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By ΠΠ°Π±ΠΎΠΊΠΎΠ² ΠΠ»Π°Π΄ΠΈΠΌΠΈΡ
ΠΠ»Π°Π΄ΠΈΠΌΠΈΡ ΠΠ°Π±ΠΎΠΊΠΎΠ², 2023
Π ΡΠ²ΠΎΠ΅ΠΌ Π²ΡΠΎΡΠΎΠΌ Π±Π΅ΡΠ»ΠΈΠ½ΡΠΊΠΎΠΌ ΡΠΎΠΌΠ°Π½Π΅, "ΠΠΎΡΠΎΠ»Ρ, Π΄Π°ΠΌΠ°, Π²Π°Π»Π΅Ρ" (1928), ΠΠ»Π°Π΄ΠΈΠΌΠΈΡ ΠΠ°Π±ΠΎΠΊΠΎΠ² ΠΎΠ±ΡΠ°ΡΠ°Π΅ΡΡΡ ΠΊ Π½Π΅ΠΌΠ΅ΡΠΊΠΎΠΉ ΠΆΠΈΠ·Π½ΠΈ, ΡΠ³Π»ΡΠ±Π»ΡΡΡΡ Π² ΠΏΡΠΈΡ ΠΎΠ»ΠΎΠ³ΠΈΡ ΠΎΠ±ΡΠ²Π°ΡΠ΅Π»Π΅ΠΉ. Π‘ΡΠΆΠ΅Ρ Ρ Π»ΡΠ±ΠΎΠ²Π½ΡΠΌ ΡΡΠ΅ΡΠ³ΠΎΠ»ΡΠ½ΠΈΠΊΠΎΠΌ ΡΠ°ΡΠΊΡΡΠ²Π°Π΅Ρ ΠΏΡΠΎΡΠΈΠ²ΠΎΡΡΠΎΡΠ½ΠΈΠ΅ Π΄Π²ΡΡ ΠΎΠ±ΡΠ°Π·ΠΎΠ² ΠΆΠΈΠ·Π½ΠΈ: Π°Π²ΡΠΎΠΌΠ°ΡΠΈΠ·ΠΈΡΠΎΠ²Π°Π½Π½ΠΎΠ³ΠΎ ΠΈ Π±Π΅Π·Π΄ΡΡΠ½ΠΎΠ³ΠΎ, ΠΏΡΠΎΡΠΈΠ² Π΅ΡΡΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠ³ΠΎ ΠΈ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠΎΠ³ΠΎ. Π‘ΠΎΠ·Π½Π°Π½ΠΈΠ΅ ΠΌΠΎΠ»ΠΎΠ΄ΠΎΠΉ Π³Π΅ΡΠΎΠΈΠ½ΠΈ Π²ΠΎΠΏΠ»ΠΎΡΠ°Π΅ΡΡΡ Π² ΠΌΠΈΡΠ΅ ΠΌΠΎΠ΄Ρ ΠΈ ΡΠ΅ΠΊΠ»Π°ΠΌΡ, Π² ΡΠΎ Π²ΡΠ΅ΠΌΡ ΠΊΠ°ΠΊ Π±ΡΡ Π΅Π΅ ΠΌΡΠΆΠ°, ΠΊΠΎΠΌΠΌΠ΅ΡΡΠ°Π½ΡΠ° ΠΡΠ°ΠΉΠ΅ΡΠ°, Π½Π°ΠΏΠΎΠ»Π½ΡΠ΅ΡΡΡ Π½Π΅ΠΎΠΆΠΈΠ΄Π°Π½Π½ΠΎΠΉ ΠΏΠΎΡΠ·ΠΈΠ΅ΠΉ. ΠΡΠΎ ΠΈΠ·Π΄Π°Π½ΠΈΠ΅ Π²ΠΊΠ»ΡΡΠ°Π΅Ρ ΡΠΏΠΈΠ·ΠΎΠ΄ ΠΈΠ· ΡΠ°ΡΡΠΈΡΠ΅Π½Π½ΠΎΠΉ Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΉ Π²Π΅ΡΡΠΈΠΈ, Π²ΠΏΠ΅ΡΠ²ΡΠ΅ ΠΏΠ΅ΡΠ΅Π²Π΅Π΄Π΅Π½Π½ΡΠΉ Π½Π° ΡΡΡΡΠΊΠΈΠΉ ΡΠ·ΡΠΊ.
Vladimir Nabokov, 2023
In his second Berlin novel, "The King, the Queen, the Knave" (1928), Vladimir Nabokov delves into German life, exploring the psychology of ordinary people. The narrative, centered around a love triangle, contrasts two lifestyles: one automated and soulless, the other natural and creative. The protagonist's consciousness is embodied in the world of fashion and advertising, while her husband, the wealthy merchant Dreyer, finds unexpected poetry in his daily life. This edition features an episode from the extended English version, newly translated into Russian.