By ΠΠΎΠ»ΠΎΡΠΈΠ½ ΠΠ°ΠΊΡΠΈΠΌΠΈΠ»ΠΈΠ°Π½ ΠΠ»Π΅ΠΊΡΠ°Π½Π΄ΡΠΎΠ²ΠΈΡ
ΠΠΎΠ»ΠΎΡΠΈΠ½ ΠΠ°ΠΊΡΠΈΠΌΠΈΠ»ΠΈΠ°Π½ ΠΠ»Π΅ΠΊΡΠ°Π½Π΄ΡΠΎΠ²ΠΈΡ, 2014, ΠΠ΅Π½ΠΈΠ·Π΄Π°Ρ-ΠΊΠ»Π°ΡΡΠΈΠΊΠ°
ΠΠ°ΠΊΡΠΈΠΌΠΈΠ»ΠΈΠ°Π½ ΠΠΎΠ»ΠΎΡΠΈΠ½ ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ ΡΡΠ±ΡΠ΅ΠΊΡΠΈΠ²Π½ΡΡ ΠΈ ΡΠΌΠΎΡΠΈΠΎΠ½Π°Π»ΡΠ½ΡΡ ΠΎΡΠ΅Π½ΠΊΡ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²Π° ΡΠ²ΠΎΠΈΡ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΈΠΊΠΎΠ², Π²ΠΊΠ»ΡΡΠ°Ρ Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² Π‘Π»Π΅Π²ΠΈΠ½ΡΠΊΠΎΠ³ΠΎ, ΠΠ΅Π½ΠΈ, Π Π΅Π΄ΠΎΠ½Π°, ΠΠΎΡΠΈΡΠΎΠ²Π°-ΠΡΡΠ°ΡΠΎΠ²Π°, ΠΡΡΠ±Π΅Π»Ρ, Π‘Π°ΠΏΡΠ½ΠΎΠ²Π°, Π‘Π°ΡΡΡΠ½Π°, ΠΠΎΠ³Π°Π΅Π²ΡΠΊΠΎΠ³ΠΎ ΠΈ ΠΠΎΠ»ΡΠ±ΠΊΠΈΠ½ΠΎΠΉ. Π Π΅Π³ΠΎ Π±Π»Π΅ΡΡΡΡΠΈΡ ΡΡΡΠ΅ ΡΠ°ΡΠΊΡΡΠ²Π°Π΅ΡΡΡ Π»ΠΈΡΠ½ΠΎΡΡΡ ΡΠ°Π·Π½ΠΎΡΡΠΎΡΠΎΠ½Π½Π΅Π³ΠΎ, ΠΎΠ±ΡΠ°Π·ΠΎΠ²Π°Π½Π½ΠΎΠ³ΠΎ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ° Ρ Π³Π»ΡΠ±ΠΎΠΊΠΈΠΌ ΡΠΌΠΎΠΌ. ΠΠ·Π²Π΅ΡΡΠ½ΡΠΉ ΠΈΡΠΊΡΡΡΡΠ²ΠΎΠ²Π΅Π΄ ΠΠΎΠ»Π»Π΅ΡΠ±Π°Ρ ΠΎΡΠΌΠ΅ΡΠ°Π», ΡΡΠΎ ΠΠΎΠ»ΠΎΡΠΈΠ½ Π±ΡΠ» ΡΠ΅Π½Π΅Π½ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ ΡΠ²ΠΎΠΈΠΌ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΠ½ΡΠΌ Π½Π°ΡΠ»Π΅Π΄ΠΈΠ΅ΠΌ, Π½ΠΎ ΠΈ ΠΊΠ°ΠΊ Π²ΡΠ΄Π°ΡΡΠ°ΡΡΡ Π»ΠΈΡΠ½ΠΎΡΡΡ.
Maximilian Voloshin, 2014, Lenizdat-Classics
Maximilian Voloshin offers a subjective and emotional assessment of the work of his contemporaries, including artists Slevinsky, Denis, Redon, Borisov-Musatov, Vrubel, Sapunov, Saryan, Bogaevsky, and Golubkina. His brilliant essays reveal the personality of a versatile, educated individual with a profound intellect. Art critic Gollerbach noted that Voloshin was valuable not only for his literary legacy but also as an exceptional person.