By Π‘ΡΠ°ΡΠΎΡΡΠΈΠ½ Π.Π.
Β«ΠΠΈΠΊΠ°ΠΊΠ°Ρ Π²ΠΎΠ»Π½Π°Β» β ΠΌΠ½ΠΎΠ³ΠΎΡΠ»ΠΎΠΉΠ½ΡΠΉ Π΄Π΅Π±ΡΡΠ½ΡΠΉ ΡΠΎΠΌΠ°Π½ ΠΠ»Π΅ΠΊΡΠ°Π½Π΄ΡΠ° Π‘ΡΠ°ΡΠΎΡΡΠΈΠ½Π°, Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠ°, ΠΆΡΡΠ½Π°Π»ΠΈΡΡΠ° ΠΈ ΠΎΡΠ½ΠΎΠ²Π°ΡΠ΅Π»Ρ Π³ΡΡΠΏΠΏΡ Theodor Bastard. ΠΠ½ΠΈΠ³Π° ΠΎΡΠ½ΠΎΠ²Π°Π½Π° Π½Π° ΡΠ΅Π°Π»ΠΈΡΡ ΡΠΎΡβΠ±ΠΈΠ·Π½Π΅ΡΠ° ΠΈ ΠΆΡΡΠ½Π°Π»ΡΠ½ΠΎΠΉ ΠΈΠ½Π΄ΡΡΡΡΠΈΠΈ Π ΠΎΡΡΠΈΠΈ Π½Π°ΡΠ°Π»Π° 2000βΡ , Π² Π½Π΅ΠΉ Π²ΡΡΡΠ΅ΡΠ°ΡΡΡΡ ΡΠ·Π½Π°Π²Π°Π΅ΠΌΡΠ΅ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆΠΈ ΠΈ Π±Π΅Π·ΡΠΌΡΠ½Π½ΡΠΉ Π³Π»Π°Π²Π½ΡΠΉ Π³Π΅ΡΠΎΠΉ, ΠΈΡΡΡΠΈΠΉ ΡΠ΅Π±Ρ Π² ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²Π΅, Π»ΡΠ±Π²ΠΈ ΠΈ ΠΏΡΠΎΡΠ΅ΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠΌ ΠΌΠΈΡΠ΅. Π ΠΏΠΎΠ²Π΅ΡΡΠ²ΠΎΠ²Π°Π½ΠΈΠΈ ΠΏΠ΅ΡΠ΅ΠΏΠ»Π΅ΡΠ°ΡΡΡΡ Π΄Π΅Π½ΡΠ³ΠΈ, Π°ΠΌΠ±ΠΈΡΠΈΠΈ, ΠΎΠ±ΠΌΠ°Π½ ΠΈ ΡΠ»ΡΡΠ°ΠΉΠ½ΠΎΡΡΡ, Π° ΡΠ°ΠΊΠΆΠ΅ ΠΏΡΠΎΡΠΈΠ²ΠΎΡΡΠΎΡΠ½ΠΈΠ΅ ΠΌΠΎΠ΄Π½ΠΎΠ³ΠΎ Π»Π΅ΠΉΠ±Π»Π° ΠΈ ΠΎΡΠΊΡΡΡΠΎΠΉ Π‘Π΅ΡΠΈ, ΠΈΡΡΠ΅ΡΠΈΠΈ ΠΈ ΠΌΠ΅Π΄ΠΈΡΠ°ΡΠΈΠΈ, Π°Π³ΡΠ΅ΡΡΠΈΠΈ ΠΈ ΠΏΡΠ°Π²Π΄Ρ, Π²Π΅ΡΠ½ΠΎΡΡΠΈ ΠΈ Π΄Π΅ΡΠ·ΠΎΡΡΠΈ. Π ΠΎΠΌΠ°Π½ ΠΏΡΠ΅Π΄Π½Π°Π·Π½Π°ΡΠ΅Π½ Π΄Π»Ρ Π²Π·ΡΠΎΡΠ»ΡΡ ΡΠΈΡΠ°ΡΠ΅Π»Π΅ΠΉ, ΠΈΠ½ΡΠ΅ΡΠ΅ΡΡΡΡΠΈΡ ΡΡ ΠΊΡΠ»ΡΡΡΡΠ½ΡΠΌΠΈ ΠΈ ΠΏΡΠΈΡ ΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΈΠΌΠΈ Π°ΡΠΏΠ΅ΠΊΡΠ°ΠΌΠΈ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΉ ΠΌΠ΅Π΄ΠΈΠ°ΡΡΠ΅ΡΡ.
No Wave is the multilayered debut novel by Alexander Starostin, a visual artist, journalist and founder of the band Theodor Bastard. The story draws on the realities of earlyβ2000s Russian showβbusiness and magazine publishing, featuring recognizable industry figures and a nameless protagonist navigating fame, love and artistic selfβdiscovery. It portrays a media landscape where money, ambition, deception and chance collide, pitting a fashionable label against an open network, hysteria against meditation, aggression against truth, and loyalty against audacity. The novel is written for adult readers who appreciate gritty cultural insight and psychological depth.