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By Roob Alexander
Alexander Roob | 2023
Π ΡΠΏΠΎΡ Ρ ΠΌΠ³Π½ΠΎΠ²Π΅Π½Π½ΡΡ ΡΠ½ΠΈΠΌΠΊΠΎΠ² ΠΈ ΠΊΡΡΠ³Π»ΠΎΡΡΡΠΎΡΠ½ΠΎΠΉ ΡΠ²ΡΠ·ΠΈ ΠΈΠ»Π»ΡΡΡΡΠΈΡΠΎΠ²Π°Π½Π½Π°Ρ ΠΏΡΠ΅ΡΡΠ°, Π³Π΄Π΅ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΡ ΡΠ°ΠΊ ΠΆΠ΅ Π²Π°ΠΆΠ½Ρ, ΠΊΠ°ΠΊ ΠΈ ΡΠ΅ΠΊΡΡ, ΡΡΠ°Π½ΠΎΠ²ΠΈΡΡΡ ΡΠ΅Π΄ΠΊΠΈΠΌ ΠΈΡΠΊΡΡΡΡΠ²ΠΎΠΌ. ΠΡΠΎΡ ΠΎΠ±ΡΠΈΡΠ½ΡΠΉ ΡΠ±ΠΎΡΠ½ΠΈΠΊ ΠΎΡΠΌΠ΅ΡΠ°Π΅Ρ Π·ΠΎΠ»ΠΎΡΠΎΠΉ Π²Π΅ΠΊ Π³ΡΠ°ΡΠΈΡΠ΅ΡΠΊΠΎΠΉ ΠΆΡΡΠ½Π°Π»ΠΈΡΡΠΈΠΊΠΈ ΠΊΠ°ΠΊ ΡΠ°ΠΌΠΎΠ±ΡΡΠ½ΡΠΉ ΠΆΠ°Π½Ρ ΠΈ Π»Π°Π±ΠΎΡΠ°ΡΠΎΡΠΈΡ Π°Π²Π°Π½Π³Π°ΡΠ΄Π½ΠΎΠΉ ΡΡΡΠ΅ΡΠΈΠΊΠΈ. ΠΡ Π²Π°ΡΡΠ²Π°Ρ ΠΏΠ΅ΡΠΈΠΎΠ΄ Ρ 1819 ΠΏΠΎ 1921 Π³ΠΎΠ΄, ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΡ Π²ΠΊΠ»ΡΡΠ°Π΅Ρ Π½ΠΎΠ²ΠΎΡΡΠ½ΡΠ΅ ΠΈΠ»Π»ΡΡΡΡΠ°ΡΠΈΠΈ, ΠΏΠΎΠ»ΠΈΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΠΈ ΡΠ°ΡΠΈΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΠΊΠ°ΡΠΈΠΊΠ°ΡΡΡΡ. ΠΠ°ΡΠ΅ΡΠΈΠ°Π» ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Π΅ΡΡΡ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ Π² ΠΊΠΎΠ½ΡΠ΅ΠΊΡΡΠ΅ ΠΆΠ°Π½ΡΠ° ΠΈ ΠΈΡΡΠΎΡΠΈΡΠ΅ΡΠΊΠΎΠΉ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠΈ XIX Π²Π΅ΠΊΠ°, Π½ΠΎ ΠΈ ΠΊΠ°ΠΊ ΠΏΠΈΠΎΠ½Π΅ΡΡΠΊΠΎΠ΅ Π²Π»ΠΈΡΠ½ΠΈΠ΅ Π½Π° ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠ΅ ΠΈΡΠΊΡΡΡΡΠ²ΠΎ, Π·Π°Π»ΠΎΠΆΠΈΠ²ΡΠ΅Π΅ ΠΎΡΠ½ΠΎΠ²Ρ Π΄Π»Ρ Π°Π²Π°Π½Π³Π°ΡΠ΄Π½ΡΡ Ρ ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΡΡ ΡΠ΅ΡΠ΅Π½ΠΈΠΉ.
Alexander Roob | 2023
In today's world of instant snapshots and constant connectivity, an illustrated press where images are as crucial as text is a rare art form. This comprehensive compendium celebrates the golden age of graphic journalism as a distinct genre and a laboratory for avant-garde aesthetics. Spanning 1819 to 1921, the collection features news graphics, political, and satirical cartoons. The material is examined not only in relation to 19th-century genre and historical painting but also for its pioneering influence on modern art, laying the groundwork for subsequent avant-garde movements.