By ΠΡΠΎΠΏΠΏ ΠΠ»Π°Π΄ΠΈΠΌΠΈΡ Π―ΠΊΠΎΠ²Π»Π΅Π²ΠΈΡ
ΠΠ»Π°Π΄ΠΈΠΌΠΈΡ Π―ΠΊΠΎΠ²Π»Π΅Π²ΠΈΡ ΠΡΠΎΠΏΠΏ
Π ΡΡΠΎΠΌ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠΈ ΠΠ»Π°Π΄ΠΈΠΌΠΈΡ ΠΡΠΎΠΏΠΏ Π°Π½Π°Π»ΠΈΠ·ΠΈΡΡΠ΅Ρ ΡΡΡΡΠΊΡΡΡΡ ΠΈ ΠΏΡΠΎΠΈΡΡ ΠΎΠΆΠ΄Π΅Π½ΠΈΠ΅ Π²ΠΎΠ»ΡΠ΅Π±Π½ΠΎΠΉ ΡΠΊΠ°Π·ΠΊΠΈ. ΠΠ³ΠΎ ΡΠ°Π±ΠΎΡΡ, ΠΏΡΠ΅Π΄Π²ΠΎΡΡ ΠΈΡΠΈΠ²ΡΠΈΠ΅ ΠΈΠ΄Π΅ΠΈ ΠΠΆΠΎΠ·Π΅ΡΠ° ΠΡΠΌΠΏΠ±Π΅Π»Π»Π°, ΡΡΠ°Π»ΠΈ ΡΡΠ½Π΄Π°ΠΌΠ΅Π½ΡΠ°Π»ΡΠ½ΡΠΌΠΈ Π΄Π»Ρ ΡΠΎΠ»ΡΠΊΠ»ΠΎΡΠΈΡΡΠΈΠΊΠΈ ΠΈ Π³ΡΠΌΠ°Π½ΠΈΡΠ°ΡΠ½ΡΡ Π½Π°ΡΠΊ XX Π²Π΅ΠΊΠ°. ΠΡΠΎΠΏΠΏ ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Π΅Ρ ΠΈΡΡΠΎΠΊΠΈ ΡΠΊΠ°Π·ΠΊΠΈ ΠΊΠ°ΠΊ ΠΎΡΠΎΠ±ΠΎΠ³ΠΎ Π²ΠΈΠ΄Π° ΡΠ΅ΠΊΡΡΠ°, ΠΈΡΡΠ»Π΅Π΄ΡΡ ΠΊΠ°ΠΊ ΡΡΡΡΠΊΠΈΠ΅, ΡΠ°ΠΊ ΠΈ ΠΌΠΈΡΠΎΠ²ΡΠ΅ ΡΠΊΠ°Π·ΠΎΡΠ½ΡΠ΅ ΡΡΠ°Π΄ΠΈΡΠΈΠΈ. ΠΡΠ²ΠΎΠ΄Ρ Π°Π²ΡΠΎΡΠ° Π°ΠΊΡΡΠ°Π»ΡΠ½Ρ Π΄Π»Ρ ΠΊΡΠ»ΡΡΡΡΠΎΠ»ΠΎΠ³ΠΈΠΈ, ΡΠΈΠ»ΠΎΠ»ΠΎΠ³ΠΈΠΈ ΠΈ ΠΏΡΠΈΡ ΠΎΠ»ΠΎΠ³ΠΈΠΈ, Π° ΡΠ°ΠΊΠΆΠ΅ Π΄Π»Ρ ΡΠΏΠ΅ΡΠΈΠ°Π»ΠΈΡΡΠΎΠ², Π·Π°Π½ΠΈΠΌΠ°ΡΡΠΈΡ ΡΡ ΡΠΎΠ·Π΄Π°Π½ΠΈΠ΅ΠΌ ΡΠ²Π»Π΅ΠΊΠ°ΡΠ΅Π»ΡΠ½ΡΡ ΡΠ΅ΠΊΡΡΠΎΠ² ΠΈ Π±ΡΠ΅Π½Π΄ΠΎΠ²ΡΡ ΠΌΠΈΡΠΎΠ².
Vladimir Propp
This work by Vladimir Propp delves into the structure and origins of the magic fairy tale. His research, which anticipated Joseph Campbell's concepts, became foundational for 20th-century folklore studies and the humanities. Propp examines the genesis of the fairy tale as a distinct textual form, analyzing both Russian and global folk traditions. The author's conclusions remain relevant for cultural studies, philology, and psychology, as well as for professionals involved in crafting engaging narratives and brand myths.