By ΠΠ°Π½ΠΈΠ»ΠΊΠΈΠ½ ΠΠ΅Π² ΠΠ»Π΅ΠΊΡΠ°Π½Π΄ΡΠΎΠ²ΠΈΡ
ΠΡΠ° ΠΊΠ½ΠΈΠ³Π° β Π²ΠΎΠΎΠ±ΡΠ°ΠΆΠ°Π΅ΠΌΡΠΉ ΠΌΡΠ·Π΅ΠΉ, ΠΏΠΎΡΠ²ΡΡΡΠ½Π½ΡΠΉ ΠΡΠΈΠ½Π΅ ΠΠ½ΡΠΎΠ½ΠΎΠ²ΠΎΠΉ (1922β2020), ΠΆΠ΅Π½ΡΠΈΠ½Π΅, Π½Π΅ΡΠ³ΠΈΠ±Π°Π΅ΠΌΠΎΠΉ, ΠΊΠ°ΠΊ ΠΠ°Π½Π½Π° Π΄βΠΡΠΊ, Π»Π΅Π΄ΡΠ½ΠΎΠΉ, ΠΊΠ°ΠΊ Π‘Π½Π΅ΠΆΠ½Π°Ρ ΠΊΠΎΡΠΎΠ»Π΅Π²Π°, ΠΈ Π½Π΅ΠΏΠΎΠ΄ΠΊΡΠΏΠ½ΠΎΠΉ, ΠΊΠ°ΠΊ Π ΠΎΠ±Π΅ΡΠΏΡΠ΅Ρ. ΠΡΠΎ Π±ΠΈΠΎΠ³ΡΠ°ΡΠΈΡ Π² Π²ΠΈΠ΄Π΅ Π°ΡΡ-ΠΎΠ±ΡΠ΅ΠΊΡΠ°, ΡΠΎΡΡΠΎΡΡΠ°Ρ ΠΈΠ· ΡΠ°Π·Π»ΠΈΡΠ½ΡΡ Π°ΡΡΠ΅ΡΠ°ΠΊΡΠΎΠ², ΡΠ²ΡΠ·Π°Π½Π½ΡΡ Ρ Π³Π»Π°Π²Π½ΠΎΠΉ Π³Π΅ΡΠΎΠΈΠ½Π΅ΠΉ. ΠΡΠΎΡΠΌΠ°ΡΡΠΈΠ²Π°Ρ Β«ΡΠΎΠΊΡΠΎΠ²ΠΈΡΠ° ΠΠ½ΡΠΎΠ½ΠΎΠ²ΠΎΠΉΒ», ΡΠΈΡΠ°ΡΠ΅Π»Ρ ΡΠ·Π½Π°Π΅Ρ ΠΌΠ½ΠΎΠΆΠ΅ΡΡΠ²ΠΎ ΠΈΡΡΠΎΡΠΈΠΉ ΠΎ ΡΠΎΠΌ, ΠΊΠ°ΠΊ ΡΡΠ° Π½Π΅ΠΈΡΡΠΎΠ²Π°Ρ ΠΆΠ΅Π½ΡΠΈΠ½Π° ΡΠ°ΡΠΏΠΎΡΡΠ΄ΠΈΠ»Π°ΡΡ ΡΠ²ΠΎΠ΅ΠΉ ΠΆΠΈΠ·Π½ΡΡ, ΠΊΠ°ΠΊ ΠΈΠ·ΠΌΠ΅Π½ΠΈΠ»Π° ΠΌΡΠ·Π΅ΠΉΠ½ΡΠΉ ΠΈ Π²Π½Π΅ΠΌΡΠ·Π΅ΠΉΠ½ΡΠΉ ΠΌΠΈΡ, ΠΈ ΠΊΠ°ΠΊ ΠΎΠ΄Π΅ΡΠΆΠΈΠΌΠΎΡΡΡ ΡΠ²ΠΎΠΈΠΌΠΈ ΠΈΠ΄Π΅ΡΠΌΠΈ ΠΏΡΠ΅Π²ΡΠ°ΡΠΈΠ»Π° Π΅Ρ ΡΠ°ΠΌΡ Π² ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅ ΠΈΡΠΊΡΡΡΡΠ²Π° ΠΈ ΠΈΠΊΠΎΠ½Ρ.
This book is an imagined museum dedicated to Irina Antonova (1922β2020), a woman as unyielding as Joan of Arc, as cold as the Snow Queen, and as incorruptible as Robespierre. It presents her life as an art object, composed of various artifacts connected to her. By exploring 'Antonova's treasures,' readers will discover many stories about how this fierce woman shaped her life, transformed the museum and non-museum world, and how her obsession with her ideas turned her into a work of art and an icon.