ΠΠ³ΠΎΠ½ Π¨ΠΈΠ»Π΅
ΠΠ³ΠΎΠ½ Π¨ΠΈΠ»Π΅ β Π²ΡΠ΄Π°ΡΡΠΈΠΉΡΡ Π°Π²ΡΡΡΠΈΠΉΡΠΊΠΈΠΉ ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠ΅Ρ ΠΈ Π³ΡΠ°ΡΠΈΠΊ, ΠΎΠ΄ΠΈΠ½ ΠΈΠ· ΠΊΠ»ΡΡΠ΅Π²ΡΡ ΠΏΡΠ΅Π΄ΡΡΠ°Π²ΠΈΡΠ΅Π»Π΅ΠΉ Π°Π²ΡΡΡΠΈΠΉΡΠΊΠΎΠ³ΠΎ ΡΠΊΡΠΏΡΠ΅ΡΡΠΈΠΎΠ½ΠΈΠ·ΠΌΠ°. ΠΠ³ΠΎ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²ΠΎ, ΡΡΠΎΡΠΌΠΈΡΠΎΠ²Π°Π²ΡΠ΅Π΅ΡΡ ΠΏΠΎΠ΄ Π²Π»ΠΈΡΠ½ΠΈΠ΅ΠΌ ΠΠ΅Π½ΡΠΊΠΎΠ³ΠΎ ΡΠ΅ΡΠ΅ΡΡΠΈΠΎΠ½Π°, ΠΎΡΠΊΠ°Π·Π°Π»ΠΎΡΡ ΠΎΡ Π΄Π΅ΠΊΠΎΡΠ°ΡΠΈΠ²ΠΈΠ·ΠΌΠ° Π² ΠΏΠΎΠ»ΡΠ·Ρ ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½ΠΎΠΉ Π»ΠΈΡΠ½ΠΎΠΉ ΠΈΠ½ΡΠ΅ΡΠΏΡΠ΅ΡΠ°ΡΠΈΠΈ ΡΠΊΡΠΏΡΠ΅ΡΡΠΈΠΎΠ½ΠΈΠ·ΠΌΠ°. Π Π΅Π³ΠΎ ΡΠ°Π±ΠΎΡΠ°Ρ ΠΏΡΠΎΡΠ»Π΅ΠΆΠΈΠ²Π°Π΅ΡΡΡ Π³Π»ΡΠ±ΠΎΠΊΠ°Ρ ΡΠ²ΡΠ·Ρ ΠΌΠ΅ΠΆΠ΄Ρ Π³ΡΡΡΡΡΡ ΠΈ ΠΊΡΠ°ΡΠΎΡΠΎΠΉ, Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠ½Π°Ρ Π΄Π»Ρ Π²Π΅Π½ΡΠΊΠΎΠΉ ΡΠΊΠΎΠ»Ρ. Π¨ΠΈΠ»Π΅ Π²ΠΈΠ΄Π΅Π» Π² Π»ΡΠ΄ΡΡ , ΡΠ²Π΅ΡΠ°Ρ , Π΄ΠΎΠΌΠ°Ρ ΠΈ ΠΏΡΠΈΡΠΎΠ΄Π½ΡΡ ΡΠ²Π»Π΅Π½ΠΈΡΡ Π΅Π΄ΠΈΠ½ΡΡ ΡΡΡΠ΅ΡΠΈΡΠ΅ΡΠΊΡΡ ΠΊΠ°ΡΠ΅Π³ΠΎΡΠΈΡ, ΠΏΠΎΠ΄Π²Π»Π°ΡΡΠ½ΡΡ ΡΠ²ΡΠ΄Π°Π½ΠΈΡ ΠΈ ΠΏΠ΅ΡΠ΅Ρ ΠΎΠ΄Ρ ΠΎΡ ΠΊΡΠ°ΡΠΎΡΡ ΠΊ ΡΡΠ΅Π²ΠΎΠ³Π΅. ΠΠ³ΠΎ ΠΏΠΎΠ΄ΡΠΎΠ»Π½ΡΡ ΠΈ, Π² ΠΎΡΠ»ΠΈΡΠΈΠ΅ ΠΎΡ ΡΠ°Π±ΠΎΡ ΠΠ»ΠΈΠΌΡΠ° ΠΈΠ»ΠΈ ΠΠΎΠ½Π΅, ΠΏΡΠ΅Π΄ΡΡΠ°ΡΡ ΡΡΡΠ°Π²ΡΠΈΠΌΠΈ ΠΈ ΠΈΡΠΏΠΎΠ»Π½Π΅Π½Π½ΡΠΌΠΈ ΠΎΡΡΠ°ΡΠ½ΠΈΡ, ΠΏΠΎΠ΄ΠΎΠ±Π½ΠΎ Π΅Π³ΠΎ ΠΏΠΎΡΡΡΠ΅ΡΠ½ΡΠΌ ΡΠ°Π±ΠΎΡΠ°ΠΌ.
Egon Schiele
Egon Schiele was a prominent Austrian painter and graphic artist, a leading figure of Austrian Expressionism. Developing his style within the Vienna Secession movement, he moved beyond its decorative tendencies to forge a personal expressive path. His work often explores the profound relationship between sadness and beauty, a theme characteristic of the Viennese spirit. Schiele perceived people, flowers, buildings, and natural scenes as belonging to the same aesthetic category, all subject to the process of fading and transitioning from beauty to unease. His sunflowers, unlike those of Klimt or Monet, convey a sense of weariness and despair, mirroring the intensity found in his portraits.