By ΠΠΈΠ½ΠΈΠΊ ΠΠΈΠ½ΠΎΠ²ΠΈΠΉ
ΠΠΈΠ½ΠΎΠ²ΠΈΠΉ ΠΠΈΠ½ΠΈΠΊ, 2020
Π ΡΠ±ΠΎΡΠ½ΠΈΠΊΠ΅ ΠΏΡΠΎΠ·Ρ ΡΠ°Π·Π½ΡΡ Π»Π΅Ρ Β«ΠΠΎΠ³Π° ΠΌΠΎΠ΅Π³ΠΎ ΠΎΡΡΠ° ΠΈ Π΄ΡΡΠ³ΠΈΠ΅ ΡΠ΅Π»ΠΈΠΊΠ²ΠΈΠΈΒ» ΡΡΡΡΠΊΠΎ-Π±ΡΠΈΡΠ°Π½ΡΠΊΠΎΠ³ΠΎ ΠΏΠΈΡΠ°ΡΠ΅Π»Ρ ΠΠΈΠ½ΠΎΠ²ΠΈΡ ΠΠΈΠ½ΠΈΠΊΠ° ΡΡΡΡΠ΅Π°Π»ΠΈΠ·ΠΌ ΡΠΎΡΠ΅ΡΠ°Π΅ΡΡΡ Ρ ΠΌΠ΅ΠΌΡΠ°ΡΠ½ΠΎΠΉ Ρ ΡΠΎΠ½ΠΈΠΊΠΎΠΉ ΠΈ ΠΏΡΠ±Π»ΠΈΡΠΈΡΡΠΈΠΊΠΎΠΉ. ΠΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ Π±Π°Π»Π°Π½ΡΠΈΡΡΡΡ Π½Π° Π³ΡΠ°Π½ΠΈ ΡΠ΅Π°Π»ΡΠ½ΠΎΡΡΠΈ ΠΈ Π²ΡΠΌΡΡΠ»Π°, ΠΎΠ±ΡΠ΅Π΄ΠΈΠ½Π΅Π½Π½ΡΠ΅ ΡΠΈΠ³ΡΡΠΎΠΉ ΠΎΡΡΠ°, ΠΊΠΎΡΠΎΡΠ°Ρ ΡΡΠ°Π½ΡΡΠΎΡΠΌΠΈΡΡΠ΅ΡΡΡ ΠΈ Π·Π°ΡΡΠ°Π²Π»ΡΠ΅Ρ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆΠ΅ΠΉ ΠΏΠ΅ΡΠ΅ΠΆΠΈΠ²Π°ΡΡ Π²ΡΡΡΠ΅ΡΠΈ Ρ ΡΠΎΠ²Π΅ΡΡΠΊΠΈΠΌ ΠΏΡΠΎΡΠ»ΡΠΌ. ΠΡΠΎ ΠΏΡΠΎΡΠ»ΠΎΠ΅ ΠΏΡΠ΅Π΄ΡΡΠ°Π΅Ρ Π² ΡΠ°Π·Π½ΡΡ ΠΎΠ±Π»ΠΈΡΠΈΡΡ Π² ΠΠΎΡΠΊΠ²Π΅, ΠΡΠ°Π³Π΅, ΠΠΊΠ°ΡΠ΅ΡΠΈΠ½Π±ΡΡΠ³Π΅, ΠΠ΅Π½ΠΈΠ³ΡΠ±Π΅ΡΠ³Π΅, Π¨Π°Π΄ΡΠΈΠ½ΡΠΊΠ΅ ΠΈ ΠΠΎΠ½Π΄ΠΎΠ½Π΅, Π½Π°ΡΡΡΠ°Ρ Π³ΡΠ°Π½ΠΈΡΡ ΡΠΎΠ·Π½Π°Π½ΠΈΡ. ΠΠ½ΠΈΠ³Π° ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ ΡΠΎΠ²Π΅ΡΡΠΊΠΎΠ΅ Π½Π°ΡΠ»Π΅Π΄ΠΈΠ΅ Π² ΠΊΠ°ΠΆΠ΄ΠΎΠΌ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ΅.
Zinovy Zinik, 2020
The collection "My Father's Foot and Other Relics" by Russian-British writer Zinovy Zinik features prose from various years, blending surrealism with memoir and journalistic accounts. The works navigate the line between reality and fiction, unified by the figure of the father. This paternal presence transforms, prompting characters to confront paradoxical encounters with the Soviet past. This past reappears in diverse forms across locations like Moscow, Prague, Yekaterinburg, KΓΆnigsberg, Shadrinsk, and London, challenging the boundaries of consciousness. The book examines the enduring Soviet legacy within each individual.