By ΠΠΎΠ±ΡΠΎΡΠ²ΠΎΡΡΠΊΠΈΠΉ Π‘Π΅ΡΠ³Π΅ΠΉ ΠΠΈΠΊΠΎΠ»Π°Π΅Π²ΠΈΡ
Π‘Π΅ΡΠ³Π΅ΠΉ ΠΠΎΠ±ΡΠΎΡΠ²ΠΎΡΡΠΊΠΈΠΉ
ΠΡΠ° ΠΊΠ½ΠΈΠ³Π° ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ΅Ρ ΡΠΎΠ±ΠΎΠΉ ΠΎΠ±ΡΠΈΡΠ½ΠΎΠ΅ ΡΠΎΠ±ΡΠ°Π½ΠΈΠ΅ ΡΠ΅ΠΊΡΡΠΎΠ² ΡΠΎΡΡΠΈΠΉΡΠΊΠΎΠ³ΠΎ ΠΊΠΈΠ½ΠΎΠΊΡΠΈΡΠΈΠΊΠ° Π‘Π΅ΡΠ³Π΅Ρ ΠΠΎΠ±ΡΠΎΡΠ²ΠΎΡΡΠΊΠΎΠ³ΠΎ, ΠΎΡ Π²Π°ΡΡΠ²Π°ΡΡΠΈΡ ΠΏΠ΅ΡΠΈΠΎΠ΄ Ρ 1988 ΠΏΠΎ 1997 Π³ΠΎΠ΄. Π ΡΠ±ΠΎΡΠ½ΠΈΠΊ Π²ΠΎΡΠ»ΠΎ Π±ΠΎΠ»Π΅Π΅ ΡΡΠ° ΡΠ°Π±ΠΎΡ, ΠΏΠΎΡΠ²ΡΡΠ΅Π½Π½ΡΡ ΠΈΡΡΠΎΡΠΈΠΈ ΠΈ ΡΠ΅ΠΎΡΠΈΠΈ ΠΊΠΈΠ½Π΅ΠΌΠ°ΡΠΎΠ³ΡΠ°ΡΠ°. ΠΠ°ΡΠ΅ΡΠΈΠ°Π»Ρ Π²ΠΊΠ»ΡΡΠ°ΡΡ Π² ΡΠ΅Π±Ρ ΠΊΠ°ΠΊ Π°ΠΊΠ°Π΄Π΅ΠΌΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΡΡΠ°ΡΡΠΈ, ΡΠ°ΠΊ ΠΈ Π±ΠΎΠ»Π΅Π΅ Π΄ΠΎΡΡΡΠΏΠ½ΡΠ΅ ΡΠΎΡΠΌΠ°ΡΡ, ΡΠ°ΠΊΠΈΠ΅ ΠΊΠ°ΠΊ ΠΆΡΡΠ½Π°Π»ΡΠ½ΡΠ΅ ΡΡΡΠ΅, Π³Π°Π·Π΅ΡΠ½ΡΠ΅ ΡΠ΅ΡΠ΅Π½Π·ΠΈΠΈ ΠΈ ΡΠ°ΡΡΠΈΡΡΠΎΠ²ΠΊΠΈ Π»Π΅ΠΊΡΠΈΠΉ. ΠΠ·Π΄Π°Π½ΠΈΠ΅ ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ Π³Π»ΡΠ±ΠΎΠΊΠΈΠΉ Π°Π½Π°Π»ΠΈΠ· ΠΊΠΈΠ½ΠΎΠΈΡΠΊΡΡΡΡΠ²Π° ΠΎΡ ΠΎΠ΄Π½ΠΎΠ³ΠΎ ΠΈΠ· Π²ΠΈΠ΄Π½ΡΡ ΠΎΡΠ΅ΡΠ΅ΡΡΠ²Π΅Π½Π½ΡΡ ΠΊΡΠΈΡΠΈΠΊΠΎΠ².
Sergey Dobrotvorsky
This volume compiles over one hundred texts by Russian film critic Sergey Dobrotvorsky (1959-1997), focusing on the history and theory of cinema. The collection spans a decade of his work, from 1988 to 1997. It features a diverse range of writings, including scholarly articles, journal essays, newspaper reviews, and transcribed lectures. This compilation offers a comprehensive look at film through the critical lens of a prominent Russian cultural commentator.