By ΠΠ½Π° Π¨Π΅ΡΡΠΈ
ΠΠ½Π° Π¨Π΅ΡΡΠΈ, 2020
Π‘ΡΠ΅ΡΠ°Π½ΠΎ ΠΠΈΡΠΊΠΎΠ½ΡΠΈ ΠΏΡΠ΅Π²ΡΠ°ΡΠΈΠ» ΠΠΈΠ°Π½Ρ Π² ΠΏΠ΅ΡΠ²ΠΎΠΊΠ»Π°ΡΡΠ½ΠΎΠ³ΠΎ ΡΠ½Π°ΠΉΠΏΠ΅ΡΠ°. ΠΠ΄Π½Π°ΠΊΠΎ ΡΠ±ΠΈΠΉΡΡΠ²ΠΎ, ΡΠΎΠ²Π΅ΡΡΠ΅Π½Π½ΠΎΠ΅ Π΄Π΅Π²ΡΡΠΊΠΎΠΉ Π΄Π»Ρ ΡΠ°ΠΌΠΎΠ·Π°ΡΠΈΡΡ, Π½Π°ΡΡΡΠ°Π΅Ρ Ρ ΡΡΠΏΠΊΠΎΠ΅ ΡΠ°Π²Π½ΠΎΠ²Π΅ΡΠΈΠ΅, ΡΠ°Π·ΠΆΠΈΠ³Π°Ρ Π²ΠΎΠΉΠ½Ρ ΠΌΠ΅ΠΆΠ΄Ρ Π΄Π²ΡΠΌΡ ΠΊΡΠΈΠΌΠΈΠ½Π°Π»ΡΠ½ΡΠΌΠΈ Π°Π²ΡΠΎΡΠΈΡΠ΅ΡΠ°ΠΌΠΈ. Π’Π΅ΠΏΠ΅ΡΡ ΠΠΈΠ°Π½Π° ΠΎΠΊΠ°Π·ΡΠ²Π°Π΅ΡΡΡ ΠΏΠΎΠ΄ ΠΏΡΠΈΡΠ΅Π»ΠΎΠΌ, ΠΈ Π΅ΠΉ ΠΏΡΠ΅Π΄ΡΡΠΎΠΈΡ Π½Π°ΠΉΡΠΈ ΡΠΏΠΎΡΠΎΠ± ΡΠΏΠ°ΡΡΠΈ ΡΠ²ΠΎΠ΅Π³ΠΎ Π½Π°ΡΡΠ°Π²Π½ΠΈΠΊΠ°, ΠΊΠΎΠ³Π΄Π° Π²ΡΠ°Π³ΠΈ Π°ΡΠ°ΠΊΡΡΡ ΡΠ°ΠΌΠΎΠ΅ Π΄ΠΎΡΠΎΠ³ΠΎΠ΅. ΠΠ»Π°Π²Π° ΠΊΠ»Π°Π½Π° "Morte Nera" ΠΏΡΠΈΠ²ΡΠΊ ΠΊ Π±Π΅Π·ΠΎΡΠΈΠ±ΠΎΡΠ½ΡΠΌ ΡΠ΅ΡΠ΅Π½ΠΈΡΠΌ, Π½ΠΎ ΠΏΠΎΡΡΡΠΏΠΎΠΊ ΠΠΈΠ°Π½Ρ Π²ΡΠ·ΡΠ²Π°Π΅Ρ Π½Π΅ Π³Π½Π΅Π², Π° ΡΡΡΠ°Ρ Π·Π° Π½Π΅Π΅. ΠΠ½ ΠΎΡΠΎΠ·Π½Π°Π΅Ρ, ΡΡΠΎ Π΅Π³ΠΎ ΠΆΠΈΠ·Π½Ρ ΠΈΠ·ΠΌΠ΅Π½ΠΈΠ»Π°ΡΡ Π½Π°Π²ΡΠ΅Π³Π΄Π°, ΠΈ Π³Π»Π°Π²Π½ΠΎΠΉ Π·Π°Π΄Π°ΡΠ΅ΠΉ ΡΡΠ°Π½ΠΎΠ²ΠΈΡΡΡ Π·Π°ΡΠΈΡΠ° ΠΠΈΠ°Π½Ρ.
Ana Sherri, 2020
Stefano Visconti has honed Diana into a skilled sniper. However, a killing she committed in self-defense disrupts their lives, igniting a war between two major crime leaders. Diana finds herself a target, facing the challenge of protecting her mentor while being hunted. The head of the "Morte Nera" clan, accustomed to making decisive choices, experiences fear for Diana after her impulsive act. He realizes his world has been irrevocably altered and his primary focus shifts to her safety.