By ΠΠΈΠ»ΡΠΎΠ½ ΠΠ»ΡΠΉΠ·Π΅Ρ , β¦
ΠΠ½ΠΈΠ³Π° ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ ΡΠΎΠ»Ρ Π΄ΠΈΠ·Π°ΠΉΠ½Π° ΠΊΠ°ΠΊ ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½ΡΠ° ΡΠΎΡΠΈΠ°Π»ΡΠ½ΠΎΠ³ΠΎ ΠΈ ΠΊΡΠ»ΡΡΡΡΠ½ΠΎΠ³ΠΎ Π²ΡΡΠ°ΠΆΠ΅Π½ΠΈΡ, ΡΠΎΠΊΡΡΠΈΡΡΡΡΡ Π½Π° Π΅Π³ΠΎ ΡΠΏΠΎΡΠΎΠ±Π½ΠΎΡΡΠΈ Π²ΡΠ·ΡΠ²Π°ΡΡ ΠΏΡΠΎΡΠ΅ΡΡ ΠΈ ΠΏΡΠΎΠ²ΠΎΡΠΈΡΠΎΠ²Π°ΡΡ Π΄ΠΈΡΠΊΡΡΡΠΈΠΈ. Π Π°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°ΡΡΡΡ ΠΏΡΠΈΠΌΠ΅ΡΡ, Π³Π΄Π΅ Π΄ΠΈΠ·Π°ΠΉΠ½ Π²ΡΡ ΠΎΠ΄ΠΈΡ Π·Π° ΡΠ°ΠΌΠΊΠΈ ΡΡΡΠ΅ΡΠΈΠΊΠΈ, ΡΡΠ°Π½ΠΎΠ²ΡΡΡ ΡΡΠ΅Π΄ΡΡΠ²ΠΎΠΌ ΠΊΠΎΠΌΠΌΡΠ½ΠΈΠΊΠ°ΡΠΈΠΈ ΠΈ ΠΈΠ·ΠΌΠ΅Π½Π΅Π½ΠΈΡ. ΠΠ½Π°Π»ΠΈΠ·ΠΈΡΡΠ΅ΡΡΡ, ΠΊΠ°ΠΊ Π²ΠΈΠ·ΡΠ°Π»ΡΠ½ΡΠ΅ ΡΠ΅ΡΠ΅Π½ΠΈΡ ΠΌΠΎΠ³ΡΡ ΡΠΎΡΠΌΠΈΡΠΎΠ²Π°ΡΡ ΠΎΠ±ΡΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠ΅ ΠΌΠ½Π΅Π½ΠΈΠ΅ ΠΈ ΠΎΡΠΏΠ°ΡΠΈΠ²Π°ΡΡ ΡΡΡΠ΅ΡΡΠ²ΡΡΡΠΈΠ΅ Π½ΠΎΡΠΌΡ. ΠΡΠΎΠ±ΠΎΠ΅ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ ΡΠ΄Π΅Π»ΡΠ΅ΡΡΡ ΠΊΠΎΠ½ΡΠ΅ΠΊΡΡΡ, Π² ΠΊΠΎΡΠΎΡΠΎΠΌ Π΄ΠΈΠ·Π°ΠΉΠ½ ΠΎΠ±ΡΠ΅ΡΠ°Π΅Ρ ΡΠΈΠ»Ρ ΠΏΡΠΎΡΠ΅ΡΡΠ°, ΠΈ Π΅Π³ΠΎ Π²Π»ΠΈΡΠ½ΠΈΡ Π½Π° Π²ΠΎΡΠΏΡΠΈΡΡΠΈΠ΅ ΡΠ΅Π°Π»ΡΠ½ΠΎΡΡΠΈ.
This book explores the role of design as a tool for social and cultural expression, focusing on its capacity to incite protest and provoke discussion. It examines instances where design transcends aesthetics to become a medium for communication and change. The analysis delves into how visual solutions can shape public opinion and challenge established norms. Particular attention is given to the context in which design gains the power of protest and its influence on the perception of reality.