By ΠΡΠ²ΡΠ΄ ΠΠ°ΡΠ³Π°ΡΠ΅Ρ
ΠΠ°ΡΠ³Π°ΡΠ΅Ρ ΠΡΠ²ΡΠ΄, 2020, Π‘Π΅ΡΠΈΡ: Young Adult. ΠΠΎΠ²ΡΠΉ ΠΌΠΈΡ
Π Π Π΅ΡΠΏΡΠ±Π»ΠΈΠΊΠ΅ ΠΠ°Π»Π°Π°Π΄, ΠΎΠ±ΡΠ°Π·ΠΎΠ²Π°Π½Π½ΠΎΠΉ ΠΏΠΎΡΠ»Π΅ ΡΠ²Π΅ΡΠΆΠ΅Π½ΠΈΡ ΠΏΡΠ°Π²ΠΈΡΠ΅Π»ΡΡΡΠ²Π°, ΡΡΡΠ°Π½ΠΎΠ²Π»Π΅Π½Ρ ΠΆΠ΅ΡΡΠΎΠΊΠΈΠ΅ ΠΏΠΎΡΡΠ΄ΠΊΠΈ. ΠΠΎΠ΅Π½Π½ΡΠ΅ ΠΊΠΎΠ½ΡΡΠΎΠ»ΠΈΡΡΡΡ Π²ΡΠ΅ ΡΡΠ΅ΡΡ ΠΆΠΈΠ·Π½ΠΈ, Π·Π°ΠΏΡΠ΅ΡΠ°Ρ ΠΈΡΠΊΡΡΡΡΠ²ΠΎ ΠΈ Π»ΠΈΡΠ°Ρ ΠΆΠ΅Π½ΡΠΈΠ½ ΡΠ»Π΅ΠΌΠ΅Π½ΡΠ°ΡΠ½ΡΡ ΠΏΡΠ°Π², Π²ΠΊΠ»ΡΡΠ°Ρ ΡΡΠ΅Π½ΠΈΠ΅ ΠΈ ΠΏΠΈΡΡΠΌΠΎ. Π’Π΅Ρ Π½ΠΎΠ³Π΅Π½Π½Π°Ρ ΠΊΠ°ΡΠ°ΡΡΡΠΎΡΠ° ΠΏΡΠΈΠ²Π΅Π»Π° ΠΊ ΡΠΎΠΌΡ, ΡΡΠΎ Π»ΠΈΡΡ Π½Π΅ΠΌΠ½ΠΎΠ³ΠΈΠ΅ ΠΆΠ΅Π½ΡΠΈΠ½Ρ ΡΠΏΠΎΡΠΎΠ±Π½Ρ ΠΊ Π΄Π΅ΡΠΎΡΠΎΠΆΠ΄Π΅Π½ΠΈΡ. ΠΡΠΈΡ ΠΆΠ΅Π½ΡΠΈΠ½ Π½Π°Π·ΡΠ²Π°ΡΡ ΡΠ»ΡΠΆΠ°Π½ΠΊΠ°ΠΌΠΈ, ΠΈ ΠΈΡ Π΅Π΄ΠΈΠ½ΡΡΠ²Π΅Π½Π½Π°Ρ ΡΡΠ½ΠΊΡΠΈΡ β Π²ΡΠ½Π°ΡΠΈΠ²Π°ΡΡ Π΄Π΅ΡΠ΅ΠΉ Π΄Π»Ρ Ρ ΠΎΠ·ΡΠ΅Π². Π€ΡΠ΅Π΄ΠΎΠ²Π°, ΠΎΠ΄Π½Π° ΠΈΠ· ΡΠ°ΠΊΠΈΡ ΡΠ»ΡΠΆΠ°Π½ΠΎΠΊ, Ρ ΡΠ°Π½ΠΈΡ Π·Π°ΠΏΡΠ΅ΡΠ½ΠΎΠ΅ ΠΈΠΌΡ ΠΈ Π²ΠΎΡΠΏΠΎΠΌΠΈΠ½Π°Π½ΠΈΡ ΠΎ ΠΏΡΠΎΡΠ»ΠΎΠΉ ΠΆΠΈΠ·Π½ΠΈ, Π²Π΅ΡΡ Π² Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ Π²ΠΎΠ·Π²ΡΠ°ΡΠ΅Π½ΠΈΡ Π²ΡΠ΅Π³ΠΎ.
Margaret Atwood, 2020, Series: Young Adult. New World
In the Republic of Gilead, a totalitarian state established after a government overthrow, brutal laws are enforced. The military controls all aspects of life, prohibiting art and stripping women of fundamental rights, including literacy. A man-made disaster has rendered only a few women capable of bearing children. These women are designated as Handmaids, their sole purpose being to carry offspring for their masters. Fredova, one such Handmaid, clings to her forbidden name and memories of a past life, holding onto the hope of reclaiming it all.