By ΠΠ»Π±ΠΎΠΌ ΠΠΈΡΡ
ΠΠΈΡΡ ΠΠ»Π±ΠΎΠΌ, 2024
Β«ΠΠ°Π»Π΅Π½ΡΠΊΠΈΠΉ Π»ΠΆΠ΅ΡΒ» β ΡΡΠΎ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ ΠΈΡΡΠΎΡΠΈΡ ΠΎ ΡΡΠ°Π³Π΅Π΄ΠΈΠΈ Π΅Π²ΡΠ΅ΠΉΡΠΊΠΎΠ³ΠΎ Π½Π°ΡΠΎΠ΄Π° ΠΈ Π½Π΅Π²ΠΈΠ½Π½ΡΡ ΠΆΠ΅ΡΡΠ²Π°Ρ , ΠΏΠΎΠ³ΠΈΠ±ΡΠΈΡ Π² Π½Π΅ΠΌΠ΅ΡΠΊΠΈΡ ΠΊΠΎΠ½ΡΠ»Π°Π³Π΅ΡΡΡ . ΠΡΠΎ ΠΏΠΎΠ²Π΅ΡΡΠ²ΠΎΠ²Π°Π½ΠΈΠ΅ ΠΎ ΠΊΠ°ΠΆΠ΄ΠΎΠΌ ΠΈΠ· Π½Π°Ρ, ΠΎ Π΅ΠΆΠ΅Π΄Π½Π΅Π²Π½ΠΎΠΉ Π±ΠΎΡΡΠ±Π΅ ΠΌΠ΅ΠΆΠ΄Ρ ΠΈΡΡΠΈΠ½ΠΎΠΉ ΠΈ Π»ΠΎΠΆΡΡ. Π ΠΎΠΌΠ°Π½ ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ ΡΡΡΠ΅ΠΌΠ»Π΅Π½ΠΈΠ΅ ΠΊ Π»ΡΠ±Π²ΠΈ ΠΈ ΠΏΠΎΠ½ΠΈΠΌΠ°Π½ΠΈΡ ΡΠΎΠ³ΠΎ, Π² ΡΠ΅ΠΌ Π·Π°ΠΊΠ»ΡΡΠ°Π΅ΡΡΡ ΠΈΡΡΠΈΠ½Π½Π°Ρ ΡΠΈΠ»Π°: Π² ΠΏΡΠ°Π²Π΄Π΅ ΠΈΠ»ΠΈ Π² ΡΠΎΠΌ, ΡΡΠΎ ΠΌΡ Π΅Ρ ΡΡΠΈΡΠ°Π΅ΠΌ. Π Π°ΡΡΠΊΠ°Π· Π²Π΅Π΄Π΅ΡΡΡ ΠΎΡ Π»ΠΈΡΠ° ΠΡΠ°Π²Π΄Ρ, ΠΊΠΎΡΠΎΡΠ°Ρ ΠΏΠΎΠΊΠ°Π·ΡΠ²Π°Π΅Ρ, ΠΊΠ°ΠΊ ΡΠ΅ΡΠ½ΠΎΠ΅ ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½ΠΎ ΠΊΠ°ΠΊ Π±Π΅Π»ΠΎΠ΅, ΠΊΠ°ΠΊ Π»ΠΎΠΆΡ Π²ΡΠ΄Π°Π΅ΡΡΡ Π·Π° ΠΈΡΡΠΈΠ½Ρ, ΠΈ ΠΊΠ°ΠΊ Π»ΡΠ΄ΠΈ, Π»ΠΈΡΠ΅Π½Π½ΡΠ΅ ΠΏΡΠ°Π²Π΄Ρ, ΠΌΡΡΠΈΡΠ΅Π»ΡΠ½ΠΎ Π΅Π΅ ΠΈΡΡΡ.
Mitch Albom, 2024
βThe Little Liarβ transcends a mere account of the Jewish people's tragedy and the innocent lives lost in German concentration camps. It is a narrative about all of us, about the daily struggle to distinguish truth from falsehood. The novel explores the human desire for love and the quest to understand where true strength lies: in honesty or in our perception of it. Told from the perspective of Truth itself, the story reveals how darkness can be painted as light, how deception can be presented as reality, and the arduous search for truth when it is lost.