By Π ΠΎΠΌΠ±Π΅ΡΠ³ ΠΡΠΈΡΡΠΈΠ½
ΠΡΠΈΡΡΠΈΠ½ Π ΠΎΠΌΠ±Π΅ΡΠ³ (2025)
ΠΠ½ΠΈΠ³Π° ΠΡΠΈΡΡΠΈΠ½ Π ΠΎΠΌΠ±Π΅ΡΠ³ ΠΏΠΎΡΠ²ΡΡΠ΅Π½Π° ΠΠ»Π΅ΠΊΡΠ΅Ρ ΠΠ°Π½Ρ, ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Ρ Π΅Π³ΠΎ ΠΊΠ°ΠΊ ΠΊΠ»ΡΡΠ΅Π²ΠΎΠ³ΠΎ ΡΠ΅ΠΎΡΠ΅ΡΠΈΠΊΠ° ΠΈ ΠΏΡΠΎΡΠ°Π³ΠΎΠ½ΠΈΡΡΠ° ΡΡΡΡΠΊΠΎΠ³ΠΎ ΠΊΠΎΠ½ΡΡΡΡΠΊΡΠΈΠ²ΠΈΠ·ΠΌΠ°. ΠΠ°Π½, Π±ΡΠ΄ΡΡΠΈ ΠΏΠΎΠ»ΠΈΡΠΈΡΠ΅ΡΠΊΠΈΠΌ ΠΎΡΠ³Π°Π½ΠΈΠ·Π°ΡΠΎΡΠΎΠΌ Π² ΡΠ΅Π²ΠΎΠ»ΡΡΠΈΠΎΠ½Π½ΡΠΉ ΠΈ ΡΠ°Π½Π½ΠΈΠΉ ΡΠΎΠ²Π΅ΡΡΠΊΠΈΠΉ ΠΏΠ΅ΡΠΈΠΎΠ΄Ρ, ΠΏΡΠΈΠ²Π½Π΅Ρ Π² ΠΊΠΎΠ½ΡΡΡΡΠΊΡΠΈΠ²ΠΈΡΡΡΠΊΠΈΠΉ ΠΏΡΠΎΠ΅ΠΊΡ Π½Π°Π²ΡΠΊΠΈ Β«Π΄Π΅Π»Π°Π½ΠΈΡ ΡΠ΅Π²ΠΎΠ»ΡΡΠΈΠΈΒ». ΠΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠ΅ ΠΎΡ Π²Π°ΡΡΠ²Π°Π΅Ρ ΡΡΡΠ΅ΡΠΈΡΠ΅ΡΠΊΡΡ ΠΈ Π°ΡΡ ΠΈΡΠ΅ΠΊΡΡΡΠ½ΡΡ ΡΠ΅ΠΎΡΠΈΡ, ΠΈΡΡΠΎΡΠΈΡ Π½Π°ΡΠΊΠΈ ΠΈ Π΄ΠΈΠ·Π°ΠΉΠ½Π°, ΡΠΎΡΠΈΠΎΠ»ΠΎΠ³ΠΈΡ, Π° ΡΠ°ΠΊΠΆΠ΅ ΡΠ΅ΠΌΠΈΠ½ΠΈΡΡΡΠΊΡΡ ΠΈ ΠΏΠΎΠ»ΠΈΡΠΈΡΠ΅ΡΠΊΡΡ ΡΠ΅ΠΎΡΠΈΡ. Π ΠΎΠΌΠ±Π΅ΡΠ³ ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°ΡΡ ΠΌΠΎΠ΄Π΅ΡΠ½ΠΈΠ·ΠΌ ΡΠ΅ΡΠ΅Π· ΠΏΡΠΈΠ·ΠΌΡ ΡΠ°Π΄ΠΈΠΊΠ°Π»ΡΠ½ΠΎΠ³ΠΎ ΡΠ³Π»Π°ΠΆΠΈΠ²Π°Π½ΠΈΡ ΠΈΠ΅ΡΠ°ΡΡ ΠΈΠΉ, ΡΠΈΡΠΎΠΊΠΎΠ³ΠΎ ΠΏΠΎΠ½ΠΈΠΌΠ°Π½ΠΈΡ Π°Π²ΡΠΎΡΡΡΠ²Π° ΠΈ Π΄ΠΈΡΠΊΡΡΡΠΈΠΉ ΠΎΠ± ΠΎΠ³ΡΠ°Π½ΠΈΡΠ΅Π½ΠΈΡΡ Π² ΠΈΡΠΊΡΡΡΡΠ²Π΅.
Christine Romberg (2025)
Christine Romberg's book focuses on Alexei Gan, positioning him as a central theorist and protagonist of Russian Constructivism. Gan, a political organizer during the revolution and early Soviet era, applied his "revolutionary-making" skills to the Constructivist project. The analysis delves into aesthetic and architectural theory, the history of science and design, sociology, and feminist and political theory. Romberg proposes a view of modernism organized around the radical flattening of hierarchies, a broad understanding of authorship, and discussions on the limitations of art.