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By Π‘Π°ΠΊΡ ΠΠ»ΠΈΠ²Π΅Ρ
ΠΠ½ΠΈΠ³Π° Β«ΠΡΠ·ΡΠΊΠΎΡΠΈΠ»ΠΈΡΒ» ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ ΠΏΡΠΈΡΠΎΠ΄Ρ ΠΌΡΠ·ΡΠΊΠ°Π»ΡΠ½ΠΎΠΉ ΠΎΠ΄Π°ΡΠ΅Π½Π½ΠΎΡΡΠΈ, ΡΡΠ°Π²Ρ ΠΏΠΎΠ΄ Π²ΠΎΠΏΡΠΎΡ, ΡΠ²Π»ΡΠ΅ΡΡΡ Π»ΠΈ ΠΎΠ½Π° ΠΏΠ°ΡΠΎΠ»ΠΎΠ³ΠΈΠ΅ΠΉ ΠΈΠ»ΠΈ Π±ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΡΠΌ Π΄Π°ΡΠΎΠΌ. ΠΠ²ΡΠΎΡ Π°Π½Π°Π»ΠΈΠ·ΠΈΡΡΠ΅Ρ ΡΠ°Π·Π»ΠΈΡΠΈΡ Π² Π³Π΅Π½ΠΈΠ°Π»ΡΠ½ΠΎΡΡΠΈ Π²Π΅Π»ΠΈΠΊΠΈΡ ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΎΡΠΎΠ² ΠΈ ΠΎΠ±ΡΡΡΠ½ΡΠ΅Ρ, ΠΏΠΎΡΠ΅ΠΌΡ ΠΎΠ΄Π½ΠΈ Π»ΡΠ΄ΠΈ ΠΎΠ±Π»Π°Π΄Π°ΡΡ Π½Π΅ΠΎΠ±ΡΡΡΠ½ΠΈΠΌΠΎΠΉ Π»ΡΠ±ΠΎΠ²ΡΡ ΠΊ ΠΌΡΠ·ΡΠΊΠ΅, Π° Π΄ΡΡΠ³ΠΈΠ΅ Π²ΠΎΡΠΏΡΠΈΠ½ΠΈΠΌΠ°ΡΡ Π΅Π΅ ΠΊΠ°ΠΊ Π½Π΅Π²ΡΠ½ΠΎΡΠΈΠΌΡΠΉ ΡΡΠΌ. ΠΡΠΈΠ²ΠΎΠ΄ΡΡΡΡ ΠΈΡΡΠΎΡΠΈΠΈ Π»ΡΠ΄Π΅ΠΉ, ΡΡΡ ΠΆΠΈΠ·Π½Ρ ΠΈ ΠΎΡΠ½ΠΎΡΠ΅Π½ΠΈΠ΅ ΠΊ ΠΌΡΠ·ΡΠΊΠ΅ ΠΊΠ°ΡΠ΄ΠΈΠ½Π°Π»ΡΠ½ΠΎ ΠΈΠ·ΠΌΠ΅Π½ΠΈΠ»ΠΈΡΡ ΠΏΠΎΡΠ»Π΅ ΡΡΠ°Π²ΠΌ, ΠΎΡΠΊΡΡΠ²Π°Ρ Π³Π»ΡΠ±ΠΎΠΊΠΈΠ΅ Π°ΡΠΏΠ΅ΠΊΡΡ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΠΊΠΎΠ³ΠΎ Β«ΡΒ».
Β«MusicophiliaΒ» explores the nature of musical giftedness, questioning whether it is a pathology or a divine gift. The author analyzes the differences in the genius of great composers and explains why some individuals possess an inexplicable love for music, while others perceive it as unbearable noise. It recounts stories of people whose lives and attitudes towards music changed dramatically after trauma, revealing profound aspects of the human self.