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By Π‘Π²Π΅ΡΠ»ΠΎΠ²Π° ΠΡΠ΄ΠΌΠΈΠ»Π° Π€ΠΈΠ»ΠΈΠΏΠΏΠΎΠ²Π½Π°
ΠΡΠ΄ΠΌΠΈΠ»Π° Π€ΠΈΠ»ΠΈΠΏΠΏΠΎΠ²Π½Π° Π‘Π²Π΅ΡΠ»ΠΎΠ²Π°, 2024
ΠΡΠ° ΠΊΠ½ΠΈΠ³Π° ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ ΡΠ΅Π½ΠΎΠΌΠ΅Π½ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΉ ΠΏΠΎΡΠΌΠ΅ΡΡΠ½ΠΎΠΉ ΡΠΎΡΠΎΠ³ΡΠ°ΡΠΈΠΈ, ΡΡΡΠ΅ΡΡΠ²ΡΡΡΠΈΠΉ ΡΠΆΠ΅ ΡΠ΅ΡΡΡ Π»Π΅Ρ. ΠΠ²ΡΠΎΡ ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Π΅Ρ ΡΡΡ ΠΏΡΠ°ΠΊΡΠΈΠΊΡ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ ΠΊΠ°ΠΊ ΠΎΡΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ ΡΠΌΠ΅ΡΡΠΈ, Π½ΠΎ ΠΈ ΠΊΠ°ΠΊ ΡΠ΅ΠΌΡ Π»ΡΠ±Π²ΠΈ, ΠΏΠ°ΠΌΡΡΠΈ, ΡΠ΅ΠΌΠ΅ΠΉΠ½ΡΡ ΡΡΠ°Π΄ΠΈΡΠΈΠΉ ΠΈ ΡΠ²Π°ΠΆΠ΅Π½ΠΈΡ ΠΊ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΡ. ΠΡΠΎΠ±ΠΎΠ΅ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ ΡΠ΄Π΅Π»ΡΠ΅ΡΡΡ ΡΠΎΠΌΡ, ΠΊΠ°ΠΊ ΠΆΠΈΠ²ΡΠ΅ Π»ΡΠ΄ΠΈ ΠΎΡΠΌΡΡΠ»ΡΡΡ ΠΏΠΎΡΠ΅ΡΡ ΠΈ ΠΏΡΡΠ°ΡΡΡΡ ΠΏΠΎΠ·Π½Π°ΡΡ ΡΡΠ°Π½ΡΡΠ΅Π½Π΄Π΅Π½ΡΠ½ΠΎΠ΅. Π ΠΈΠ·Π΄Π°Π½ΠΈΠΈ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½Ρ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΡ ΡΠ°Π·Π»ΠΈΡΠ½ΡΡ ΠΏΡΠ°ΠΊΡΠΈΠΊ, ΡΠ²ΡΠ·Π°Π½Π½ΡΡ Ρ ΠΏΡΠΎΡΠ°Π½ΠΈΠ΅ΠΌ ΠΈ ΠΏΠ°ΠΌΡΡΡΡ, ΠΎΡ Π²ΠΈΠΊΡΠΎΡΠΈΠ°Π½ΡΠΊΠΈΡ ΠΏΠΎΡΡΡΠ΅ΡΠΎΠ² Π΄ΠΎ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΡΡ ΡΠΈΡΡΠ°Π»ΠΎΠ².
Lyudmila Filippovna Svetlova, 2024
This book delves into the phenomenon of modern postmortem photography, a practice studied for six years. The author explores this subject not merely as a reflection of death, but as a theme encompassing love, memory, family traditions, and respect for the individual. It highlights how the living process loss and seek to understand the transcendent. The publication includes research into various practices related to farewells and remembrance, from Victorian portraits to contemporary rituals.