By ΠΡΠ»ΡΡΡ ΠΠΈΠ½Π°
ΠΡΠ»ΡΡΡ ΠΠΈΠ½Π°, 2020
ΠΠ»Π»ΠΈΠ½ΠΎΡ, ΠΏΡΠ°Π³ΠΌΠ°ΡΠΈΡΠ½Π°Ρ ΡΡΠΈΠ΄ΡΠ°ΡΠΈΡΠ΅ΡΡΠΈΠ»Π΅ΡΠ½ΡΡ ΠΆΠ΅Π½ΡΠΈΠ½Π°, Π·Π½Π°ΠΊΠΎΠΌΠΈΡΡΡ Ρ ΠΌΡΠΆΡΠΈΠ½Π°ΠΌΠΈ ΠΎΠ½Π»Π°ΠΉΠ½. Π‘Π»ΡΡΠ°ΠΉΠ½Π°Ρ Π²ΡΡΡΠ΅ΡΠ° Ρ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΠ½ΡΠΌ ΠΊΡΠΈΡΠΈΠΊΠΎΠΌ ΠΈΠ· Π‘ΡΠΎΠΊΠ³ΠΎΠ»ΡΠΌΠ° ΠΏΡΠΈΠ²ΠΎΠ΄ΠΈΡ Π΅Π΅ Π² Π΅Π³ΠΎ Π΄ΠΎΠΌ, Π³Π΄Π΅ ΡΠ½Π΅ΠΆΠ½Π°Ρ Π±ΡΡΡ Π·Π°ΠΏΠΈΡΠ°Π΅Ρ ΠΈΡ Π²ΠΌΠ΅ΡΡΠ΅. Π’Π°ΠΌ ΠΠ»Π»ΠΈΠ½ΠΎΡ ΠΏΠΎΠ³ΡΡΠΆΠ°Π΅ΡΡΡ Π² ΡΡΠ΅Π½ΠΈΠ΅ Π£ΡΠ»ΡΠ±Π΅ΠΊΠ° ΠΈ ΡΠ»ΡΡΠ°ΠΉΠ½ΠΎ ΡΠ½ΠΈΡΡΠΎΠΆΠ°Π΅Ρ ΡΡΠΊΠΎΠΏΠΈΡΡ ΠΠ°ΠΊΡΠ° ΠΠ°ΠΌΠ°ΡΠ°. ΠΠ°ΠΌΠ°Ρ, Π² ΡΠ²ΠΎΡ ΠΎΡΠ΅ΡΠ΅Π΄Ρ, ΠΌΠ΅ΡΡΠ°Π΅Ρ ΠΎ Π²ΠΎΠ·Π»ΡΠ±Π»Π΅Π½Π½ΠΎΠΉ-ΠΏΠΎΠ»ΠΈΠ³Π»ΠΎΡΠΊΠ΅, ΡΠΏΠΎΡΠΎΠ±Π½ΠΎΠΉ ΠΏΠΎΠ½ΠΈΠΌΠ°ΡΡ Π΅Π³ΠΎ Π½Π° Π²ΡΠ΅Ρ ΡΠ·ΡΠΊΠ°Ρ . ΠΠ³ΠΎ ΠΏΠΎΠΈΡΠΊΠΈ ΠΏΡΠΈΠ²ΠΎΠ΄ΡΡ Π΅Π³ΠΎ Π² ΠΡΠ°Π»ΠΈΡ, ΠΊ ΡΠ΅ΠΌΡΠ΅ ΠΌΠ°ΡΠΊΠΈΠ·Ρ ΠΠ°ΡΠΈΠ½ΠΈ ΠΡΡΠΈΠ½ΠΈ. Π‘ΡΠ΄ΡΠ±Ρ Π³Π΅ΡΠΎΠ΅Π² Π½Π΅ΠΎΠΆΠΈΠ΄Π°Π½Π½ΠΎ ΠΏΠ΅ΡΠ΅ΠΏΠ»Π΅ΡΠ°ΡΡΡΡ ΠΈΠ·-Π·Π° ΡΡΠΊΠΎΠΏΠΈΡΠΈ, Π²ΡΠ·ΡΠ²Π°Ρ ΡΠ°Π·ΠΌΡΡΠ»Π΅Π½ΠΈΡ ΠΎ ΠΏΡΠΈΡΠΎΠ΄Π΅ Π»ΡΠ±Π²ΠΈ ΠΈ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²Π°.
Lina Wolff, 2020
Ellinor, a pragmatic thirty-six-year-old, meets men online. A chance encounter with a literary critic from Stockholm leads her to his home, where a snowstorm traps them together. There, Ellinor immerses herself in reading Houellebecq and accidentally destroys Max Lamas's manuscript. Lamas, a writer, dreams of a polyglot lover who can understand him in all languages. His search takes him to Italy, where he meets the family of the Marquise Latini Orsini. The fates of all characters become intricately intertwined due to the manuscript, prompting reflections on love and creativity.