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By ΠΠ°ΡΡΠΈΠ·ΠΈ ΠΠΎΠ½Π°ΡΠΎ
ΠΠΎΠ½Π°ΡΠΎ ΠΠ°ΡΡΠΈΠ·ΠΈ
ΠΠΎΠ·Π΄Π½ΠΈΠΉ Π·Π²ΠΎΠ½ΠΎΠΊ Π² ΠΏΠΎΠ»ΠΈΡΠΈΡ ΡΠΎΠΎΠ±ΡΠ°Π΅Ρ ΠΎ ΡΡΡΠ°Π½Π½ΠΎΠΌ Π½Π΅Π·Π½Π°ΠΊΠΎΠΌΡΠ΅ Ρ Π΄ΠΎΠΌΠ°, Π½ΠΎ ΠΏΡΠΈΠ±ΡΠ²ΡΠΈΠΉ ΠΏΠ°ΡΡΡΠ»Ρ ΠΎΠ±Π½Π°ΡΡΠΆΠΈΠ²Π°Π΅Ρ ΡΠ»Π΅Π΄Ρ ΠΊΡΠΎΠ²Π°Π²ΠΎΠΉ Π±ΠΎΠΉΠ½ΠΈ. ΠΠ΅ΡΡΠ²Ρ ΠΈΡΡΠ΅Π·Π»ΠΈ, Π° ΡΠ±ΠΈΠΉΡΠ° Π½Π΅ΠΈΠ·Π²Π΅ΡΡΠ΅Π½. ΠΠ΄ΠΈΠ½ΡΡΠ²Π΅Π½Π½ΡΠΉ, ΠΊΡΠΎ ΠΌΠΎΠΆΠ΅Ρ Π²Π·ΡΡΡΡΡ Π·Π° ΡΡΠΎ Π΄Π΅Π»ΠΎ, β Π±ΡΠ²ΡΠΈΠΉ Π΄Π΅ΡΠ΅ΠΊΡΠΈΠ² ΠΠΈΠ»Π° ΠΠ°ΡΠΊΠ΅Ρ. ΠΠ½Π° ΠΎΡΠΎΡΠ»Π° ΠΎΡ Π΄Π΅Π», ΡΠ΅Π΄ΠΈΠ½ΠΈΠ²ΡΠΈΡΡ Ρ Π΄ΠΎΡΠ΅ΡΡΡ ΠΠ»ΠΈΡΠΎΠΉ, Π½ΠΎ Π²ΡΠ½ΡΠΆΠ΄Π΅Π½Π° Π²Π΅ΡΠ½ΡΡΡΡΡ Π² ΠΈΠ³ΡΡ. ΠΠ°Π³Π°Π΄ΠΎΡΠ½ΡΠΉ ΠΠΎΠ΄ΡΠΊΠ°Π·ΡΠΈΠΊ ΠΏΡΠ΅Π²ΡΠ°ΡΠ°Π΅Ρ Π»ΡΠ΄Π΅ΠΉ Π² ΠΌΠ°ΡΠΈΠΎΠ½Π΅ΡΠΎΠΊ, ΠΈ ΠΠΈΠ»Π° ΡΠΆΠ΅ ΡΡΠ°Π»ΠΊΠΈΠ²Π°Π»Π°ΡΡ Ρ Π½ΠΈΠΌ ΡΠ°Π½Π΅Π΅. Π’Π΅ΠΏΠ΅ΡΡ Π΅ΠΉ ΠΏΡΠ΅Π΄ΡΡΠΎΠΈΡ ΠΏΡΠΈΠ½ΡΡΡ Π΅Π³ΠΎ Π²ΡΠ·ΠΎΠ², Π²Π΅Π΄Ρ Π½Π° ΠΊΠΎΠ½Ρ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ ΡΠ°ΡΠΊΡΡΡΠΈΠ΅ ΠΏΡΠ΅ΡΡΡΠΏΠ»Π΅Π½ΠΈΡ, Π½ΠΎ ΠΈ ΠΆΠΈΠ·Π½Ρ Π΅Π΅ Π΄ΠΎΡΠ΅ΡΠΈ.
Donato Carrisi
A late-night call to the police reports a stranger outside a home, but the arriving patrol finds a scene of bloody carnage. The victims are gone, and the killer remains unknown. The only person capable of tackling this case is former detective Mila Vasquez. She had retired to a quiet life with her daughter, Alice, but is drawn back into the game. A mysterious figure known as the Puppeteer manipulates people like puppets, a foe Mila has encountered before. Now, she must accept his challenge, as the stakes include not only solving the crime but also her daughter's life.