By ΠΠΌΠΈΡΡΠΈΠ΅Π²ΡΠΊΠΈΠΉ Π‘Π΅ΡΠ³Π΅ΠΉ ΠΠ°ΡΠΈΠ»ΡΠ΅Π²ΠΈΡ
Π‘Π΅ΡΠ³Π΅ΠΉ ΠΠ°ΡΠΈΠ»ΡΠ΅Π²ΠΈΡ ΠΠΌΠΈΡΡΠΈΠ΅Π²ΡΠΊΠΈΠΉ, 2021
Π ΠΈΠ·Π΄Π°Π½ΠΈΠΈ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½Ρ Π΄Π²Π΅ ΠΏΡΠ±Π»ΠΈΡΠΈΡΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΡΠ°Π±ΠΎΡΡ Π‘Π΅ΡΠ³Π΅Ρ ΠΠΌΠΈΡΡΠΈΠ΅Π²ΡΠΊΠΎΠ³ΠΎ: Β«Π‘ΠΎΠ²Π΅ΡΡΠΊΠΈΠ΅ ΠΏΠΎΡΡΡΠ΅ΡΡΒ» (1932) ΠΈ Β«Π‘ΡΠ°Π»ΠΈΠ½Β» (1931). ΠΠΌΠΈΡΡΠΈΠ΅Π²ΡΠΊΠΈΠΉ, ΡΡΠ΅Ρ, Π·Π°ΡΠ΅ΠΌ Π±ΠΎΠ»ΡΡΠ΅Π²ΠΈΠΊ ΠΈ ΡΠΎΠ²Π΅ΡΡΠΊΠΈΠΉ Π΄ΠΈΠΏΠ»ΠΎΠΌΠ°Ρ, ΠΎΡΡΠ°Π»ΡΡ Π½Π° ΠΠ°ΠΏΠ°Π΄Π΅ Π² 1930 Π³ΠΎΠ΄Ρ. ΠΠ³ΠΎ Β«Π‘ΠΎΠ²Π΅ΡΡΠΊΠΈΠ΅ ΠΏΠΎΡΡΡΠ΅ΡΡΒ» ΠΏΠΎΠ»ΡΡΠΈΠ»ΠΈ Π²ΡΡΠΎΠΊΡΡ ΠΎΡΠ΅Π½ΠΊΡ ΡΠΈΠ»ΠΎΡΠΎΡΠ° ΠΠ΅ΠΎΡΠ³ΠΈΡ Π€Π΅Π΄ΠΎΡΠΎΠ²Π°, ΠΊΠΎΡΠΎΡΡΠΉ ΠΎΡΠΌΠ΅ΡΠΈΠ», ΡΡΠΎ ΠΊΠ½ΠΈΠ³Π° Π²ΠΏΠ΅ΡΠ²ΡΠ΅ ΠΏΠΎΠΊΠ°Π·Π°Π»Π° ΠΈΡΡΠΈΠ½Π½ΡΠΉ ΠΎΠ±Π»ΠΈΠΊ Π΄Π΅ΡΡΠ΅Π»Π΅ΠΉ ΡΡΡΡΠΊΠΎΠΉ ΡΠ΅Π²ΠΎΠ»ΡΡΠΈΠΎΠ½Π½ΠΎΠΉ ΡΡΠ°Π³Π΅Π΄ΠΈΠΈ. Π ΡΠ°Π±ΠΎΡΠ΅ Β«Π‘ΡΠ°Π»ΠΈΠ½Β» Π°Π²ΡΠΎΡ ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ ΠΈΡΡΠΎΠΊΠΈ ΠΊΠΎΠ½ΡΠ»ΠΈΠΊΡΠ° ΠΌΠ΅ΠΆΠ΄Ρ Π‘ΡΠ°Π»ΠΈΠ½ΡΠΌ ΠΈ Π’ΡΠΎΡΠΊΠΈΠΌ, Π° ΡΠ°ΠΊΠΆΠ΅ Π·Π½Π°ΡΠ΅Π½ΠΈΠ΅ Π‘ΡΠ°Π»ΠΈΠ½Π° Π² ΠΈΡΡΠΎΡΠΈΠΈ Π ΠΎΡΡΠΈΠΈ.
Sergey Vasilievich Dmitrievsky, 2021
This publication features two journalistic works by Sergey Dmitrievsky: 'Soviet Portraits' (1932) and 'Stalin' (1931). Dmitrievsky, a former Socialist Revolutionary, later a Bolshevik and Soviet diplomat, remained in the West in 1930. His 'Soviet Portraits' received high praise from philosopher Georgy Fedotov, who noted the book's unprecedented insight into the true nature of the figures of the Russian revolutionary tragedy. In 'Stalin,' the author examines the origins of the conflict between Stalin and Trotsky, as well as Stalin's significance in Russian history.