By ΠΡΡΠΈΠ±Π°Π»ΡΠ΄ ΠΡΠΎΠ½ΠΈΠ½
ΠΡΡΠΈΠ±Π°Π»ΡΠ΄ ΠΡΠΎΠ½ΠΈΠ½, 2025, Π‘Π΅ΡΠΈΡ: ΠΠ·Π±ΡΠΊΠ°-ΠΊΠ»Π°ΡΡΠΈΠΊΠ° (pocket-book)
ΠΡΡΠΎΡΠΈΡ ΡΠ°Π·Π²ΠΎΡΠ°ΡΠΈΠ²Π°Π΅ΡΡΡ Π²ΠΎΠΊΡΡΠ³ Π»ΠΎΠ½Π΄ΠΎΠ½ΡΠΊΠΎΠ³ΠΎ Π°ΡΠΊΡΠΈΠΎΠ½Π°, Π³Π΄Π΅ ΠΌΠΈΠ½ΠΈΠ°ΡΡΡΠ° ΠΠΎΠ»ΡΠ±Π΅ΠΉΠ½Π°, ΠΈΠ·Π²Π΅ΡΡΠ½Π°Ρ ΠΊΠ°ΠΊ Β«ΠΠ°ΠΌΠ° Ρ Π±ΡΠΊΠ΅ΡΠΎΠΌ Π³Π²ΠΎΠ·Π΄ΠΈΠΊΒ», ΡΡΠ°Π½ΠΎΠ²ΠΈΡΡΡ ΠΏΡΠ΅Π΄ΠΌΠ΅ΡΠΎΠΌ ΠΎΠΆΠ΅ΡΡΠΎΡΠ΅Π½Π½ΠΎΠΉ Π±ΠΎΡΡΠ±Ρ. ΠΡΡΡΠΈΠ½ ΠΠΎΡΠΈΠΌΠ΅Ρ ΠΏΡΠΈΠΎΠ±ΡΠ΅ΡΠ°Π΅Ρ ΡΠ΅Π½Π½ΠΎΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅ ΠΈΡΠΊΡΡΡΡΠ²Π°, Π½ΠΎ Π²ΠΌΠ΅ΡΡΠΎ ΡΡΠΈΡΠΌΡΠ° ΠΎΡΡΡΠ°Π΅Ρ ΡΡΠ΅Π²ΠΎΠ³Ρ. ΠΠΎΠΊΡΠΏΠΊΠ° ΠΎΠΊΠ°Π·ΡΠ²Π°Π΅ΡΡΡ ΡΠΈΡΠΊΠΎΠ²Π°Π½Π½ΠΎΠΉ Π°Π²Π°Π½ΡΡΡΠΎΠΉ, Π³ΡΠΎΠ·ΡΡΠ΅ΠΉ ΡΠ°Π·ΠΎΡΠ΅Π½ΠΈΠ΅ΠΌ. ΠΠ΄ΠΈΠ½ΠΎΡΠ΅ΡΡΠ²ΠΎ ΠΡΡΡΠΈΠ½ ΡΡΡΠ³ΡΠ±Π»ΡΠ΅ΡΡΡ ΠΏΡΠ΅Π΄ΡΡΠΎΡΡΠΈΠΌ Π·Π°ΠΌΡΠΆΠ΅ΡΡΠ²ΠΎΠΌ ΠΏΠ»Π΅ΠΌΡΠ½Π½ΠΈΡΡ, Π΅Π΄ΠΈΠ½ΡΡΠ²Π΅Π½Π½ΠΎΠ³ΠΎ Π±Π»ΠΈΠ·ΠΊΠΎΠ³ΠΎ Π΅ΠΉ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ°. ΠΠ°Π²ΠΎΡΠ°ΠΆΠΈΠ²Π°ΡΡΠΈΠΉ ΠΏΠΎΡΡΡΠ΅Ρ Π½Π΅ΡΡΠ°ΡΡΠ½ΠΎΠΉ ΠΆΠ΅Π½ΡΠΈΠ½Ρ Π²ΡΠ·ΡΠ²Π°Π΅Ρ Ρ Π½ΠΎΠ²ΠΎΠΉ Π²Π»Π°Π΄Π΅Π»ΠΈΡΡ ΠΎΠΏΠ°ΡΠ΅Π½ΠΈΡ ΠΏΠΎΠ²ΡΠΎΡΠΈΡΡ Π΅Π΅ ΡΡΠ΄ΡΠ±Ρ.
Archibald Cronin, 2025, Series: Azbuka-classic (pocket-book)
The story centers on a London auction where a Holbein miniature, known as "The Lady with a Bouquet of Carnations," becomes the subject of intense bidding. Catherine Lorimer acquires the valuable artwork, but instead of triumph, she feels a sense of unease. The purchase is a risky venture that threatens financial ruin. Catherine's loneliness is amplified by the impending marriage of her niece, her only close relative. The captivating portrait of an unhappy woman makes the new owner fear repeating the model's fate.