΡΠ°Π±ΠΎΡΠ° ΡΡΠ°Π½ΠΎΠ²ΠΈΡΡΡ Π½Π΅Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΠΉ, Π° ΠΆΠΈΠ·Π½Ρ ΠΌΠΎΠΆΠ΅Ρ ΠΏΠΎΠΉΡΠΈ ΠΏΠΎ ΠΎΠ΄Π½ΠΎΠΌΡ ΠΈΠ· Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΈΡ ΠΏΡΡΠ΅ΠΉ: Π±Π΅Π·ΡΠΌΠΈΠ΅, ΠΏΡΡΠ½ΡΡΠ²ΠΎ ΠΈΠ»ΠΈ Π»ΡΠ±ΠΎΠ²Ρ, Π° Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎ, ΠΈ Π²ΡΠ΅ ΡΡΠ°Π·Ρ. ΠΠΎΠ»ΠΎΠ΄ΠΎΠΉ ΠΆΡΡΠ½Π°Π»ΠΈΡΡ ΠΠΎΠ» ΠΠ΅ΠΌΠΏ ΠΎΠΊΠ°Π·ΡΠ²Π°Π΅ΡΡΡ Π² ΡΡΠΎΠΌ ΠΌΠ΅ΡΡΠ΅, Π³Π΄Π΅ ΠΊΠΎΠΌΠΏΠ°Π½ΠΈΡ ΡΠ΅ΠΏΠΎΡΡΠ΅ΡΠΎΠ² ΠΏΡΠΎΠ²ΠΎΠ΄ΠΈΡ Π²ΡΠ΅ΠΌΡ Π² ΠΌΠ΅ΡΡΠ½ΠΎΠΌ Π±Π°ΡΠ΅, ΡΠΏΠΎΡΡΠ΅Π±Π»ΡΡ ΡΠΎΠΌ ΠΈ ΡΠ°Π·ΠΌΡΡΠ»ΡΡ ΠΎ ΡΠ²ΠΎΠ΅ΠΉ ΡΡΠ΄ΡΠ±Π΅. ΠΠ΄Π΅ΡΡ ΠΎΠ½ ΠΏΠΎΠ»ΡΡΠ°Π΅Ρ Π²Π°ΠΆΠ½ΡΠ΅ ΠΏΡΠΎΡΠ΅ΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΡΠ΅ ΠΈ ΠΆΠΈΠ·Π½Π΅Π½Π½ΡΠ΅ ΡΡΠΎΠΊΠΈ. Π‘ΠΊΡΠΊΠ° ΠΈ Π±Π΅Π·Π΄Π΅ΠΉΡΡΠ²ΠΈΠ΅ ΠΎΡΡΡΠΎΠ²Π° ΠΏΡΠΈΠ²ΠΎΠ΄ΡΡ ΠΊ ΡΠΎΠΌΡ, ΡΡΠΎ ΡΠΎΠ±ΡΡΠΈΡ, Π½Π°ΡΠ°Π²ΡΠΈΠ΅ΡΡ ΠΊΠ°ΠΊ ΠΌΠΈΠΌΠΎΠ»Π΅ΡΠ½ΡΠΉ Π°Π΄ΡΠ»ΡΡΠ΅Ρ, ΡΡΡΠ΅ΠΌΠΈΡΠ΅Π»ΡΠ½ΠΎ Π΄Π²ΠΈΠΆΡΡΡΡ ΠΊ ΡΡΠ°Π³Π΅Π΄ΠΈΠΈ.
Hunter S. Thompson, 2024, Series: From Beatnik to Palahniuk
Puerto Rico is depicted as an island where work becomes impossible, and life can take several paths: madness, drunkenness, or love, or perhaps all at once. A young journalist, Paul Kemp, finds himself in this setting, where a group of reporters spend their time in a local bar, consuming rum and reflecting on their fates. Here, he receives significant professional and life lessons. The island's boredom and idleness lead events, which began as a fleeting adulterous affair, to rapidly progress towards tragedy.