By ΠΠΎΠ΄ ΡΠ΅Π΄. ΠΠ΅ΡΠΈ Π., ΠΠ°ΡΠ°ΠΌΠΈΠ½ΠΎΡ Π.
ΠΠΎΠ΄ ΡΠ΅Π΄. ΠΠ΅ΡΠΈ Π., ΠΠ°ΡΠ°ΠΌΠΈΠ½ΠΎΡ Π., 2025
ΠΠΎΠ»Π»Π΅ΠΊΡΠΈΠ²Π½Π°Ρ ΠΌΠΎΠ½ΠΎΠ³ΡΠ°ΡΠΈΡ Β«ΠΠΎΠ½Π΅Ρ ΠΌΠΎΠ΄ΡΒ» ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Π΅Ρ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΡΠ΅ ΡΡΠ°Π½ΡΡΠΎΡΠΌΠ°ΡΠΈΠΈ Π² ΠΎΠ±ΡΠ΅ΡΡΠ²Π΅ ΡΠ΅ΡΠ΅Π· ΠΏΡΠΈΠ·ΠΌΡ ΠΌΠΎΠ΄Ρ. ΠΠ²ΡΠΎΡΡ ΡΡΠ²Π΅ΡΠΆΠ΄Π°ΡΡ, ΡΡΠΎ ΠΎΠ±ΡΡΠ²Π»Π΅Π½ΠΈΠ΅ Β«ΠΊΠΎΠ½ΡΠ°Β» ΠΊΠ°ΠΊΠΎΠ³ΠΎ-Π»ΠΈΠ±ΠΎ ΡΠ²Π»Π΅Π½ΠΈΡ Π½Π΅ ΠΎΠ·Π½Π°ΡΠ°Π΅Ρ Π΅Π³ΠΎ ΠΈΡΡΠ΅Π·Π½ΠΎΠ²Π΅Π½ΠΈΡ, Π° Π»ΠΈΡΡ ΠΏΠ΅ΡΠ΅Ρ ΠΎΠ΄ Π² ΠΈΠ½ΠΎΠ΅ ΡΠΎΡΡΠΎΡΠ½ΠΈΠ΅. ΠΠΎΠ΄Π°, Π±ΡΠ΄ΡΡΠΈ ΡΡΡΠΊΠΈΠΌ ΠΈΠ½Π΄ΠΈΠΊΠ°ΡΠΎΡΠΎΠΌ ΡΠΎΡΠΈΠ°Π»ΡΠ½ΡΡ ΠΈΠ·ΠΌΠ΅Π½Π΅Π½ΠΈΠΉ, Π²ΠΎΠΏΠ»ΠΎΡΠ°Π΅Ρ ΡΡΠΎΡ ΠΏΡΠΎΡΠ΅ΡΡ. ΠΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠ΅ ΠΎΠΏΠΈΡΠ°Π΅ΡΡΡ Π½Π° ΡΠ°Π±ΠΎΡΡ Π²Π΅Π΄ΡΡΠΈΡ ΡΠ΅ΠΎΡΠ΅ΡΠΈΠΊΠΎΠ² ΠΈ ΠΈΡΡΠΎΡΠΈΠΊΠΎΠ² ΠΌΠΎΠ΄Ρ, Π°Π½Π°Π»ΠΈΠ·ΠΈΡΡΡ Π²Π·Π°ΠΈΠΌΠΎΠ΄Π΅ΠΉΡΡΠ²ΠΈΠ΅ ΠΌΠΎΠ΄Ρ Ρ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΡΠΌΠΈ ΠΈΠ½Π΄ΡΡΡΡΠΈΡΠΌΠΈ, ΡΠ°ΠΊΠΈΠΌΠΈ ΠΊΠ°ΠΊ ΠΈΡΠΊΡΡΡΡΠ²ΠΎ ΠΈ ΡΠΈΡΡΠΎΠ²ΡΠ΅ ΡΠ΅Ρ Π½ΠΎΠ»ΠΎΠ³ΠΈΠΈ, Π° ΡΠ°ΠΊΠΆΠ΅ Ρ Π°ΠΊΡΡΠ°Π»ΡΠ½ΡΠΌΠΈ ΠΏΡΠΎΠ±Π»Π΅ΠΌΠ°ΠΌΠΈ Π³Π»ΠΎΠ±Π°Π»ΠΈΠ·Π°ΡΠΈΠΈ ΠΈ ΡΠΊΠΎΠ»ΠΎΠ³ΠΈΠΈ. Π Π°Π±ΠΎΡΠ° ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ΅Ρ ΡΠΎΠ±ΠΎΠΉ ΠΏΠ°Π½ΠΎΡΠ°ΠΌΡ Π³Π»ΠΎΠ±Π°Π»ΡΠ½ΡΡ ΠΊΡΠ»ΡΡΡΡΠ½ΡΡ ΡΠ΄Π²ΠΈΠ³ΠΎΠ², ΠΎΡΠΌΡΡΠ»ΠΈΠ²Π°Π΅ΠΌΡΡ ΡΠ΅ΡΠ΅Π· ΠΌΠΎΠ΄Ρ ΠΊΠ°ΠΊ ΠΌΠ½ΠΎΠ³ΠΎΠ³ΡΠ°Π½Π½ΡΡ ΡΠ΅ΠΌΠΈΠΎΡΠΈΡΠ΅ΡΠΊΡΡ ΡΠΈΡΡΠ΅ΠΌΡ.
Edited by Adam Gecha, Valerie Karaminos, 2025
The collective monograph "The End of Fashion" examines contemporary societal transformations through the lens of fashion. The authors propose that declaring the "end" of a phenomenon does not signify its disappearance but rather a transition to a different state. Fashion, as a sensitive indicator of social change, embodies this process. The research draws upon the works of leading fashion theorists and historians, analyzing fashion's interplay with modern industries like art and digital technologies, as well as with pressing issues of globalization and ecology. The book offers a panorama of global cultural shifts, interpreted through fashion as a multifaceted semiotic system.