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By Π‘ΠΎΡΠΎΠΊΠΈΠ½ ΠΠ»Π°Π΄ΠΈΠΌΠΈΡ ΠΠ΅ΠΎΡΠ³ΠΈΠ΅Π²ΠΈΡ
ΠΠ»Π°Π΄ΠΈΠΌΠΈΡ Π‘ΠΎΡΠΎΠΊΠΈΠ½, 2024, ΠΠΊΡΠΊΠ»ΡΠ·ΠΈΠ²Π½Π°Ρ Π½ΠΎΠ²Π°Ρ ΠΊΠ»Π°ΡΡΠΈΠΊΠ°
Β«ΠΡΠ΅ΡΠ΅Π΄ΡΒ» β ΠΏΠ΅ΡΠ²Π°Ρ ΠΎΠΏΡΠ±Π»ΠΈΠΊΠΎΠ²Π°Π½Π½Π°Ρ ΠΊΠ½ΠΈΠ³Π° ΠΠ»Π°Π΄ΠΈΠΌΠΈΡΠ° Π‘ΠΎΡΠΎΠΊΠΈΠ½Π°, ΡΠ²ΠΈΠ΄Π΅Π²ΡΠ°Ρ ΡΠ²Π΅Ρ Π² 1985 Π³ΠΎΠ΄Ρ. Π ΠΎΠΌΠ°Π½ ΠΏΠΎΠ»Π½ΠΎΡΡΡΡ ΡΠΎΡΡΠΎΠΈΡ ΠΈΠ· ΠΏΡΡΠΌΠΎΠΉ ΡΠ΅ΡΠΈ, Π³Π΄Π΅ ΠΎΡΠ΅ΡΠ΅Π΄Ρ Π²ΡΡΡΡΠΏΠ°Π΅Ρ ΠΌΠ΅ΡΠ°ΡΠΎΡΠΎΠΉ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΠΊΠΎΠΉ ΠΆΠΈΠ·Π½ΠΈ. ΠΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅ ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ ΡΠ΅ΠΌΡ Π΄ΠΎΡΡΠΈΠΆΠ΅Π½ΠΈΡ ΡΠ΅Π»Π΅ΠΉ, ΠΏΠΎΠΊΠ°Π·ΡΠ²Π°Ρ, ΡΡΠΎ Π΄Π»Ρ ΡΡΠΎΠ³ΠΎ ΡΠ°ΡΡΠΎ ΡΡΠ΅Π±ΡΡΡΡΡ ΠΈΠ½ΡΠ΅ ΡΡΠΈΠ»ΠΈΡ, ΡΠ΅ΠΌ ΠΏΡΠ΅Π΄ΠΏΠΎΠ»Π°Π³Π°Π»ΠΎΡΡ, ΠΈ ΡΡΠΎ ΡΠ°ΠΌΠ° ΡΠ΅Π»Ρ Π½Π΅ Π²ΡΠ΅Π³Π΄Π° Π²ΠΈΠ΄ΠΈΡΡΡ ΡΡΠ½ΠΎ. ΠΠ΅ΡΠΊΠΎΠ½Π΅ΡΠ½ΡΠΉ ΡΠ°Π·Π³ΠΎΠ²ΠΎΡ Π½Π΅Π·Π½Π°ΠΊΠΎΠΌΡΡ Π»ΡΠ΄Π΅ΠΉ Π΄ΠΎΠ±Π°Π²Π»ΡΠ΅Ρ ΡΡΡΠΈΡ ΠΈ ΠΊ ΠΏΠΎΡΡΡΠ΅ΡΡ ΡΠΏΠΎΡ ΠΈ, Π³Π΄Π΅ ΠΊΠ°ΠΆΠ΄Π°Ρ ΡΠ΅ΠΏΠ»ΠΈΠΊΠ° ΠΏΡΠΈΠ½Π°Π΄Π»Π΅ΠΆΠΈΡ Π²ΡΠ΅ΠΌ ΠΈ Π½ΠΈΠΊΠΎΠΌΡ.
Vladimir Sorokin, 2024, Exclusive New Classics
Vladimir Sorokin's first published book, 'The Queue', emerged in 1985. The novel consists entirely of direct speech, using the queue as a metaphor for human life. The work explores the theme of achieving goals, suggesting that it often requires different efforts than anticipated and that the goal itself is not always clearly perceived. The endless conversation among strangers adds strokes to the portrait of an era, where each utterance belongs to everyone and no one.