By Π€Π΅Π΄ΠΎΡ ΠΠΎΡΡΠΎΠ΅Π²ΡΠΊΠΈΠΉ
Π€Π΅Π΄ΠΎΡ ΠΠΎΡΡΠΎΠ΅Π²ΡΠΊΠΈΠΉ, 2020
Π ΡΠΎΠΌΠ°Π½Π΅ "ΠΠ΄ΠΈΠΎΡ" Π€Π΅Π΄ΠΎΡ ΠΠΎΡΡΠΎΠ΅Π²ΡΠΊΠΈΠΉ Π²ΠΎΠΏΠ»ΠΎΡΠΈΠ» ΠΎΠ±ΡΠ°Π· ΠΏΠΎΠ»ΠΎΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ Π³Π΅ΡΠΎΡ Π² ΠΊΠ½ΡΠ·Π΅ ΠΡΡΠΊΠΈΠ½Π΅. ΠΡΠΎΡ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆ ΡΠΎΡΠ΅ΡΠ°Π΅Ρ Π² ΡΠ΅Π±Π΅ ΡΠ΅ΡΡΡ Π₯ΡΠΈΡΡΠ° ΠΈ ΡΠ΅Π±Π΅Π½ΠΊΠ°, ΠΎΠ±Π»Π°Π΄Π°Ρ ΡΠΌΠΈΡΠΎΡΠ²ΠΎΡΠ΅Π½ΠΈΠ΅ΠΌ ΠΈ Π½Π΅ΡΠΏΠΎΡΠΎΠ±Π½ΠΎΡΡΡΡ ΠΏΡΠΎΠΉΡΠΈ ΠΌΠΈΠΌΠΎ ΡΡΠΆΠΎΠΉ Π±Π΅Π΄Ρ. Π ΠΎΠ±ΡΠ΅ΡΡΠ²Π΅, Π³Π΄Π΅ ΠΏΡΠ΅ΠΎΠ±Π»Π°Π΄Π°ΡΡ ΠΊΠΎΡΡΡΡΡ ΠΈ ΡΠ°Π·ΡΡΡΠΈΡΠ΅Π»ΡΠ½ΡΠ΅ ΡΡΡΠ°ΡΡΠΈ, ΠΊΠ½ΡΠ·Ρ ΠΡΡΠΊΠΈΠ½ Π²ΠΎΡΠΏΡΠΈΠ½ΠΈΠΌΠ°Π΅ΡΡΡ ΠΊΠ°ΠΊ "ΠΈΠ΄ΠΈΠΎΡ". ΠΠ³ΠΎ Π΄ΠΎΠ±ΡΠΎΡΠ° ΠΈ ΡΠΈΡΡΠΎΡΠ° ΠΎΠΊΠ°Π·ΡΠ²Π°ΡΡΡΡ Π±Π΅ΡΠΏΠΎΠΌΠΎΡΠ½ΡΠΌΠΈ Π² ΠΌΠΈΡΠ΅, ΠΎΠΌΡΠ°ΡΠ΅Π½Π½ΠΎΠΌ Π»ΡΠ΄ΡΠΊΠΈΠΌΠΈ ΠΏΠΎΡΠΎΠΊΠ°ΠΌΠΈ. ΠΠ΄Π½Π°ΠΊΠΎ, ΡΠ»Π΅Π΄ΡΡ ΡΡΠ²Π΅ΡΠΆΠ΄Π΅Π½ΠΈΡ ΠΠΎΡΡΠΎΠ΅Π²ΡΠΊΠΎΠ³ΠΎ ΡΡΡΠ°ΠΌΠΈ ΠΊΠ½ΡΠ·Ρ, "ΠΊΡΠ°ΡΠΎΡΠ° ΡΠΏΠ°ΡΠ΅Ρ ΠΌΠΈΡ", Π³Π΅ΡΠΎΠΉ ΠΏΡΠΈΠ½ΠΎΡΠΈΡ ΡΠ²Π΅Ρ Π² ΠΎΠΊΡΡΠΆΠ°ΡΡΡΡ Π΄Π΅ΠΉΡΡΠ²ΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ.
Fyodor Dostoevsky, 2020
In "The Idiot," Fyodor Dostoevsky presents a positive hero in Prince Myshkin, a character embodying Christ-like and childlike qualities. He possesses a serenity bordering on carelessness, coupled with an inability to ignore the suffering of others. Within a society driven by greed and destructive passions, Prince Myshkin is seen as an "idiot." His inherent goodness is rendered helpless in a world clouded by impure human intentions. Yet, Dostoevsky, through Myshkin, asserts that "beauty will save the world," bringing a glimmer of light into existence.