By ΠΠΈΡΠ΅Π»Ρ Π€Π΅ΠΉΠ±Π΅Ρ
ΠΠΈΡΠ΅Π»Ρ Π€Π΅ΠΉΠ±Π΅Ρ, 2024
ΠΠ½ΠΈΠ³ ΠΎ ΠΌΡΠ·ΡΠΊΠ΅ ΡΡΡΠ΅ΡΡΠ²ΡΠ΅Ρ ΠΌΠ½ΠΎΠΆΠ΅ΡΡΠ²ΠΎ, Π½ΠΎ Π½Π΅ Π²ΡΠ΅ ΠΈΡΡΠ»Π΅Π΄ΡΡΡ Π²Π½ΡΡΡΠ΅Π½Π½ΠΈΠΉ ΠΌΠΈΡ ΡΠ»ΡΡΠ°ΡΠ΅Π»Ρ. ΠΠΈΡΠ΅Π»Ρ Π€Π΅ΠΉΠ±Π΅Ρ, ΠΈΠ·Π²Π΅ΡΡΠ½ΡΠΉ Π½ΠΈΠ΄Π΅ΡΠ»Π°Π½Π΄ΡΠΊΠΈΠΉ ΠΏΠΈΡΠ°ΡΠ΅Π»Ρ, Π² ΡΠ²ΠΎΠ΅ΠΌ ΠΏΠ΅ΡΠ²ΠΎΠΌ Π½ΠΎΠ½-ΡΠΈΠΊΡΠ½ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΈ ΠΎΠ±ΡΠ°ΡΠ°Π΅ΡΡΡ ΠΊ ΡΠ΅ΠΌΠ΅ Π²ΠΎΡΠΏΡΠΈΡΡΠΈΡ ΠΌΡΠ·ΡΠΊΠΈ. ΠΠ½ Ρ Π»ΡΠ±ΠΎΠ²ΡΡ ΠΈ ΠΈΡΠΎΠ½ΠΈΠ΅ΠΉ ΠΎΡΠΌΡΡΠ»ΡΠ΅Ρ, ΠΊΠ°ΠΊ ΠΈ ΠΏΠΎΡΠ΅ΠΌΡ ΠΌΡ ΡΠ»ΡΡΠ°Π΅ΠΌ ΠΌΡΠ·ΡΠΊΡ, Π½Π΅Π·Π°Π²ΠΈΡΠΈΠΌΠΎ ΠΎΡ ΡΠΎΠ³ΠΎ, ΡΠ²Π»ΡΠ΅ΠΌΡΡ Π»ΠΈ ΠΌΡ ΠΏΡΠ΅Π΄Π°Π½Π½ΡΠΌΠΈ ΠΌΠ΅Π»ΠΎΠΌΠ°Π½Π°ΠΌΠΈ ΠΈΠ»ΠΈ ΠΌΡΠ·ΡΠΊΠ° Π΄Π»Ρ Π½Π°Ρ Π»ΠΈΡΡ ΡΠΎΠ½. ΠΠ»ΡΠ±ΠΎΠΊΠΎ Π»ΠΈΡΠ½ΡΠ΅ ΠΈ ΡΠΈΠ»ΠΎΡΠΎΡΡΠΊΠΈΠ΅ ΡΡΡΠ΅ ΡΠΎΡΡΠ°Π²Π»ΡΡΡ ΠΏΠΎΡΠ²ΡΡΠ΅Π½ΠΈΠ΅ ΠΌΡΠ·ΡΠΊΠ΅ Π²ΠΎ Π²ΡΠ΅Ρ Π΅Π΅ ΠΏΡΠΎΡΠ²Π»Π΅Π½ΠΈΡΡ .
Michel Faber, 2024
While many books discuss musicβits artists, bands, eras, and genresβfew delve into our internal experience of listening. In his first non-fiction work, acclaimed Dutch writer Michel Faber addresses both devoted music lovers and those for whom music is merely background sound. With affection and a touch of irony, he contemplates two key themes: how we listen to music and why. These deeply personal and philosophical essays form a grand tribute to music in all its forms and manifestations.