By ΠΠ΅ΠΆΠΈΠ½ ΠΠ΅ΠΎΠ½ΠΈΠ΄ ΠΠ²Π³Π΅Π½ΡΠ΅Π²ΠΈΡ
ΠΠ΅ΠΎΠ½ΠΈΠ΄ ΠΠ΅ΠΆΠΈΠ½, 2008
Π ΠΎΠΌΠ°Π½ ΠΠ΅ΠΎΠ½ΠΈΠ΄Π° ΠΠ΅ΠΆΠΈΠ½Π° ΠΏΠΎΠ³ΡΡΠΆΠ°Π΅Ρ Π² Π°ΡΠΌΠΎΡΡΠ΅ΡΡ ΠΠΎΡΠΊΠ²Ρ ΠΏΡΡΠΈΠ΄Π΅ΡΡΡΡΡ ΠΈ ΡΠ΅ΡΡΠΈΠ΄Π΅ΡΡΡΡΡ Π³ΠΎΠ΄ΠΎΠ². ΠΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅ ΡΠ°ΡΡΠΊΠ°Π·ΡΠ²Π°Π΅Ρ ΠΎ Π²ΠΎΠ·Π²ΡΠ°ΡΠ΅Π½ΠΈΠΈ ΠΈΠ· ΡΡΠ°Π»ΠΈΠ½ΡΠΊΠΈΡ Π»Π°Π³Π΅ΡΠ΅ΠΉ, ΠΏΡΠ°Π·Π΄Π½ΠΎΠ²Π°Π½ΠΈΠΈ ΠΠΎΠ²ΠΎΠ³ΠΎ Π³ΠΎΠ΄Π° Π² Π°ΡΠ±Π°ΡΡΠΊΠΈΡ ΠΊΠΎΠΌΠΌΡΠ½Π°Π»ΠΊΠ°Ρ , Π³Π΄Π΅ Π² Π΅Π»ΠΎΡΠ½ΡΡ ΡΠ°ΡΠ°Ρ ΠΎΡΡΠ°ΠΆΠ°Π»Π°ΡΡ ΠΊΠΎΠΌΠ½Π°ΡΠ°, ΠΈ ΠΏΠΎΠ΅Π·Π΄ΠΊΠ°Ρ Π½Π° Π΄Π°ΡΡ. ΠΠ²ΡΠΎΡ ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ ΠΈΡΡΠ΅Π·Π½ΠΎΠ²Π΅Π½ΠΈΠ΅ ΠΏΠΎΡΠ»Π΅Π΄Π½ΠΈΡ ΠΌΠΈΡΡΠΈΡΠ΅ΡΠΊΠΈΡ ΠΊΡΡΠΆΠΊΠΎΠ² ΠΈ ΠΏΠΎΡΠ²Π»Π΅Π½ΠΈΠ΅ ΠΏΠ΅ΡΠ²ΡΡ Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΈΡ ΡΠΊΠΎΠ». ΠΠΎΡΠΊΠΎΠ²ΡΠΊΠ°Ρ ΡΠ΅ΠΌΠ°ΡΠΈΠΊΠ° ΠΏΠ΅ΡΠ΅ΠΏΠ»Π΅ΡΠ°Π΅ΡΡΡ Ρ Π±ΠΈΠ±Π»Π΅ΠΉΡΠΊΠΈΠΌΠΈ ΠΌΠΎΡΠΈΠ²Π°ΠΌΠΈ, ΠΎΡΠΌΠ΅ΡΠ°Ρ Π²ΡΠ΅ΠΌΡ Π·Π½Π°ΠΊΠ°ΠΌΠΈ Π°ΠΏΠΎΡΡΠΎΠ»ΠΎΠ² ΠΈ Π΅Π²Π°Π½Π³Π΅Π»ΠΈΡΡΠΎΠ².
Leonid Bezhin, 2008
Leonid Bezhin's novel immerses readers in the atmosphere of Moscow during the 1950s and 1960s. The work recounts returns from Stalinist camps, New Year's celebrations in Arbat communal apartments where rooms were reflected in Christmas baubles, and trips to the dacha. The author explores the disappearance of the last mystical circles and the emergence of the first English schools. The Moscow theme intertwines with biblical motifs, marking the era with signs of apostles and evangelists.