Dior and His Decorators
By Footer Maureen
Dior and His Decorators
Footer Maureen, 2018
ΠΠ±Π·ΠΎΡ
ΠΠ½ΠΈΠ³Π° Β«Dior and His DecoratorsΒ» β ΠΏΠ΅ΡΠ²ΠΎΠ΅ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠ΅ ΠΎ Π΄Π²ΡΡ Π΄ΠΈΠ·Π°ΠΉΠ½Π΅ΡΠ°Ρ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΡΠΎΠ², ΡΠ΅ΡΠ½ΠΎ ΡΠ²ΡΠ·Π°Π½Π½ΡΡ Ρ Christian Dior. ΠΠΎΠ΄ΠΎΠ±Π½ΠΎ ΡΠΎΡΠΊΠΎΡΠ½ΡΠΌ ΠΌΠΎΠ΄Π΅Π»ΡΠΌ Dior's New Look, Π΄Π΅Π±ΡΡΠΈΡΠΎΠ²Π°Π²ΡΠΈΠΌ Π² 1947 Π³ΠΎΠ΄Ρ, ΠΈΠ½ΡΠ΅ΡΡΠ΅ΡΡ Victor Grandpierre ΠΈ Georges Geffroy Π½Π°ΠΏΠΎΠ»Π½ΠΈΠ»ΠΈ ΠΌΠΈΡ Π½ΠΎΠ²ΠΎΠΉ ΡΡΡΠ΅ΡΠΈΠΊΠΎΠΉ, ΡΠΎΡΠ΅ΡΠ°ΡΡΠ΅ΠΉ ΡΡΠ°Π΄ΠΈΡΠΈΠΈ ΠΏΡΠΎΡΠ»ΠΎΠ³ΠΎ Ρ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΡΠΌ ΡΡΠ²ΡΡΠ²ΠΎΠΌ ΡΠ»Π΅Π³Π°Π½ΡΠ½ΠΎΡΡΠΈ. Maureen Footer ΡΠ°ΡΡΠΊΠ°Π·ΡΠ²Π°Π΅Ρ ΠΎ ΠΆΠΈΠ·Π½ΠΈ ΠΈ ΡΠ°Π±ΠΎΡΠ΅ ΡΡΠΎΠ³ΠΎ ΡΡΠΈΠΎ, ΠΈΠ»Π»ΡΡΡΡΠΈΡΡΡ ΠΏΠΎΠ²Π΅ΡΡΠ²ΠΎΠ²Π°Π½ΠΈΠ΅ Π²ΠΈΠ½ΡΠ°ΠΆΠ½ΡΠΌΠΈ ΡΠΎΡΠΎΠ³ΡΠ°ΡΠΈΡΠΌΠΈ.
Grandpierre ΡΠ°Π·ΡΠ°Π±ΠΎΡΠ°Π» ΠΏΠ΅ΡΠ²ΡΠΉ Π΄ΠΎΠΌ ΠΌΠΎΠ΄Ρ Dior, ΡΠΎΠ·Π΄Π°Π² Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ ΡΠ»Π΅Π³Π°Π½ΡΠ½ΡΠΉ Π²ΠΈΠ΄ ΡΠ°Π»ΠΎΠ½ΠΎΠ², Π½ΠΎ ΠΈ ΡΠ°Π±Π»ΠΎΠ½ Π΄Π»Ρ Π±ΡΠ΅Π½Π΄Π° Dior, Π²ΠΊΠ»ΡΡΠ°Ρ ΡΡΠΈΡΡ, Π»ΠΎΠ³ΠΎΡΠΈΠΏ ΠΈ ΡΠΏΠ°ΠΊΠΎΠ²ΠΊΡ. Grandpierre ΠΈ Geffroy (ΡΠ°Π±ΠΎΡΠ°Π²ΡΠΈΠΉ Π½Π΅Π·Π°Π²ΠΈΡΠΈΠΌΠΎ) ΡΠ°Π·ΡΠ°Π±ΠΎΡΠ°Π»ΠΈ ΠΈΠ½ΡΠ΅ΡΡΠ΅Ρ ΡΠ°ΡΠ½Ρ Π°ΡΡΠ° Dior. ΠΠΎΡΠ»Π΅ ΡΠΌΠ΅ΡΡΠΈ ΠΊΡΡΡΡΡΠ΅ Π² 1957 Π³ΠΎΠ΄Ρ Grandpierre ΠΈ Geffroy ΠΏΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΠ»ΠΈ ΠΏΡΠΎΠ΅ΠΊΡΠΈΡΠΎΠ²Π°ΡΡ ΡΠ°Π»ΠΎΠ½Ρ Π΄Π»Ρ Π΄ΡΡΠ³ΠΈΡ ΠΊΡΡΡΡΡΠ΅, Π° ΡΠ°ΠΊΠΆΠ΅ Π΄ΠΎΠΌΠ° Π΄Π»Ρ Yves Saint Laurent, Marcel Rochas, Gloria Guinness, Daisy Fellowes ΠΈ Maria Callas.
ΠΠ½ΠΈΠ³Π° ΡΠ°ΡΠΊΡΡΠ²Π°Π΅Ρ, ΠΊΠ°ΠΊ Grandpierre ΠΈ Geffroy ΠΏΠΎΠ²Π»ΠΈΡΠ»ΠΈ Π½Π° Π²ΠΈΠ·ΡΠ°Π»ΡΠ½ΡΠΉ ΡΠ·ΡΠΊ Dior, ΡΠΎΠ·Π΄Π°Π²Π°Ρ Π°ΡΠΌΠΎΡΡΠ΅ΡΡ ΡΠΎΡΠΊΠΎΡΠΈ ΠΈ ΠΈΠ·ΡΡΠΊΠ°Π½Π½ΠΎΡΡΠΈ, ΠΊΠΎΡΠΎΡΠ°Ρ ΡΡΠ°Π»Π° ΡΠΈΠ½ΠΎΠ½ΠΈΠΌΠΎΠΌ Π±ΡΠ΅Π½Π΄Π°. ΠΠ½Π°Π»ΠΈΠ·ΠΈΡΡΠ΅ΡΡΡ, ΠΊΠ°ΠΊ ΠΈΡ ΠΏΡΠΎΠ΅ΠΊΡΡ ΠΎΡΡΠ°ΠΆΠ°Π»ΠΈ ΠΈ Π΄ΠΎΠΏΠΎΠ»Π½ΡΠ»ΠΈ Π½ΠΎΠ²Π°ΡΠΎΡΡΠΊΠΈΠΉ ΡΡΠΈΠ»Ρ Dior, Π° ΡΠ°ΠΊΠΆΠ΅ ΠΊΠ°ΠΊ ΠΎΠ½ΠΈ Π°Π΄Π°ΠΏΡΠΈΡΠΎΠ²Π°Π»ΠΈ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΡΠ»Π΅ΠΌΠ΅Π½ΡΡ ΠΊ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΡΠΌ ΡΡΠ΅Π±ΠΎΠ²Π°Π½ΠΈΡΠΌ. Π Π°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°ΡΡΡΡ Π΄Π΅ΡΠ°Π»ΠΈ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΡΠΎΠ², ΠΎΡ Π²ΡΠ±ΠΎΡΠ° ΡΠΊΠ°Π½Π΅ΠΉ ΠΈ ΠΌΠ΅Π±Π΅Π»ΠΈ Π΄ΠΎ ΠΎΡΠ²Π΅ΡΠ΅Π½ΠΈΡ ΠΈ Π΄Π΅ΠΊΠΎΡΠ°ΡΠΈΠ²Π½ΡΡ ΡΠ»Π΅ΠΌΠ΅Π½ΡΠΎΠ², ΠΈ ΡΠΎ, ΠΊΠ°ΠΊ ΠΎΠ½ΠΈ ΡΠΏΠΎΡΠΎΠ±ΡΡΠ²ΠΎΠ²Π°Π»ΠΈ ΡΠΎΠ·Π΄Π°Π½ΠΈΡ ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½ΠΎΠ³ΠΎ ΠΎΠ±ΡΠ°Π·Π° Dior.
ΠΠΎΠΌΡ ΠΏΠΎΠ΄ΠΎΠΉΠ΄ΡΡ
- ΠΡΠ΅ΠΌ, ΠΊΡΠΎ ΠΈΠ½ΡΠ΅ΡΠ΅ΡΡΠ΅ΡΡΡ ΠΈΡΡΠΎΡΠΈΠ΅ΠΉ ΠΌΠΎΠ΄Ρ ΠΈ Π΄ΠΈΠ·Π°ΠΉΠ½Π° ΠΈΠ½ΡΠ΅ΡΡΠ΅ΡΠΎΠ².
- ΠΠΈΠ·Π°ΠΉΠ½Π΅ΡΠ°ΠΌ ΠΈ Π΄Π΅ΠΊΠΎΡΠ°ΡΠΎΡΠ°ΠΌ, ΠΈΡΡΡΠΈΠΌ Π²Π΄ΠΎΡ Π½ΠΎΠ²Π΅Π½ΠΈΠ΅ Π² ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΡ ΡΡΠΈΠ»ΡΡ .
- ΠΡΠ±ΠΈΡΠ΅Π»ΡΠΌ Π²ΠΈΠ½ΡΠ°ΠΆΠ½ΠΎΠΉ ΡΠΎΡΠΎΠ³ΡΠ°ΡΠΈΠΈ ΠΈ ΠΈΡΡΠΎΡΠΈΠΈ ΠΌΠΎΠ΄Π½ΡΡ Π΄ΠΎΠΌΠΎΠ².
- Π’Π΅ΠΌ, ΠΊΡΠΎ Ρ ΠΎΡΠ΅Ρ ΡΠ·Π½Π°ΡΡ Π±ΠΎΠ»ΡΡΠ΅ ΠΎ Π²Π»ΠΈΡΠ½ΠΈΠΈ Christian Dior Π½Π° ΠΌΠΈΡ ΠΌΠΎΠ΄Ρ ΠΈ Π΄ΠΈΠ·Π°ΠΉΠ½Π°.
- Π§ΠΈΡΠ°ΡΠ΅Π»ΡΠΌ, ΠΈΠ½ΡΠ΅ΡΠ΅ΡΡΡΡΠΈΠΌΡΡ Π±ΠΈΠΎΠ³ΡΠ°ΡΠΈΡΠΌΠΈ Π²Π»ΠΈΡΡΠ΅Π»ΡΠ½ΡΡ Π΄ΠΈΠ·Π°ΠΉΠ½Π΅ΡΠΎΠ².
ΠΠ»ΡΡΠ΅Π²ΡΠ΅ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎΡΡΠΈ
- ΠΠ²ΡΠΎΡ: Maureen Footer.
- Π―Π·ΡΠΊ: Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ.
- ΠΠ·Π΄Π°ΡΠ΅Π»ΡΡΡΠ²ΠΎ: Suddeutsche Zeitung.
- ΠΠΎΠ΄ ΠΈΠ·Π΄Π°Π½ΠΈΡ: 2018.
- Π’Π²Π΅ΡΠ΄ΡΠΉ ΠΏΠ΅ΡΠ΅ΠΏΠ»Π΅Ρ.
- ΠΠΎΠ»ΠΈΡΠ΅ΡΡΠ²ΠΎ ΡΡΡΠ°Π½ΠΈΡ: 272.
- Π Π°Π·ΠΌΠ΅ΡΡ: 280x226x30 ΠΌΠΌ.
- ISBN: 9780865653535.
Dior and His Decorators
Footer Maureen, 2018
Overview
Dior and His Decorators offers an unprecedented look into the work of the two interior designers most closely linked to Christian Dior. Just as Dior's New Look revolutionized fashion in 1947 with its unapologetic luxury, Victor Grandpierre and Georges Geffroy brought a similarly sumptuous aesthetic to interior design, revitalizing a war-weary world. Their work blended refined traditions with a distinctly modern elegance.
Author Maureen Footer delves into the lives and careers of this influential trio, showcasing their work through a collection of vintage photographs. Grandpierre not only designed Dior's first couture house, establishing the restrained elegance of the salons, but also created the template for the Dior brand's visual identity, including its typeface, logo, and packaging. Both Grandpierre and Geffroy independently designed the interiors of Dior's townhouse. Following Dior's death in 1957, they continued to design salons for other leading couturiers, as well as homes for prominent figures like Yves Saint Laurent, Marcel Rochas, Gloria Guinness, Daisy Fellowes, and Maria Callas.
This book explores how Grandpierre and Geffroy shaped Dior's visual language, crafting an atmosphere of luxury and sophistication that became synonymous with the brand. It analyzes how their designs both reflected and complemented Dior's innovative style, adapting classical elements to modern sensibilities. The book examines the details of their interiors, from the selection of fabrics and furniture to the lighting and decorative elements, revealing how these choices contributed to Dior's unique image.
Who it's for
- Fashion enthusiasts interested in the history of iconic brands.
- Interior designers seeking inspiration from mid-century modern aesthetics.
- Readers interested in the intersection of fashion, design, and culture.
- Those fascinated by the creative process behind luxury brands.
- Students of design history and visual merchandising.
Key features
- Written by Maureen Footer.
- Published by Suddeutsche Zeitung in 2018.
- Features a hardcover binding.
- Consists of 272 pages.
- Language: English.
- Dimensions: 280x226x30 mm.
- ISBN: 9780865653535.