By Π‘ΠΎΡ ΠΠ½ΡΠΎΠ½ ΠΠ»Π°Π΄ΠΈΠΌΠΈΡΠΎΠ²ΠΈΡ
ΠΠ½ΡΠΎΠ½ Π‘ΠΎΡ, ΠΈΠ·Π²Π΅ΡΡΠ½ΡΠΉ ΡΠΎΡΡΠΈΠΉΡΠΊΠΈΠΉ ΠΏΠΈΡΠ°ΡΠ΅Π»Ρ, ΠΏΠΎΡΡ ΠΈ ΡΠΎΠΊβΠΏΡΠΎΠ΄ΡΡΠ΅Ρ, ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ΅Ρ Π»ΠΈΡΠ½ΡΡ Π°Π½ΡΠΎΠ»ΠΎΠ³ΠΈΡ Π»Π΅Π½ΠΈΠ½Π³ΡΠ°Π΄ΡΠΊΠΎΠ³ΠΎ ΠΏΠ°Π½ΠΊΠ°, Π²ΠΎΠ·Π½ΠΈΠΊΡΠ΅Π³ΠΎ Π² ΠΊΡΠ»ΡΡΡΡΠ½ΠΎΠΉ ΡΡΠΎΠ»ΠΈΡΠ΅ Π‘Π‘Π‘Π Π² 80βΡ Π³ΠΎΠ΄Π°Ρ . Π ΠΊΠ½ΠΈΠ³Π΅ ΡΠΎΠ±ΡΠ°Π½Ρ ΡΡΡΠ΅, ΡΡΠ°ΡΡΠΈ ΠΈ Ρ ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΡΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ, ΡΠ°ΡΡΠΊΠ°Π·ΡΠ²Π°ΡΡΠΈΠ΅ ΠΎ Π³ΡΡΠΏΠΏΠ°Ρ Β«ΠΠΎΡΠΎΠ»Ρ ΠΈ Π¨ΡΡΒ», Β«ΠΡΠΈΠ³Π°Π΄Π½ΡΠΉ ΠΠΎΠ΄ΡΡΠ΄Β», Β«ΠΠ°ΡΠΎΠ΄Π½ΠΎΠ΅ ΠΠΏΠΎΠ»ΡΠ΅Π½ΠΈΠ΅Β», Β«ΠΠ²ΡΠΎΠΌΠ°ΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ Π£Π΄ΠΎΠ²Π»Π΅ΡΠ²ΠΎΡΠΈΡΠ΅Π»ΠΈΒ», Β«ΠΡΠ΄Π΅Π» Π‘Π°ΠΌΠΎΠΈΡΠΊΠΎΡΠ΅Π½Π΅Π½ΠΈΡΒ», Β«ΠΡΡΠ½ΠΎΠ΅ ΠΠ»ΠΈΡΠ½ΠΈΠ΅Β» ΠΈ Β«ΠΠ±ΡΠ΅ΠΊΡ ΠΠ°ΡΠΌΠ΅ΡΠ΅ΠΊΒ». Π‘ΠΎΡ ΠΎΡΠΊΡΡΡΠΎ Π·Π°ΡΠ²Π»ΡΠ΅Ρ, ΡΡΠΎ ΡΡΠΎ Π½Π΅ Π°ΠΊΠ°Π΄Π΅ΠΌΠΈΡΠ΅ΡΠΊΠΎΠ΅ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠ΅, Π° ΡΡΠ±ΡΠ΅ΠΊΡΠΈΠ²Π½ΡΠΉ Π²Π·Π³Π»ΡΠ΄ ΠΎΡΠ΅Π²ΠΈΠ΄ΡΠ°, ΠΆΠ΅Π»Π°ΡΡΠ΅Π³ΠΎ ΠΏΠΎΠΊΠ°Π·Π°ΡΡ ΡΡΠΊΠΈΠ΅, ΡΠΊΠ°Π½Π΄Π°Π»ΡΠ½ΡΠ΅ ΠΈ ΠΊΠΎΡΠΎΡΠΊΠΈΠ΅ ΠΆΠΈΠ·Π½ΠΈ ΡΠ²ΠΎΠΈΡ ΡΠΎΠ²Π°ΡΠΈΡΠ΅ΠΉβΠΏΠ°Π½ΠΊΠΎΠ² ΠΈ ΠΈΡ Π½Π΅ΡΠ΄ΠΎΠ±Π½ΠΎΠ΅ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²ΠΎ. ΠΠ·Π΄Π°Π½ΠΈΠ΅ ΠΏΠ΅ΡΠ΅Π΄Π°ΡΡ ΠΆΠΈΠ²ΡΠ΅ Π°Π½Π΅ΠΊΠ΄ΠΎΡΡ, ΠΈΡΡΠΎΡΠΈΡΠ΅ΡΠΊΠΈΠΉ ΠΊΠΎΠ½ΡΠ΅ΠΊΡΡ ΠΈ ΡΠ΅Π΄ΠΊΠΈΠ΅ Π΄Π΅ΡΠ°Π»ΠΈ ΡΡΠ±ΠΊΡΠ»ΡΡΡΡΡ, ΠΏΠΎΡΡΠΈ Π½Π΅ ΠΏΠΎΠΏΠ°Π²ΡΠ΅ΠΉ Π² ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΡΠ΅ Ρ ΡΠΎΠ½ΠΈΠΊΠΈ. ΠΠ½ΠΈΠ³Π° ΠΏΡΠ΅Π΄Π½Π°Π·Π½Π°ΡΠ΅Π½Π° Π΄Π»Ρ Π²Π·ΡΠΎΡΠ»ΡΡ ΡΠΈΡΠ°ΡΠ΅Π»Π΅ΠΉ, ΠΈΠ½ΡΠ΅ΡΠ΅ΡΡΡΡΠΈΡ ΡΡ ΠΈΡΡΠΎΡΠΈΠ΅ΠΉ ΡΡΡΡΠΊΠΎΠ³ΠΎ ΡΠΎΠΊΠ° ΠΈ Π°Π»ΡΡΠ΅ΡΠ½Π°ΡΠΈΠ²Π½ΠΎΠΉ ΠΊΡΠ»ΡΡΡΡΠΎΠΉ.
Anton SoyΠ°, a noted Russian writer, poet and rockβproducer, presents a personal anthology of the Leningrad punk phenomenon that blossomed in the cultural capital of the Soviet Union during the 1980s. The book gathers essays, articles and short literary works that recount the lives of notorious groups such as "King and Jester", "Brigade Contract", "People's Militia", "Automatic Satisfiers", "Department of SelfβRooting", "Bad Influence" and "Object of Mockery". SoyΠ° does not claim an exhaustive scholarly study; instead, he offers a subjective, eyewitness perspective on the short, scandalβfilled lives of his fellow punks and their uncompromising art. The volume provides vivid anecdotes, contextual background and a glimpse into a subculture that remained largely undocumented. It is aimed at adult readers interested in Russian music history, underground culture and raw firstβhand narratives.