By ΠΠΏΠΈΡΠΈΠ½ ΠΠ½Π΄ΡΠ΅ΠΉ Π‘Π΅ΡΠ³Π΅Π΅Π²ΠΈΡ
ΠΠ½Π΄ΡΠ΅ΠΉ Π‘Π΅ΡΠ³Π΅Π΅Π²ΠΈΡ ΠΠΏΠΈΡΠΈΠ½, 2017
ΠΠΎΠ½ΠΎΠ³ΡΠ°ΡΠΈΡ ΠΏΠΎΡΠ»Π΅Π΄ΠΎΠ²Π°ΡΠ΅Π»ΡΠ½ΠΎ ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Π΅Ρ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ ΡΡΠ°Π½ΠΊΠΎΠ²ΠΎΠΉ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠΈ ΡΠΏΠΎΡ ΠΈ ΠΠ΅ΡΠ²ΠΎΠΉ ΡΡΡΡΠΊΠΎΠΉ ΡΠ΅Π²ΠΎΠ»ΡΡΠΈΠΈ, ΠΠΊΡΡΠ±ΡΡΡΠΊΠΎΠΉ ΡΠ΅Π²ΠΎΠ»ΡΡΠΈΠΈ 1917 Π³ΠΎΠ΄Π° ΠΈ ΠΡΠ°ΠΆΠ΄Π°Π½ΡΠΊΠΎΠΉ Π²ΠΎΠΉΠ½Ρ. ΠΠ½Π°Π»ΠΈΠ·ΠΈΡΡΡΡΡΡ ΠΏΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΠΈΡΡΠΎΠΊΠΈ ΠΈ ΡΠΎΡΡΠ°Π²Π»ΡΡΡΠΈΠ΅ Π½ΠΎΠ²ΠΎΠ³ΠΎ Β«ΠΏΡΠΎΠ»Π΅ΡΠ°ΡΡΠΊΠΎΠ³ΠΎ ΠΈΡΠΊΡΡΡΡΠ²Π°Β». ΠΡΡΠ»Π΅Π΄ΡΠ΅ΡΡΡ Ρ ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠ΅ Π²ΠΎΡΡΠΎΠ·Π΄Π°Π½ΠΈΠ΅ ΠΎΡΠ½ΠΎΠ²Π½ΡΡ ΡΡΠ°ΠΏΠΎΠ² ΡΠ΅Π²ΠΎΠ»ΡΡΠΈΠΎΠ½Π½ΠΎΠΉ Π±ΠΎΡΡΠ±Ρ ΠΈ ΠΏΠΎΡΡΡΠΎΠ΅Π½ΠΈΡ ΡΠΎΡΠΈΠ°Π»ΠΈΡΡΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΠΎΠ±ΡΠ΅ΡΡΠ²Π°. ΠΠ½ΠΈΠ³Π° ΠΎΠ±ΡΡΡΠ½ΡΠ΅Ρ ΡΠ°Π·Π²ΠΈΡΠΈΠ΅ ΡΡΡΡΠΊΠΎΠ³ΠΎ ΠΈΡΠΊΡΡΡΡΠ²Π° ΡΠ΅Π°Π»ΠΈΡΡΠΈΡΠ΅ΡΠΊΠΎΠΉ Π½Π°ΠΏΡΠ°Π²Π»Π΅Π½Π½ΠΎΡΡΠΈ, ΠΎΡ ΠΏΠΎΠ·Π΄Π½Π΅Π³ΠΎ ΠΏΠ΅ΡΠ΅Π΄Π²ΠΈΠΆΠ½ΠΈΡΠ΅ΡΡΠ²Π° ΠΊ ΡΠ°Π½Π½Π΅ΠΉ ΡΠΎΠ²Π΅ΡΡΠΊΠΎΠΉ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠΈ, Π²ΠΎΡΡΠΎΠ·Π΄Π°Π²Π°Ρ ΠΏΠ°Π½ΠΎΡΠ°ΠΌΡ ΠΊΡΠ»ΡΡΡΡΡ ΠΈ ΠΆΠΈΠ·Π½ΠΈ Π ΠΎΡΡΠΈΠΈ 1905β1924 Π³ΠΎΠ΄ΠΎΠ².
Andrey Sergeevich Epishin, 2017
This monograph systematically examines easel paintings from the era of the First Russian Revolution, the October Revolution of 1917, and the Civil War. It analyzes the plastic origins and components of the new "proletarian art." The research focuses on the artistic recreation and visualization of the key historical stages of revolutionary struggle and the attempts to build a socialist society. The book provides a cultural-historical explanation for the development of Russian realist art, tracing its path from radical late Peredvizhnik movement to early Soviet painting, recreating the panorama of Russian culture and life from 1905β1924.