By ΠΠΈΠ»Π±ΠΎΡΠ½ ΠΠ΅Π½Π΄ΠΆΠ°ΠΌΠΈΠ½
ΠΠΈΠ»Π±ΠΎΡΠ½ ΠΠ΅Π½Π΄ΠΆΠ°ΠΌΠΈΠ½, 2017, ΠΠΈΠ±Π»ΠΈΠΎΡΠ΅ΠΊΠ° ΠΏΡΠΈΡ ΠΎΠ°Π½Π°Π»ΠΈΠ·Π°
ΠΠ²ΡΠΎΡ ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ, ΠΊΠ°ΠΊ ΠΊΠΎΠ½ΡΡΠΎΠ»Ρ Π½Π°Π΄ Π²Π½Π΅ΡΠ½ΠΈΠΌ ΠΎΠ±Π»ΠΈΠΊΠΎΠΌ ΠΏΠΎΠΌΠΎΠ³Π°Π΅Ρ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΡ ΡΠΏΡΠ°Π²Π»ΡΡΡΡΡ Ρ ΡΡΠ²ΡΡΠ²Π°ΠΌΠΈ. ΠΡΠ½ΠΎΠ²ΡΠ²Π°ΡΡΡ Π½Π° Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΠ΅ ΠΈ ΠΊΠ»ΠΈΠ½ΠΈΡΠ΅ΡΠΊΠΎΠΉ ΠΏΡΠ°ΠΊΡΠΈΠΊΠ΅, ΠΊΠ½ΠΈΠ³Π° ΡΡΠ²Π΅ΡΠΆΠ΄Π°Π΅Ρ, ΡΡΠΎ ΡΡΡΠ΄, ΡΠ²ΡΠ·Π°Π½Π½ΡΠΉ Ρ Π²Π½Π΅ΡΠ½ΠΎΡΡΡΡ, ΡΠ²Π»ΡΠ΅ΡΡΡ ΠΊΠ»ΡΡΠ΅Π²ΠΎΠΉ ΠΏΡΠΈΡΠΈΠ½ΠΎΠΉ ΡΡΡΠ°Ρ Π° ΠΊΠ°ΠΊ Ρ Π²ΡΠΌΡΡΠ»Π΅Π½Π½ΡΡ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆΠ΅ΠΉ, ΡΠ°ΠΊ ΠΈ Ρ ΡΠ΅Π°Π»ΡΠ½ΡΡ Π»ΡΠ΄Π΅ΠΉ. ΠΡΠΎΡ ΡΡΡΠ΄ ΠΏΠΎΡΠΎΠΆΠ΄Π°Π΅Ρ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ ΠΆΠ΅Π»Π°Π½ΠΈΠ΅ ΠΈΡΡΠ΅Π·Π½ΡΡΡ, Π½ΠΎ ΠΈ ΡΡΡΠ°Ρ ΡΠ°ΠΌΠΎΠ³ΠΎ ΠΈΡΡΠ΅Π·Π½ΠΎΠ²Π΅Π½ΠΈΡ. Π Π°Π±ΠΎΡΠ° ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Π΅Ρ ΠΈΡΡΠΎΠΊΠΈ ΠΏΡΠΈΡ ΠΎΠΊΡΠ»ΡΡΡΡΠ½ΠΎΠ³ΠΎ ΠΊΡΠΈΠ·ΠΈΡΠ° Π² ΠΎΠ±ΡΠ΅ΡΡΠ²Π΅, ΠΎΡΠΈΠ΅Π½ΡΠΈΡΠΎΠ²Π°Π½Π½ΠΎΠΌ Π½Π° Π²Π½Π΅ΡΠ½ΠΎΡΡΡ.
Benjamin Kilbourn, 2017, Library of Psychoanalysis
This work examines how individuals attempt to manage their feelings through controlling their outward appearance. Drawing on literary examples and clinical practice, the author posits that shame related to appearance is a primary source of fear for both fictional characters and real people. This shame not only fuels a desire to disappear but also a fear of vanishing altogether. The book delves into the origins of a psychocultural crisis within a society fixated on external presentation.