By Π§Π°ΠΉΠΊΠΎΠ²ΡΠΊΠ°Ρ ΠΠΈΠ°Π½Π°
ΠΠΈΠ°Π½Π° Π§Π°ΠΉΠΊΠΎΠ²ΡΠΊΠ°Ρ, 2023, Π‘Π΅ΡΠΈΡ: ΠΡΡΠ°ΠΆΠ΅Π½ΠΈΡ. Π Π΅ΡΠ΅Π»Π»ΠΈΠ½Π³ΠΈ
ΠΡΠ° ΠΈΡΡΠΎΡΠΈΡ ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ ΠΊΠΎΠ»ΠΎΡΠΈΡΠ½ΠΎΠ΅ ΠΏΠ΅ΡΠ΅ΠΎΡΠΌΡΡΠ»Π΅Π½ΠΈΠ΅ Π·Π½Π°ΠΊΠΎΠΌΡΡ ΡΠΊΠ°Π·ΠΎΡΠ½ΡΡ ΠΎΠ±ΡΠ°Π·ΠΎΠ², ΡΠΎΠΊΡΡΠΈΡΡΡΡΡ Π½Π° ΠΠ°ΡΠΈΠ»ΠΈΡΠ΅ ΠΈ ΠΠ°Π±Π΅ Π―Π³Π΅. ΠΠ΅ΡΠΎΠΈΠ½Ρ, ΡΡΠΈ ΠΌΠ΅ΡΡΡ ΠΎ Π»Π΅ΡΠ΅ ΠΈ Π²ΠΎΡΠΎΠΆΠ±Π΅ ΠΊΠ°Π·Π°Π»ΠΈΡΡ ΠΎΡΡΡΠ΅ΡΡΠ²ΠΈΠ²ΡΠΈΠΌΠΈΡΡ, Π²Π½Π΅Π·Π°ΠΏΠ½ΠΎ ΠΎΠΊΠ°Π·ΡΠ²Π°Π΅ΡΡΡ Π² Π±Π΅Π³Π°Ρ . ΠΠΉ ΠΏΡΠ΅Π΄ΡΡΠΎΠΈΡ ΡΡΠΎΠ»ΠΊΠ½ΡΡΡΡΡ Ρ ΠΏΡΠ΅ΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠ΅ΠΌ ΠΎΠ·Π»ΠΎΠ±Π»Π΅Π½Π½ΠΎΠΉ Π±ΠΎΠ³ΠΈΠ½ΠΈ ΠΈ Π΅Ρ ΠΊΠΎΡΡΡΠ½ΡΡ Π²Π»Π°Π΄Π΅Π½ΠΈΠΉ, Π° ΡΠ°ΠΊΠΆΠ΅ Ρ ΠΊΠΎΠ²Π°ΡΠ½ΡΠΌΠΈ ΠΏΠ»Π°Π½Π°ΠΌΠΈ ΠΏΠΎΡΠ»Π°Π½Π½ΠΈΠΊΠ° Π½ΠΎΡΠΈ. Π ΡΠΈΡΡΠ°ΡΠΈΠΈ, ΠΊΠΎΠ³Π΄Π° Π½Π° ΠΊΠΎΠ½Ρ ΡΠ°Π²Π½ΠΎΠ²Π΅ΡΠΈΠ΅ ΠΌΠ΅ΠΆΠ΄Ρ ΠΌΠΈΡΠ°ΠΌΠΈ ΠΆΠΈΠ²ΡΡ ΠΈ ΠΌΡΡΡΠ²ΡΡ , Π³Π΅ΡΠΎΠΈΠ½Π΅ ΠΏΡΠ΅Π΄ΡΡΠΎΠΈΡ ΡΠ΄Π΅Π»Π°ΡΡ ΡΠ»ΠΎΠΆΠ½ΡΠΉ Π²ΡΠ±ΠΎΡ ΠΌΠ΅ΠΆΠ΄Ρ Π²ΠΎΠ·ΠΌΠ΅Π·Π΄ΠΈΠ΅ΠΌ ΠΈ ΠΏΡΠΎΡΠ΅Π½ΠΈΠ΅ΠΌ.
Diana Tchaikovskaya, 2023, Series: Reflections. Retellings
This narrative offers a vivid reimagining of familiar fairy tale figures, focusing on Vasilisa and Baba Yaga. The protagonist, whose dreams of forests and sorcery seemed fulfilled, suddenly finds herself on the run. She must confront pursuit from a malevolent goddess and her skeletal domains, as well as the cunning schemes of a night envoy. Faced with the balance between the worlds of the living and the dead at stake, she must make a difficult choice between retribution and forgiveness.