2024
Π‘Π΅ΡΠΈΡ: ΠΡΠ·ΡΠΊΠ°: ΠΈΡΠΊΡΡΡΡΠ²ΠΎ, Π½Π°ΡΠΊΠ°, ΠΌΠ°ΡΡΠ΅ΡΡΡΠ²ΠΎ
Π ΠΎΡΠ»ΠΈΡΠΈΠ΅ ΠΎΡ ΡΡΠ°Π΄ΠΈΡΠΈΠΎΠ½Π½ΡΡ ΠΏΠΎΠ΄Ρ ΠΎΠ΄ΠΎΠ², ΡΡΠ° ΠΊΠ½ΠΈΠ³Π° ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ ΠΏΠΎΡΡΡΠΎΠ΅Π½ΠΈΠ΅ ΠΌΡΠ·ΡΠΊΠ°Π»ΡΠ½ΡΡ ΡΠΈΡΡΠ΅ΠΌ, ΠΈΡΡ ΠΎΠ΄Ρ ΠΈΠ· ΡΠΈΠ·ΠΈΡΠ΅ΡΠΊΠΎΠΉ ΠΏΡΠΈΡΠΎΠ΄Ρ Π·Π²ΡΠΊΠ°. Π’Π°ΠΊΠΎΠΉ ΠΌΠ΅ΡΠΎΠ΄ ΠΏΠΎΠ·Π²ΠΎΠ»ΡΠ΅Ρ ΡΠ²ΠΈΠ΄Π΅ΡΡ Π²ΡΠ΅ ΠΌΡΠ·ΡΠΊΠ°Π»ΡΠ½ΡΠ΅ ΡΠ²Π»Π΅Π½ΠΈΡ ΠΊΠ°ΠΊ Π΅Π΄ΠΈΠ½ΡΡ Π»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΡΡ ΡΠΈΡΡΠ΅ΠΌΡ, ΠΎΡΠ½ΠΎΠ²Π°Π½Π½ΡΡ Π½Π° ΠΎΠ±ΡΠ΅ΠΊΡΠΈΠ²Π½ΠΎΠΉ ΡΠ΅Π°Π»ΡΠ½ΠΎΡΡΠΈ. ΠΠ±ΡΡΡΠ½Π΅Π½ΠΈΡ ΠΏΠ΅ΡΠ΅ΡΡΠ°ΡΡ ΠΎΠΏΠΈΡΠ°ΡΡΡΡ Π½Π° ΡΡΠ±ΡΠ΅ΠΊΡΠΈΠ²Π½ΠΎΠ΅ Π²ΠΎΡΠΏΡΠΈΡΡΠΈΠ΅, Π΄Π΅Π»Π°Ρ Π²Π·Π°ΠΈΠΌΠΎΡΠ²ΡΠ·Ρ ΠΌΡΠ·ΡΠΊΠ°Π»ΡΠ½ΡΡ ΡΠ²Π»Π΅Π½ΠΈΠΉ Π±ΠΎΠ»Π΅Π΅ Π½Π°Π³Π»ΡΠ΄Π½ΠΎΠΉ. ΠΠ½ΠΈΠ³Π° ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ ΠΏΠΎΠ½ΠΈΠΌΠ°Π½ΠΈΠ΅ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΡΡ ΠΏΡΡΠ΅ΠΉ Π΄Π°Π»ΡΠ½Π΅ΠΉΡΠ΅Π³ΠΎ ΡΠ°Π·Π²ΠΈΡΠΈΡ ΠΌΡΠ·ΡΠΊΠΈ, ΡΡΠ°Π²Π½ΠΈΠ²Π°Ρ ΠΏΡΠ°ΠΊΡΠΈΡΠ΅ΡΠΊΠΈΠΉ ΡΠΌΡΡΠ» ΡΠ΅ΠΎΡΠΈΠΈ Ρ ΠΏΠ΅ΡΡΠΏΠ΅ΠΊΡΠΈΠ²ΠΎΠΉ Π² ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠΈ ΠΈΠ»ΠΈ ΡΠ°Π±Π»ΠΈΡΠ΅ΠΉ ΠΠ΅Π½Π΄Π΅Π»Π΅Π΅Π²Π°.
2024
Series: Music: Art, Science, Mastery
This book explores the construction of musical systems by grounding them in the physical nature of sound, diverging from traditional music theory approaches. This method reveals musical phenomena as a unified logical system based on objective reality. Explanations move beyond subjective perception, clarifying the interconnections between musical elements. The work offers insight into potential future developments in music, drawing parallels between its theoretical utility and concepts like perspective in painting or the periodic table.