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By Π―ΠΌΠΏΠΎΠ»ΡΡΠΊΠΈΠΉ Π.Π.
Π―ΠΌΠΏΠΎΠ»ΡΡΠΊΠΈΠΉ Π.Π., 2024, ΠΠ°ΡΡΠ½Π°Ρ Π±ΠΈΠ±Π»ΠΈΠΎΡΠ΅ΠΊΠ°
ΠΠ½ΠΈΠ³Π° ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ΅Ρ ΡΠΎΠ±ΠΎΠΉ Π·Π°ΠΏΠΈΡΡ ΠΊΡΡΡΠ° Π»Π΅ΠΊΡΠΈΠΉ ΠΠΈΡ Π°ΠΈΠ»Π° Π―ΠΌΠΏΠΎΠ»ΡΡΠΊΠΎΠ³ΠΎ, ΠΏΠΎΡΠ²ΡΡΠ΅Π½Π½ΠΎΠ³ΠΎ ΠΏΡΠΎΠ±Π»Π΅ΠΌΠ΅ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΡ Π² ΠΏΡΠΈΡΠΎΠ΄Π΅ ΠΈ ΠΊΡΠ»ΡΡΡΡΠ΅. Π Π°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Π΅ΡΡΡ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ ΠΊΠ°ΠΊ ΡΡΠ½Π΄Π°ΠΌΠ΅Π½ΡΠ°Π»ΡΠ½ΡΠΉ Π°Π½ΡΡΠΎΠΏΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΈΠΉ ΡΠ΅Π½ΠΎΠΌΠ΅Π½, ΠΈΡΡΠ»Π΅Π΄ΡΠ΅ΡΡΡ ΡΠΎΠ»Ρ Π·ΡΠ΅Π½ΠΈΡ Π² ΡΠ²ΠΎΠ»ΡΡΠΈΠΈ ΠΆΠΈΠ·Π½ΠΈ ΠΈ ΡΡΠ°Π½ΠΎΠ²Π»Π΅Π½ΠΈΠΈ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΠΊΠΎΠΉ ΠΊΡΠ»ΡΡΡΡΡ. ΠΠ½Π°Π»ΠΈΠ·ΠΈΡΡΠ΅ΡΡΡ Π²ΠΎΠ·Π½ΠΈΠΊΠ½ΠΎΠ²Π΅Π½ΠΈΠ΅ ΠΈΠ·ΠΎΠ±ΡΠ°Π·ΠΈΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΡΡΡΠ°Π½ΡΡΠ²Π°, Π΄ΠΈΡΡΠ΅ΡΠ΅Π½ΡΠΈΠ°ΡΠΈΡ ΡΠΎΠ½Π° ΠΈ ΡΠΈΠ³ΡΡΡ, ΡΠΌΡΡΠ» Π»ΠΈΠ½ΠΈΠΈ ΠΈ ΡΠΎΡΠΌΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅ ΡΠΎΡΠΌΡ. ΠΡΠΎΠ±ΠΎΠ΅ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ ΡΠ΄Π΅Π»ΡΠ΅ΡΡΡ ΡΠΈΠ·ΠΈΠΎΠ»ΠΎΠ³ΠΈΠΈ Π·ΡΠ΅Π½ΠΈΡ Π² ΠΊΠΎΠ½ΡΠ΅ΠΊΡΡΠ΅ ΡΠ°Π·Π²ΠΈΡΠΈΡ ΠΈΠ·ΠΎΠ±ΡΠ°Π·ΠΈΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ ΠΈΡΠΊΡΡΡΡΠ²Π° ΠΈ ΠΆΠ°Π½ΡΠΎΠ² Π·Π°ΠΏΠ°Π΄Π½ΠΎΠΉ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠΈ.
M.B. Yampolsky, 2024, Scientific Library
This book is a record of Mikhail Yampolsky's lecture course, dedicated to the problem of the image in nature and culture. The image is considered a fundamental anthropological phenomenon, exploring the role of vision in the evolution of life and the formation of human culture. It analyzes the emergence of visual space, the differentiation of figure and ground, the meaning of lines, and the formation of shape. Special attention is given to the physiology of vision in the context of the development of visual art and genres of Western painting.