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Π Π΅ΠΌΠ±ΡΠ°Π½Π΄Ρ Π₯Π°ΡΠΌΠ΅Π½Ρ Π²Π°Π½ Π Π΅ΠΉΠ½, 2025
Π Π΅ΠΌΠ±ΡΠ°Π½Π΄Ρ Π₯Π°ΡΠΌΠ΅Π½Ρ Π²Π°Π½ Π Π΅ΠΉΠ½ (1606β1669) β Π²ΡΠ΄Π°ΡΡΠΈΠΉΡΡ Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π³ΠΎΠ»Π»Π°Π½Π΄ΡΠΊΠΎΠ³ΠΎ ΠΠΎΠ»ΠΎΡΠΎΠ³ΠΎ Π²Π΅ΠΊΠ°. ΠΠ³ΠΎ ΡΠ°Π±ΠΎΡΡ, ΡΠΎΠ·Π΄Π°Π½Π½ΡΠ΅ Π² ΠΠΈΠ΄Π΅ΡΠ»Π°Π½Π΄Π°Ρ , Π²ΡΡ ΠΎΠ΄ΡΡ Π·Π° ΡΠ°ΠΌΠΊΠΈ Π»ΠΈΡΠ½ΠΎΠ³ΠΎ ΠΎΠΏΡΡΠ°, ΠΎΡ Π²Π°ΡΡΠ²Π°Ρ ΠΏΠΎΡΡΡΠ΅ΡΡ, Π±ΠΈΠ±Π»Π΅ΠΉΡΠΊΠΈΠ΅, Π°Π»Π»Π΅Π³ΠΎΡΠΈΡΠ΅ΡΠΊΠΈΠ΅, ΠΏΠ΅ΠΉΠ·Π°ΠΆΠ½ΡΠ΅ ΠΈ ΠΆΠ°Π½ΡΠΎΠ²ΡΠ΅ ΡΡΠ΅Π½Ρ. ΠΠ°ΠΆΠ΄ΠΎΠ΅ ΠΏΠΎΠ»ΠΎΡΠ½ΠΎ ΠΎΡΠ»ΠΈΡΠ°Π΅ΡΡΡ ΡΠΎΠ½ΠΊΠΎΠΉ ΠΏΡΠΎΡΠ°Π±ΠΎΡΠΊΠΎΠΉ Π΄Π΅ΡΠ°Π»Π΅ΠΉ, ΠΏΠ΅ΡΠ΅Π΄Π°Π²Π°Ρ ΡΠΌΠΎΡΠΈΠΎΠ½Π°Π»ΡΠ½ΡΡ Π³Π»ΡΠ±ΠΈΠ½Ρ ΡΠ΅ΡΠ΅Π· ΠΌΠΈΠΌΠΈΠΊΡ, Π²Π·Π³Π»ΡΠ΄ ΠΈ ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΈΡ ΡΠΈΠ³ΡΡ. ΠΠΈΠ±Π»Π΅ΠΉΡΠΊΠΈΠ΅ ΡΡΠΆΠ΅ΡΡ, ΡΠ°ΠΊΠΈΠ΅ ΠΊΠ°ΠΊ Β«ΠΠΈΡΡΠ°Π²ΠΈΡ Ρ ΠΈΡΡΠΎΡΠ½ΠΈΠΊΠ°Β», ΠΈΡΡΠ»Π΅Π΄ΡΡΡ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΠΊΠΈΠ΅ ΠΏΠ΅ΡΠ΅ΠΆΠΈΠ²Π°Π½ΠΈΡ, Π° ΠΏΠΎΡΡΡΠ΅ΡΡ ΠΏΠ΅ΡΠ΅Π΄Π°ΡΡ ΡΡΡΡ Π»ΠΈΡΠ½ΠΎΡΡΠΈ, ΠΎΡΠ²Π΅ΡΠ΅Π½Π½ΠΎΠΉ Π½Π΅Π·Π΅ΠΌΠ½ΡΠΌ ΡΠ²Π΅ΡΠΎΠΌ Π½Π° ΡΠ΅ΠΌΠ½ΠΎΠΌ ΡΠΎΠ½Π΅. Π‘Π΅ΡΠΈΡ Π°Π²ΡΠΎΠΏΠΎΡΡΡΠ΅ΡΠΎΠ² ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ ΠΈΠ½ΡΠΈΠΌΠ½ΡΠΉ Π²Π·Π³Π»ΡΠ΄ Π½Π° ΡΠ°ΠΌΠΎΡΠ΅ΡΠ»Π΅ΠΊΡΠΈΡ Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠ° Π½Π° ΠΏΡΠΎΡΡΠΆΠ΅Π½ΠΈΠΈ Π²ΡΠ΅ΠΉ ΠΆΠΈΠ·Π½ΠΈ.
Rembrandt Harmensz. van Rijn, 2025
Rembrandt Harmensz. van Rijn (1606β1669) was a master of the Dutch Golden Age. Despite never leaving his native Netherlands, his oeuvre extended beyond his immediate surroundings, encompassing diverse and impactful works in portraiture, biblical, allegorical, landscape, and genre scenes. His paintings are characterized by intricate details, where subtle facial expressions and figure compositions convey profound emotional force. Biblical scenes, such as Bathsheba at her Bath, serve as meditations on human longing, while his portraits capture the essence of individuals bathed in ethereal light against dark earth tones. His self-portraits offer an intimate chronicle of his lifelong self-reflection.