By Π₯Π²ΠΎΡΡΠ΅Π½ΠΊΠΎ Π’Π°ΡΡΡΠ½Π° ΠΠ°ΡΠΈΠ»ΡΠ΅Π²Π½Π°
Π’Π°ΡΡΡΠ½Π° ΠΠ°ΡΠΈΠ»ΡΠ΅Π²Π½Π° Π₯Π²ΠΎΡΡΠ΅Π½ΠΊΠΎ, 2025, Π‘Π΅ΡΠΈΡ: ΠΠ°ΡΡΠΈΠ½Π° Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ. ΠΠ΄ΡΠ΅ΡΠ°
Π Π°ΠΉΠΎΠ½ ΠΠ΅ΡΡ Π½Π΅ΠΉ ΠΠ°ΡΠ»ΠΎΠ²ΠΊΠΈ Π² ΠΠΎΡΠΊΠ²Π΅, ΠΏΡΠΎΠ·Π²Π°Π½Π½ΡΠΉ ΠΠΎΡΠΊΠΎΠ²ΡΠΊΠΈΠΌ ΠΠΎΠ½ΠΌΠ°ΡΡΡΠΎΠΌ, Π΄Π΅ΡΡΡΠΈΠ»Π΅ΡΠΈΡΠΌΠΈ Π±ΡΠ» Π΄ΠΎΠΌΠΎΠΌ Π΄Π»Ρ ΡΠΎΠ²Π΅ΡΡΠΊΠΎΠΉ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠΎΠΉ ΠΈΠ½ΡΠ΅Π»Π»ΠΈΠ³Π΅Π½ΡΠΈΠΈ. ΠΠ΅ΠΌΡΠ°ΡΡ Π’Π°ΡΡΡΠ½Ρ Π₯Π²ΠΎΡΡΠ΅Π½ΠΊΠΎ ΠΏΠΎΠ³ΡΡΠΆΠ°ΡΡ Π² ΠΏΠΎΠ²ΡΠ΅Π΄Π½Π΅Π²Π½ΡΡ ΠΆΠΈΠ·Π½Ρ Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² XX Π²Π΅ΠΊΠ°, Π²ΠΊΠ»ΡΡΠ°Ρ ΡΠ°ΠΊΠΈΡ Π·Π½Π°ΠΊΠΎΠ²ΡΡ ΡΠΈΠ³ΡΡ, ΠΊΠ°ΠΊ ΠΠ³ΠΎΡΡ ΠΡΠ°Π±Π°ΡΡ, ΠΠ°Π²Π΅Π» Π‘ΠΎΠΊΠΎΠ»ΠΎΠ²-Π‘ΠΊΠ°Π»Ρ, Π‘Π΅ΡΠ³Π΅ΠΉ ΠΠ΅ΡΠ°ΡΠΈΠΌΠΎΠ², ΠΠ΅ΠΎΡΠ³ΠΈΠΉ ΠΠ΅ΡΠΎΠ΄Π° ΠΈ ΠΠ»Π°Π΄ΠΈΠΌΠΈΡ Π’Π°ΡΠ»ΠΈΠ½. Π§Π΅ΡΠ΅Π· Π±Π΅ΡΠ΅Π΄Ρ Ρ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΡΠ°ΠΌΠΈ, ΡΠΊΡΠ»ΡΠΏΡΠΎΡΠ°ΠΌΠΈ ΠΈ Π°ΡΡ ΠΈΡΠ΅ΠΊΡΠΎΡΠ°ΠΌΠΈ ΡΠ°ΡΠΊΡΡΠ²Π°Π΅ΡΡΡ ΡΠΏΠΎΡ Π°, ΠΎΠΊΡΡΠ°Π½Π½Π°Ρ ΡΡΠΌΠ°Π½ΠΎΠΌ Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ. ΠΠΎΡΠΏΠΎΠΌΠΈΠ½Π°Π½ΠΈΡ ΠΏΠ΅ΡΠ΅Π΄Π°ΡΡ Π°ΡΠΌΠΎΡΡΠ΅ΡΡ ΡΡΠΏΠ»ΡΡ Π²Π΅ΡΠ΅ΡΠΎΠ² ΠΈ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ ΠΆΠΈΠ·Π½ΠΈ, Π½Π°ΠΏΠΎΠ»Π½Π΅Π½Π½ΡΠ΅ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²ΠΎΠΌ ΠΈ ΠΏΠ΅ΡΠ΅Π½ΠΎΡΡΡΠΈΠ΅ ΡΠΈΡΠ°ΡΠ΅Π»Ρ Π² ΠΎΡΠΎΠ±ΡΡ ΡΠ΅Π°Π»ΡΠ½ΠΎΡΡΡ. ΠΠ½ΠΈΠ³Π° ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ ΠΊΡΠ»ΡΡΡΡΠ½ΡΠΉ ΠΊΠΎΠ½ΡΠ΅ΠΊΡΡ ΠΈ ΠΈΡΡΠΎΡΠΈΡ ΠΈΡΠΊΡΡΡΡΠ²Π°, ΠΏΠΎΠΊΠ°Π·ΡΠ²Π°Ρ, ΠΊΠ°ΠΊ ΠΈΡΡΠΎΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΡΠΎΠ±ΡΡΠΈΡ ΡΠΎΡΠΌΠΈΡΡΡΡ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠΈΠ΅ ΡΡΠ΄ΡΠ±Ρ.
Tatyana Vasilievna Khvostenko, 2025, Series: The Picture of Time. Addresses
The Verkhnyaya Maslovka district in Moscow, nicknamed Moscow's Montmartre, was home to Soviet creative intelligentsia for decades. Tatyana Khvostenko's memoirs offer insight into the daily lives of 20th-century artists, featuring prominent names like Igor Grabar, Pavel Sokolov-Skalya, Sergey Gerasimov, Georgy Neroda, and Vladimir Tatlin. Through conversations with painters, sculptors, and architects, the book unveils an era shrouded in the mists of time. These recollections capture the atmosphere of warm evenings and the flow of life, steeped in creativity, transporting readers to a unique reality. The work explores the cultural context and art history, illustrating how historical events shape artistic destinies.