By Π€Π΅Π΄ΠΎΡ ΠΠΎΡΡΠΎΠ΅Π²ΡΠΊΠΈΠΉ
Π€Π΅Π΄ΠΎΡ ΠΠΎΡΡΠΎΠ΅Π²ΡΠΊΠΈΠΉ
Π Β«ΠΠ½Π΅Π²Π½ΠΈΠΊΠ΅ ΠΏΠΈΡΠ°ΡΠ΅Π»ΡΒ» Π€Π΅Π΄ΠΎΡ ΠΠΎΡΡΠΎΠ΅Π²ΡΠΊΠΈΠΉ Π²Π΅Π΄Π΅Ρ ΠΏΡΡΠΌΠΎΠΉ Π΄ΠΈΠ°Π»ΠΎΠ³ Ρ ΡΠΈΡΠ°ΡΠ΅Π»Π΅ΠΌ, ΠΏΡΠΈΠ³Π»Π°ΡΠ°Ρ ΠΊ ΠΎΠ±ΡΡΠΆΠ΄Π΅Π½ΠΈΡ ΡΡΠ½Π΄Π°ΠΌΠ΅Π½ΡΠ°Π»ΡΠ½ΡΡ Π²ΠΎΠΏΡΠΎΡΠΎΠ² ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²Π°: Π²Π·Π°ΠΈΠΌΠΎΠΎΡΠ½ΠΎΡΠ΅Π½ΠΈΠΉ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ° ΠΈ ΠΠΎΠ³Π°, ΠΏΡΠΈΡΠΎΠ΄Ρ Π΄ΠΎΠ±ΡΠ° ΠΈ Π·Π»Π°, Π° ΡΠ°ΠΊΠΆΠ΅ ΡΠ²ΠΎΠ±ΠΎΠ΄Ρ ΠΈ ΡΡΠ΄ΡΠ±Ρ Π ΠΎΡΡΠΈΠΈ. ΠΠ°ΠΌΠ΅ΡΠΊΠΈ 1876 Π³ΠΎΠ΄Π° ΡΠΎΠ΄Π΅ΡΠΆΠ°Ρ Π³Π»ΡΠ±ΠΎΠΊΠΈΠΉ Π°Π½Π°Π»ΠΈΠ· ΠΌΠΈΡΠΎΠ²ΠΎΠΉ ΠΏΠΎΠ»ΠΈΡΠΈΠΊΠΈ ΠΈ Π΄ΡΡ ΠΎΠ²Π½ΡΡ ΠΏΡΠΎΠ±Π»Π΅ΠΌ ΡΡΡΡΠΊΠΎΠ³ΠΎ ΠΎΠ±ΡΠ΅ΡΡΠ²Π°, ΠΌΠ½ΠΎΠ³ΠΈΠ΅ ΠΈΠ· ΠΊΠΎΡΠΎΡΡΡ ΠΎΠΊΠ°Π·Π°Π»ΠΈΡΡ ΠΏΡΠΎΡΠΎΡΠ΅ΡΠΊΠΈΠΌΠΈ. Π ΡΡΠΎΡ ΠΏΠ΅ΡΠΈΠΎΠ΄ Π±ΡΠ»Π° ΡΠΎΠ·Π΄Π°Π½Π° ΠΏΠΎΠ²Π΅ΡΡΡ Β«ΠΡΠΎΡΠΊΠ°ΡΒ», ΠΈΡΡΠ»Π΅Π΄ΡΡΡΠ°Ρ Π΄ΠΈΠ½Π°ΠΌΠΈΠΊΡ ΠΎΡΠ½ΠΎΡΠ΅Π½ΠΈΠΉ ΠΌΠ΅ΠΆΠ΄Ρ ΡΠΈΡΠ°Π½ΠΎΠΌ ΠΈ ΠΆΠ΅ΡΡΠ²ΠΎΠΉ Π² ΠΊΠΎΠ½ΡΠ΅ΠΊΡΡΠ΅ ΠΎΠ±ΡΡΠ½ΠΎΠΉ ΡΠ΅ΠΌΡΠΈ.
Fyodor Dostoevsky
In "A Writer's Diary," Fyodor Dostoevsky engages directly with readers, inviting discussion on profound themes central to his work: the relationship between humanity and God, the nature of good and evil, and the freedom and destiny of Russia. The entries from 1876 offer a particular focus on analyzing contemporary world politics and the spiritual ailments of Russian society, proving remarkably prescient. This period also saw the creation of the novella "The Meek One," exploring the dynamics of victim and oppressor within a family setting.