By Π§Π°ΠΉΠ½Π°Π½ΠΈ Π‘ΠΎΠΌΠ°Π½
Π§Π°ΠΉΠ½Π°Π½ΠΈ Π‘ΠΎΠΌΠ°Π½, 2022
Π‘ΡΠ°ΡΡΠ΅ ΡΠΊΠ°Π·ΠΊΠΈ ΡΡΡΡΠΏΠ°ΡΡ ΠΌΠ΅ΡΡΠΎ Π½ΠΎΠ²ΡΠΌ ΠΈΡΡΠΎΡΠΈΡΠΌ Π΄Π»Ρ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΡΡ ΡΠΈΡΠ°ΡΠ΅Π»Π΅ΠΉ. ΠΡΠ° ΠΊΠ½ΠΈΠ³Π° ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ ΠΏΠ΅ΡΠ΅ΡΠΌΠΎΡΡΠ΅ΡΡ Π·Π½Π°ΠΊΠΎΠΌΡΠ΅ ΡΡΠΆΠ΅ΡΡ, Π³Π΄Π΅ ΡΡΠ΄ΠΎΠ²ΠΈΡΠ°ΠΌ Π½Π΅Π»ΡΠ·Ρ Π΄ΠΎΠ²Π΅ΡΡΡΡ, Π° ΠΈΡΡΠΎΡΠΈΠΈ ΠΠΎΠ»ΡΡΠΊΠΈ ΠΈΠ»ΠΈ Π‘ΠΏΡΡΠ΅ΠΉ ΠΡΠ°ΡΠ°Π²ΠΈΡΡ Π΄Π°Π»Π΅ΠΊΠΈ ΠΎΡ ΡΡΠ°Π΄ΠΈΡΠΈΠΎΠ½Π½ΠΎΠ³ΠΎ Ρ ΡΠΏΠΏΠΈ-ΡΠ½Π΄Π°. ΠΡΠΈΠ½ΡΡ ΠΌΠΎΠ³ΡΡ Π½Π΅ ΠΈΠ½ΡΠ΅ΡΠ΅ΡΠΎΠ²Π°ΡΡΡΡ ΠΏΡΠΈΠ½ΡΠ΅ΡΡΠ°ΠΌΠΈ, Π° ΠΠ΅Π½Π·Π΅Π»Ρ ΠΈ ΠΡΠ΅ΡΠ΅Π»Ρ ΠΎΠΊΠ°Π·ΡΠ²Π°ΡΡΡΡ Π½Π΅ ΡΠ°ΠΊΠΈΠΌΠΈ ΡΠΆ Π±Π΅ΡΠΏΠΎΠΌΠΎΡΠ½ΡΠΌΠΈ. ΠΠ²Π΅Π½Π°Π΄ΡΠ°ΡΡ ΠΏΠ΅ΡΠ΅ΠΎΡΠΌΡΡΠ»Π΅Π½Π½ΡΡ ΡΠΊΠ°Π·ΠΎΠΊ ΠΈΡΡΠ»Π΅Π΄ΡΡΡ Π°Π»ΡΡΠ΅ΡΠ½Π°ΡΠΈΠ²Π½ΡΠ΅ Π²Π΅ΡΡΠΈΠΈ ΡΠΎΠ±ΡΡΠΈΠΉ, Π½Π°ΠΌΠ΅ΠΊΠ°Ρ, ΡΡΠΎ Π±ΡΠ΄ΡΡΠ΅Π΅ ΡΠΎΠ·Π΄Π°Π΅ΡΡΡ ΡΠ΅ΠΌΠΈ, ΠΊΡΠΎ Π³ΠΎΡΠΎΠ² ΠΏΠΈΡΠ°ΡΡ ΡΠ²ΠΎΠΈ ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΡΠ΅ ΠΈΡΡΠΎΡΠΈΠΈ.
Somain Chainani, 2022
Old tales are replaced by new stories for contemporary readers. This book invites a re-examination of familiar plots, where monsters are untrustworthy and the stories of Cinderella or Sleeping Beauty deviate from traditional happy endings. Princes may not be interested in princesses, and Hansel and Gretel prove less helpless than expected. Twelve reimagined tales explore alternative versions of events, suggesting that the future is shaped by those willing to write their own narratives.